oNG Hu4 FINE CHINESE DINING (:)// Pites ? iott , ct "A wonderful adventure in fine dining" — Danny Raskin old Manhattan filmmak- family. er, who has been known Solondz went on to wear Keds and over- to attend Yale and sized glasses. New York "If one looks at it as University's film something otherworldly, school; after Fear, then one is failing to Anxiety and grasp the fact that it was Depression very sadly not other- bombed, he fled worldly, but very real. Hollywood and "There is a danger of applied to the unwittingly exploiting Peace Corps as "a the tragedy in ways that kind of tzedakah." tend to trivialize it, if He surmises he one doesn't see it in a was rejected, in proper context. And cer- part, because the tainly, the family in interviewer did [Storytelling] doesn't have not appreciate his strong moral bearings on sense of humor. hoW to understand or Undaunted, he explain the significance taught English to and meaning of this Russian immi- In "Storytelling," Southfield black cloud that does in grants before writ- native and former Hillel Day fact hover over post- ing Dollhouse to School student Selma Blair World War II Jewish his- plays a student humiliated by redeem himself as tory." a filmmaker. her creative writing teacher. The black cloud hov- He says that in ered over Solondz's New his own mind, the Jersey split-level, where his mother was Wieners of Dollhouse and the Jordans of haunted by memories of fleeing Nazi- Happiness were Jewish, "which gave me a oCcupied Antwerp as a child. level of familiarity as a jumping off point "The Holocaust was very much from which to explore their psyches." brought home to me, to the extent He adds that Storytelling is the first that we had relatives who survived or time he's created an overtlyJewish didn't survive," recalls the director, family; he named them Livingston, suggesting a source of his unsettling after his hometown, in part because worldview. they represent a kind of suburban Jew "I was taught early on that whether he found there. or not I regarded myself as Jewish, "One thing that interests me is the Hitler certainly would have deter- way that some Jews perceive assimila mined that I was a Jew." tion as a way to raise their -social standing," says Solondz, who imagines the Livingstons as "nee Leventhal." Jewish Families He notes how the fictional parents Solondz, who says he is now an athe- nag their slacker son to get into a good ist, attended an Orthodox yeshiva for college, adding, "That's emblematic of a time during elementary school, then how the Jewish value placed on educa- a Conservative religious school to pre- tion can be confused with the acquisi- pare for his bar mitzvah. In the sev- tion of status and material success." enth grade, his parents enrolled him in Solondz isn't above some self-criticism an elite, all-boys prep school, which in Storytelling, his alter ego is a nebbishy eventually inspired Dollhouse. failed filmmaker (Paul Giamatti) who "At 11, I was writing stories and redeems himself by exploiting his docu- playlets. At 12, I was no longer read- mentary subjects, the Livingstons. ing or writing, just counting off days, He says he's surprised that more interested [only] in survival," he wrote people haven't complained about in the introduction to his screenplay. Storytelling. "Of course, it's early, so Yet Solondz suggests he was an out- there's still hope," he adds with a cast for a different reason than the laugh. "I can only tell you that at a film's anti-heroine, Dawn Wiener screening someone once asked, 'Do (a.k.a. "Wienerdog"). you hate blacks, Latinos and Jews?' "There were only two Jews in my "All I can say is, if I do, I'm some- class, and [unlike me] they fit in with what egalitarian." the country club set — they were sort of like The Garden of the Finzi-Contini Storytelling, rated R, opens today Jews," he says, citing Vittorio De Sica's in Detroit. 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