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October 05, 2001 - Image 91

Resource type:
Text
Publication:
The Detroit Jewish News, 2001-10-05

Disclaimer: Computer generated plain text may have errors. Read more about this.

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STAR-CROSS'D LOVERS from page 67



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Film warns of assimilation,
anti-Semitism.

MICHAEL FOX

Special to the Jewish News

A

dreamy, haunting fairy tale of
European anti-Semitism in
thel9th century, Simon Magus
offers poetry and prayer as an antidote
to madness.
Yet as we know from the Holocaust,
which casts a shadow like a thunder-
cloud over this ambitious and unset-
tling British film, sometimes nothing
can calm the insanity.
The wild card is a poor
Jewish beggar named
Simon (Noah Taylor,
who played the young
David Helfgott in Shine). Alternately
pitied, feared and reviled by his Jewish
neighbors, Simon isn't even counted
as a man by the rabbi.
But he's also delusional, given to
visions of the devil (Ian Holm).
When Simon is mistreated by the
Jews, the devil instructs him to visit
the gentile part of town, find the
church and convert to Christianity.
The desperate, lunatic Simon — who
has a memorable late-night encounter
with a demonic train — is richly sym-
bolic, but just what he represents will
spark most of the post-movie discussion.
Is writer-director Ben Hopkins hint-
ing that assimilation provides no guar-
antee of protection from anti-Semites?
Or perhaps he's suggesting that our
enemies can't do their work without
the help of some Jews.
Indeed, the last sound in the movie,
as the music fades at the end of the
credits, is steel wheels on track: the
dirge of the transports.
Perhaps Hopkins is so audacious as to
imagine Simon as a metaphor for God.
Near the end of the film, as Simon walks
alone in the dark, the other characters
feel the wind rising but see nothing.
While Simon Magus falls just short of
profundity, it deserves -- much like one
of the squire's poems — to be experi-
enced, savored and debated. El

Simon Magus, which played this
year at the JCC's Lenore Marwil
Jewish Film Festival, will be
screened 7:30 p.m. Monday,
Oct. 8, by the Detroit Film
Theatre at the Detroit Institute
of Arts. $6. (313) 833-3237.



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Guild (ATAG). Now in its fifth year,
ATAG is the only Arab American
theater group in town, and does
both English and Arabic perform-
ances.
Working with the Jewish communi-
ty posed a problem for some in the
Arab community, but, after dis-
cussing what JET was up to, the
ATAG board decided whatever the
risk was, it was worth it.
Alcodray's theater work brings him
in contact with many in the Jewish
and other theater communities, and
they all try to assist each other. ATAG
was asked to help make the produc-
tion as authentic as possible, and
acted as host at the Sept. 16 session
at ACCESS.
"If we didn't get involved, we
couldn't impact on how Arab culture
was presented," Alcodray said.
ATAG board member Karim Alrawi
of Dearborn agreed.
was at the Seeds of Peace dinner
and it was sold out; they had to turn
people away," said Alrawi, who took
that as a sign that "there is a sizable
percentage in both communities who
want to move forward."
He sees it as a process of trust. And
he appreciated the trust JET showed
in ATAG when the Jewish theater
group asked for help.
"Now more than ever, this produc-
tion is necessary," Alcodray adds.
"Not just for the sake of the produc-
tion, but for the sake of our commu-
nities."
But as Arab and Jew, and as all
Americans, struggle to make sense of
what has, and is, happening, the old
theater adage applies: "The show
must go on.
"Ver veist — who knew — all this
would be happening?" said the irre-
pressible Orbach. "But the more it
heats up, the more we have to do it.
"The tragedy is mind-boggling, but
if we join hands, maybe we can make
a - bigger noise than the World Trade
Center toppling down." ❑



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