AC
ROLLING BACK
THE PRICES IN
' AN r BOTH LOCATIONS
RISING SON from page 75
•
PRICES GOOD
THRU
SEPT. 15TH
Food
Making
Is Like Making Love.
You've Gotta' Put
A Little Effort Into It!
Top to bottom:
Jakob with
Papa Bob in 1970.
"[Parents] are one
part of a person, and
there are many other
parts," says
Jakob Dylan.
TUESDAY & THURSDAY
MONDAY & WEDNESDAY
$14.95
New York Sirloin
$14.95
Veal Picante
$15.95 p
Shrimp Bordelaise
$10.95 I
Fettuccine Alfredo
Sliced Beef Pepperonata ..$11.95
$11,95
Chicken Cacciatore
Filet Mignon (with zip sauce) ..$15.95
$14.95
Veal Marsala
$11.95
Chicken Picante
$11.95
Sliced Beef Siciliana
Manicotti or Canneloni . .$ 9.95
$11.95
Broiled Whitefish
Family portrait:
Jesse, Samuel, Bob,
Sara, Jakob and
Anna Dylan, around
the time of Bob and
Sara Dylan's divorce
in 1977. Jakob
lived with each
parent during
his adolescence.
•
FRIDAY & SUNDAY
It's Our 53rd
Anniversary
Open Since
1948
Chateaubriand (for two)
. .$40.00
Sliced Beef Stefanelli
Broiled Whitefish
Chicken Moretti
Crab Legs
. .$11.95
$11.95
$11.95 r
$16.95
(Leith Zip Sauce)
All Dinners Include: Antipasta with Salad Bowl
Minestrone or Onion Soup • Pasta Del Giorno • Bread Basket
*Please no special discounts or coupons on Anniversary Specials.
4222 SECOND STREET, DETROIT • (313) 832-1616 • VALET PARKING
1477 JOHN R ROAD, TROY • (248) 588-6000 • VALET PARKING
SZECHUAN • HUNAN CUISINE
• Healthy Diet
• Cocktails,
Dishes Available
• Beer & Wine
CONSTRUCTION SPECIAL
TOTAL
DINNER BILL
• Expires 8-30-2001
• Excludes Holidays
+ Complete Catering Service For'All Occasions • Open 7 Days A eek
29875 NORTHWESTERN HIGHWAY • 353 7890
Easy access to Applegate off Inkster Road!
-
At Inkster . Applegate Square
AWAWLOSNATC7 ,MWOEM/Afar
29556
Orchard Lake Rd.
Just N. of 13 Mile
On the East Side
r
DINE-IN • CARRY-OUT
CATERING
Open Mon.-Sat. 6:30 - 3:00
Sun. 8:00 - 3:00
2001
78
COUPON
▪
=II NM
TOTAL BILL
EVERYDAY
Huge Eggwhite Omelets
Homemade Soup
Waffles
Lo-Cal Menu
Bagels & Lox
Not Valid With Any Other Offer
• Fresh Salads
Expires 9/30/01
I.
• Fresh-Baked Muffins
•
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•
8/24
calf
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(248) 626-0804
Fax: (248) 626-0814
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WITH ANY SALAD FROM
OUR LARGE SALAD MENU
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0
from England. The
same could be said of
[singer-banjo great]
Ralph Stanley, because
bluegrass doesn't have
relevance to my music.
But it's thrilling for me
to hear him, and part
of what's thrilling is
that his music is totally
unattainable."
For his part, Dylan
and his band's
thoughtful, no-non-
sense brand of heartland rock has
proven very attainable — and appeal-
ing
to a large audience. That
despite
or, perhaps, because of —
its stylistic debt to such artists as Tom
Petty, the Band, Van Morrison, Elvis
Costello [who guests on the
Wallflowers' latest album] and others,
including Bob Dylan.
The Los Angeles-based group's sec-
ond album, 1996's Bringing Down the
Horse, sold more than 4 million copies
and yielded such memorable hits as
the Grammy-winning "One
Headlight," "Three Marlenas" and
"Sixth Avenue Heartache."
The Wallflowers' latest album,
Breach, finds Dylan and his bandmates
— Michael Ward, Mario Calire, Greg
Richling and Rami Jaffee — crafting a
sound and style of their own. It
entered the national Billboard album
sales charts at No. 13 with a bullet,
buoyed by a media blitz that included
a lengthy profile in Rolling Stone.
The video for the album's first sin-
gle, "Sleepwalker," found itself in reg-
ular airplay on both MTV and VH 1,
while the song also clocked in on
Billboard's Modern Rock, Mainstream
Rock and Adult Top 40 charts.
This feat underscores the
Wallflowers' ability to appeal to a
broad array of listeners, including a
large number of young fans who don't
necessarily care, or know, that the
band's leader is the son of Bob Dylan.
Timing is everything in the realm of
pop music, but "what other people are
doing is irrelevant," says Dylan. "You
can't allow yourself to pay attention to
it. A lot of people have made records
compromising themselves in order to
be 'current.' By their next record they
backtrack, and say that they're 'getting
back to their roots.'
"You have to see who's been around a
long time, and what they have — and
haven't — done."
Dylan knows he need look no far-
ther than his own father to learn what
to do to achieve musical longevity.
But his dad has been a taboo sub-
ject, both in interviews and in the
younger Dylan's songs, which went
out of their way not to mention any-
thing about his personal life in general
— or even to write lyrics in the first
person.
"I definitely didn't want to spend