ar ts Ent ert a !!, FOOD FOR THOUGHT from page 61 The cast of "Dinner With Friends": Left to right, Michelle Mountain, Phil Powers, Barbara Coven and John Lepard. Lost Love SUZANNE CHESSLER Special to the Jewish News B Margulies believes losing his mother and father while still in his 20s gave him a certain fearlessness as a writer. "There is something liberating," he says, "in not feeling you have to earn the approval of your par- ents." He continued to churn out plays haunted by Brooklyn and by "the legacy that parents inflict upon their children." In Found a Peanut, adult actors portray New York kids circa 1962 (Margulies' Burmese is named after Little Earl, the charac- ter who is "always in your face"). The Model Apartment is "a sort of Frankenstein story" about two Holocaust survivors and their obese, schizophrenic daughter Nevertheless, success was so elusive for Margulies that he considered leaving the theater altogether after toiling for a decade to establish himself as a playwright. He even moved alone to L.A. for a time, leaving his wife back East while he tried his hand as a super- vising producer on a TV series. "I hated it," he recalls. "I quit after six days. I just thought I was having a breakdown." Then came Sight Unseen, Margulies' black comedy about a painter, catapulted to super-fame, who struggles with his identity as an artist and a Jew. . Naomi Pfefferman is entertainment editor at the Jewish Journal of Greater Los Angeles. 8/31 2001 84 The 1991 piece put the artist at a crossroads: "I'd put a lot of blood, sweat and tears into the American theater, and I thought, 'This is the best I can do,'" he recalls. "If people didn't like the play, I was going to have to [quit]." Fortunately, life imitated art, and Margulies' saga of a famous artist thrust him into the limelight. The Pulitzer, he reflects, came at just the right Playwright time in his career. Donald "If I had won before I Mar g ulies• • had a body of work, it "Couples might have disabled I had thought me," admits Margulies, were constant who has penned screen- were suddenly plays for Robin Williams combusting." and Spike Lee and whose recent piece, God of Vengeance, is an adap- tation of the 1906 play by Yiddish writer Sholem Asch. "I've seen it derail people, because it brings with it a whole new set of expectations." Margulies believes the Pulitzer acknowledges not just Dinner With Friends but his entire body of work. "It's an awesome club to be a member of," he says. ❑ Dinner With Friends runs Sept. 5-Dec. 31 at the Gem Theatre, 333 Madison Ave., Detroit. Showtimes are 8 p.m. Wednesdays-Fridays, 6 and 9 p.m. Saturdays and 2 and 6 p.m. Sundays. Beginning Sept. 19, there will be an additional 2 p.m. show on Wednesdays. $27.50-$37.50. Opening week tickets are half price. (313) 963-9800. arbara Coven has led lots of physical workouts for Jewish Community Center members, but in the coming months, she hopes to lead at least some of them through emotional workouts. Coven, a former JCC aerobics and gymnast instructor, will be appearing Sept. 5-Dec. 31 at the Gem Theatre in Detroit as an about-to-be divorcee in Donald Margulies' Pulitzer Prize- winning play, Dinner With Friends. "Life has prepared me for this role," says Coven, 39, who was cast as a lesbian caterer in the Jewish Ensemble Theatre's production of Falsettos. "I went through a divorce and have remarried. I play Beth, and this role is extremely emotional. 'Although, at times, characters can seem casual, the playwright is explor- ing the casualties of divorce. The comic relief comes through the couple por- trayed as gourmets and seemingly dom- inated by food." Barbara Coven: "Life has While Coven, prepared me for this role." married to actor Paul Hopper, has internalized her character in a very personal way, she also looks at the issues from a wider point of view and is impressed with the universal impact of the themes. The playwright talks to so many of us," says Coven, who is not Jewish. 'People who haven't gone through divorce have witnessed it and it's amazing how we're all affected by it. The subject is not overly dramatized in the play; its very real. I love the playwright's language and believe it's the way we all hope we sound." Coven, who studied acting at the Los Angeles Theatre Academy, enters the production off a run of Jeff Daniels' The Tropical Pickle, which is just closing at the Gem. She has appeared on many area stages, including those at Meadow Brook Theatre, the Purple Rose, the Performance Network and the Strand. In Dinner With Friends, she appreciates the opportunity to explore relationships and the per- sonalities beneath public surfaces. At the time of divorce, whether in reality or on stage, there are new discoveries about people who seem very close and known, she explains. "This play is not about people feeling sorry for themselves," says the actress, who can recall the issues raised in the drama through her own expe- riences. "It's about people living with change and trying to adjust to that." 0