from page 91 other cast members." Eileen Tepper, who plays the oldest daughter and the first to break with tradition in the play, has established a touring career that has brought her to Detroit more than any other city. Although her character Tzeitel is betrothed to a butcher as part of the pre-arranged marriage customs of the time being depicted, she gives her heart to Motel the tailor and goes after that marriage. "There's a deeper emotional connec- tion to this play because I'm Jewish," says Tepper, who also has been on tour with Starlight Express as an off-stage singer and Les Miserables as a factory worker. "Theo [Bikel] likes to have some of the people from previous tours in each production of Fiddler and holds up phonetic signs so the new people will know the right pronunciations of the characters' names." Tepper, who ran the New York City marathon this year, studied theater at Syracuse University, where faculty tried to prepare her for rejection. She therefore considers herself lucky when- ever she gets a part. "My stepsister used to live in Ann Arbor, so I know that city, too," Tepper says. Karen Katz, who portrays the youngest daughter, is the newest of these four to Fiddler, and she also has visited Michigan relatives, an uncle and aunt, Larry and Roz Rockind of Huntington Woods. "I think being Jewish enhances my performance [as Sprintze]," says Katz, 27. "The Sabbath scene around the table rings true because I experienced a similar scene every Friday in my own home. I also like that the themes are so universal. Everyone can relate to them without being Jewish." Katz, who went to drama camp and studied acting at New York University, has appeared in Gypsy, Bye Bye Birdie and Grease. In a related job, while auditioning for parts, she dressed up as Raggedy Ann and conducted story- times at FAO Schwarz. "I love being on the road," Katz says. "Everything is always new — new theaters, new audiences, new museums to see. These keep the show, and my life, fresh." FIDDLER from page 91 dren," Topol said. Paul Michael Glaser, who as Perchik, the idealistic student, da77.les Tevye's daughter with his sophistication and passion, recalled his experiences. "I was 27 and was asked to play a 17-year-old, and thought I wouldn't get the part. I went to the Sherry Netherland Hotel in New York and sat with Norman and read and danced around the hotel room. A screen test followed, and I got the part." Jewison recalled the opening of the movie. "In 1971, Arthur Krim, then chairman of United Artists, wanted the premiere to be in Jerusalem, instead of New York or Los Angeles, and he wanted Golda Meir to be the special guest at the screening," he said. Meir arrived in an old Chevy Impala, flanked by young, heavily armed soldiers. She sat with Topol for the first half of the film and Jewison for the second half. "I was worried about her reaction," said the director. "I watched her during the exodus scene. She put her fist into her eye and flicked one tear away, and she took my hand and squeezed it. At that moment I knew I had done good." ❑ TROUPERS broad for film. "There was also tremendous pressure to cast Danny Kaye, who was a close friend," said Jewison. "I knew I didn't want to do an American version. I wanted the film to have a very strong first-generation Russian-Jewish feel." In London, Jewison saw Topol's per- formance and was "knocked out. He had warmth and a virility that I knew would translate to the screen," said the director. Topol has become as synonymous with the role as Mostel. "It is a joy to reminisce about the film," said Topol from his home in Tel Aviv. "Before the film, I had done more than 400 per- formances as Tevye in London, and since the film I have done more than 2,000 performances in the United States, Canada, Europe, Japan and Australia. I haven't been away from the subject at any point in my life. "I am very grateful for the experi- ence," he said. "The most significant phenomenon for me is that people would come to see the play in genera- tions. I had audiences that came to see me 30 years ago and again recently with their children and grandchil- It had been Chef Paul Grosz' lifelong dream to open a restaurant of his own. After ten years at the Whitney, he finally saw his dream come to fruition with the opening of Cuisine. It resides at 670 Lothrup in the shadows of the Fisher Theater, in Detroit's New Center Area. With his brother/partner, Rick Grosz, the brothers transformed the former rus- tic restaurant of Il Centro into an elegant contemporary establishment to compli- ment their French-American menu. AM:.0:3. Please join Ch6f Paul for a unique palatable experience. Restaurant 6' Bar Hours Summer: Mon.-Sat. 4 p.m. Available for private Luncheons and Dinners • ❑ Fiddler on the Roof will be per- formed Nov. 16-25 at the Fisher Theatre. Perforrwances are 8 p.m. Mondays-Saturdays, 2 p.m. Saturdays-Sundays and 7:30 p.m. Sundays. 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