2001-2002 SEASON BRAVO SERIES Cosi Fan Tufte (Western Opera Theatre) Raymonda (Grigorovich Ballet) The Merry Widow (London City Opera) The Taming of the Shrew (Acting Company) FASHION BACKWARD from page 59 MEIJER BROADWAY SERIES The Sunshine Boys with Dick Van Patten & Frank Gorshin Titanic Funny Giri The Odd Couple with Barbara Eden & Rita McKenzie FOR THE PERFORMING ARTS JAZZ & BLUES SERIES Naturally Seven All Over Blues (Muddy Waters Tribute) Cyrus Chestnut (A Charlie Brown Christmas) Preservation Hall Jazz Band SiegellSchwall Band Glenn Miller Orchestra WWJ NEWSRADIO 950 BROADWAY TOO SERIES Sophisticated Ladies with Mary Wilson Ragtime Cabaret OFF-BROADWAY SERIES Strike Up The Band George & Ira Gershwin/George S. Kaufman Our Sinatra HMS Pinafore New York Gilbert & Sullivan Players C & G NEWSPAPERS COMEDY SERIES Carrot Top Gallagher Capitol Steps Penn & Teller ORCHESTRAS & CHOIRS SERIES Gnarly Wood Woodwind Trio - MSU River City Brass Band Christmas with the Mantovani Orch. 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COMCAST SUNSHINE SERIES SINGLES Famous People Players (kLittle Like Magic) Huggabug Club Christmas Show Little Bear Live On Stage Three Men And A Tenor The Ugly Duckling starring Pinky Flamingo Stuart Little (Seem-To-Be-Players) Russia's/American Kids Circus FIRST STATE BANK ENCORE SERIES The Gaylords Mandy Patinkin Anne Murray's Christmas Comes to Clinton Township Judy Collins Christmas Show Marvin Hamlisch Irish Rovers TRAVEL SERIES Four Corners USA-Southwest Adventure The Magic of Malaysia Exploring Costa Rica The Maltese Welcome Tanzania Safari TICKETS GO ON SALE MONDAY JULY 30TH HISTORY SERIES Rick Benjamin's Paragon Ragtime Orch. 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A Perfect Fit is extensively illustrated, with vintage photographs of immi- grant Jewish women in large hats and men posing in "stylish" American clothes. It also includes an advertise- ment in Yiddish for a "fashionable dressmaker," a photo of a Hadassah Wonders of America: Reinventing Jewish luncheon with women wearing "their Culture, 1880-1950, she found cultural finest chapeaux," fashion illustrations clues in found objects like a menorah of the flapper dresses that "radically made of mah-jongg tiles. "Clothing broke with tradition" and an ad for I. was the next best thing," she says. Cohen's neckties and paper collars. Writing this new book was a "felici- A seeming anti-Semitic illustration tous blend of the personal and profes- of a Jewish women wearing exaggerat- sional interests," she explains, adding ed clothing and jewelry depicts the that she "didn't feel the least bit guilty "Jewish woman's alleged affinity for or frivolous writing about clothing." excess." She explores how perceptions The professor has always been inter- like that developed, and how Jews sought to quash them. As Joselit notes in the book's conclusion, "Emphatically Modern," in the period after the book leaves off, beginning in the 1940s, clothing "had stopped serving as a compass whose coordi- nates registered national concern about what was appropriate and what was not." Dressing became Hadassah more a matter of personal ested in clothing, loves shop- lunches provided — rather than communal ping, and is particularly an opportunity for — expression. Fashion had attuned to accessories. Her members to wear more to do with standing tastes tend toward the mini- their finest chapeaux. out, celebrating individual- mal; she favors clean lines, ity, than fitting in. great fabrics and interesting When asked about buttons. She likes hats and issues of fashion in the contemporary has many. Jewish observant community, she speaks She doesn't limit A Perfect Fit to of clearly defined internal norms. "What women's fashion. In a chapter titled a Modern Orthodox Jew might wear is "The Mark of a Gentleman," she different from what a chasidic Jew might describes how many immigrant men wear," she notes. "It distinguishes the also "quickly learned their way around latter from the outside world, and sig- the haberdasher's." nals them one to another," she says. Some immigrant men who donned "These communal notions of styl- colorful socks and ties were known as ishness, once they're set, are awfully `sports," while those who became known hard to break." by their collars were called "stiffs." Joselit agrees that people do act in Joselit links color with the idea of ways that match their clothes. freedom. She quotes a fabric buyer, "The material world is not simply writing in the Saturday Evening Post, about the wrong set of values," she who credits Eastern European immi- says. "Clothing says a great deal about grant men for their fashion forward- notions of respectability, probity, ness in embracing color, once they belonging, the self. All the major issues became more confident of themselves are nestled in the sleeves of a garment." as Americans. The historian adds, "Or they had In the time period she addresses, El been." rabbis, ministers and priests, along (it was also was one of the earliest American publications to feature Theodore Herzl). Part of her research also involved scouting flea markets for relevant material, and she tried on examples of the clothing she writes about. A cultural historian who is a visiting professor of American studies at Princeton University, Joselit has previ- ously explored other aspects of daily life, including food and material cul- ture. In her award-winning book, The 'TN