STAR DELI IS ONE OF THE BEST CARRY OUT ONLY RESTAURANTS IN AMERICA! EVERYBODY KNOWS WE HAVE THE BEST HOMEMADE TUNA IN TOWN! TRY OUR Officious HOMEMADE OUR HOMEMADE FAT-FREE TUNA ALSO CAN'T BE BEAT! OPEN 7 DAYS M•SAT. 7 AM TO 10 PM SUN. 7 AM TO 10 PM WE CUT OUR LOX BY HAND! POTATO SALAD & COLE SLAW! dents to see how changes were made from page to stage," notes Caesar. The in-control Caesar was upstaged himself by news of the scripts' exis- tence. Who knew?" he asks. "And you know what," says Caesar, "the humor's held up. "There's no time frame for the skits," he says of the non-topical bits. The secret to his success? He did not tell funny jokes, he told funny stories, about real people. "I played the Everyman. I was the father, brother cousin. Everyone knew me and identified with me. You couldn't touch religion or poli- tics, and you couldn't zero in on one guy and tear him apart. I didn't allow any schmutzik (dirty) stuff, or cheap laughs. And I never allowed anyone to break up on the air, even when [producer] Max [Liebman] changed the running order of the sketches and I wound up in a bus driver sketch wearing gold lame boots." r OUR TRAYS CAN'T BE BEAT FOR QUALITY & PRICE! MEAT AND DAIRY TRAYS $5" OFF ON OUR BEAUTIFUL ALREADY LOW MEAT OR DAIRY TRAYS WITH THIS COUPON DELIVERY AVAILABLE • Expires 12-31-2000 • One Per Customer • Not Good Holidays • 10 Person Minimum I. autobiography, Where Have I Been? He's found himself since, coming out with an exercise video and exer- cising his talents most recently on TV in Emmy Award-nominated parts on Love 6- War and Mad About You. Other notable credits include the 1963 film comedy It's a Mad, Mad, Mad, Mad World and a Tony-Award- winning performance on Broadway in Little Me. Whether portraying the pallid Prince Cherney of Rosenzweig, whose prolonged death scene had audiences dying of laughter from the royal fool's rigorous rejection of rigor mortis; Val du Val, the invaluable French singer; or Noble Eggleston, the World War I fly boy with a plane ambition to enjoy himself, Little Me seemed an oxymoron for the larger- than-life Caesar. Carl Reiner, Sid Caesar and Howard Morris performed together on "Your Show of Shows" and "Caesar's Hour" during the 1950s, inspiring legions of sketch comedians. LET US CATER YOUR NEXT AFFAIR 24555 W. 12 MILE, Just West of Telegraph, Southfield (248) 352-7377 14P,`>.. tA V • Baked Potato • Rice Pilaf • Honey Glazed Carrots • Corn-Off-The-Cob • • • • 1:1:1 THE INTELLIGENT CHICKEN WHERE SMART PEOPLE EAT as E as 0 a. oz 12 CS CD U, • co co 0 0 Fp. ca rR ed 0 ed • o +a m 0 ai • a so issolius gst 1 Includes: 1 12/8 2000 90 U2 • • • • rn e+ limit 1 order poupon. No Exceptions er c Atter 3..00 pM. with coupon Expires 12/31 /00 with any other coupon. I CI 0 o. 3 charbroiled I_ • chicken breasts 1 • 4 side dishes Two honey whole 1 • wheat rolls CD Offer isn't good I 0 "' 0 0111 0 .0 (248) 855-4455 32431 Northwestern Hwy. (between 14 & Middlebelt, Farmington Hills) M-F: 11 am-8:30 pm; Sat: 11 am-3 pm Cole Slaw Garden Salad • Chicken Noodle Soup • 0 The Yonkers-born Catskills kibitzer never had a yen for Yiddishkeit, though he still attends services on the High Holidays "out of respect for my parents." But he is warmly appreciative of what he describes as his "Jewish type of humor," and has always considered himself a proud Jew. "I have known more than my share of pain in my life, and I used that in my comedy," he says. "Being Jewish played a large part in our humor. We did a parody of Japanese films with a character named `Shtarker Yamagura.'" He was possessed, he claims, by a dialectic dybbuk. "I don't know, I didn't intend to use Yiddish, but sometimes I'd open my mouth and these words just came out naturally." There were times, however, when the dybbuks were disastrous, having nothing to do with dialects and lan- guage; for years, Caesar was besotted by drinking and substance abuse problems, as described in his 1982 Yet Broadway wasn't the way he wanted his career to go. To tell the truth, and Caesar does just that, he found little of Little Me to his liking. "I didn't enjoy Broadway. After you do [a show] for five or six months, eight shows a week, sometimes two a day, it becomes boring." So if the Great White Way wasn't so great, what was? TV, of course. But then, TV or not TV wasn't even the question anymore after 1970. "The times were changing," he says, sounding more like a disheartened Bob Dylan than the Caesar hailed by millions. By the time he got to Woodstock, says Caesar, he knew it was over. "When I saw Woodstock, the 1970 film based on the very '60s rock experience, I said, 'That's it, the beginning of a new age of permis- siveness; that's not me."'