STAR DELI IS ONE OF THE BEST CARRY OUT ONLY RESTAURANTS IN AMERICA! Opening Act OUR HOMEMADE FAT-FREE TUNA ALSO CANT'T BE BEAT! EVERYBODY KNOWS WE HAVE THE BEST HOMEMADE TUNA IN TOWN! TRY OUR DELICIOUS HOMEMADE VEGETARIAN CHOPPED LIVER! OPEN 7 DAYS -SAT. 7 AM TO 10 PM SUN. 7 AM TO 10 PM OUR TRAYS CAN'T BE BEAT FOR QUALITY & PRICE! MEAT AND DAIRY TRAYS ON OUR BEAUTIFUL ALREADY 10W-PRICED MEAT OR DAIRY TRAYS WITH THIS COUPON • Not Good Holidays • 10 Person Minimum • Expires 12-31-2000 • One Per Person The Tokyo String Quartet — including a Jewish from Ukraine- begins CMSD's 2000--2001 season. SUZANNE CHESSLER Special to the Jewish News IV he Tokyo String Quartet, formed 30 years ago by four Japanese students attending the Juilliard School in New York, has changed members over the years and now includes a Jewish violinist born in Ukraine. Mikhail Kopelman, who joined the group in 1996 after immigrat- ing to the United States to escape antisemitism, will appear with the group Sept. 16 at the Seligman Performing Arts Center at Detroit Country Day School in a concert 24555 W. 12 MILE Just west of Telegraph • Southfield LET US CATER YOUR NEXT AFFAIR Enjoy Our Specialties... 00 S • • Baby Lamb Shish Kabob • Lamb Chops Shish Kafta • Shish Tawook • Debone d Chicken • Potato Chop • Chicken Cream Chop • White Fish (American & Chaldean-Style) fc, LUNCH t325. SPECIAL-1r •.:NY44-1 Te M SANDWICH WITH SOUP OR SALAD ANYDAY \ _7,, c„4., 00f, Middle-Eastern Dining' 29222 Orchard Lake Road, S. of 13 Mile Farmington Hills (248) 855-1122 Fax (248) 865-6001 9/1 2000 76 www.food.com/desertsands 20%0FF LUNCH OR DINNER ENTREE DINE IN OR CARRYOUT 7 DAYS A WEEK! with c upon Call Us For All Your Catering Needs Now Serving Cocktails & Wine Tokyo String Quartet: Clockwise from top: Clive Greensmith, Kikuei Ikeda, Mikhail Kopelman and Kazuhide Ison2ura. sponsored by the Chamber Music Society of Detroit. The program includes Shostakovich's String Quartet No. 1, Op. 49, Hugo Wolf's Italian Serenade and Beethoven's String Quartet in E-Flat Major, Op. 127. "I think it's a very interesting program because it's very different," says Kopelman, invited to join the quartet by the previous violinist, Peter Oundjian, who had to leave as the result of a hand injury think the audience in Michigan is OPENING ACT on page 77 the right rime. Konikow's method of operation was appropriate for his era — he sustained the organization practically by force of will and personality. But his love and dedication weren't enough. The board was without a defined structure: There was no staff; no pre- cise plans for the future; the group had little security or financial reserves — there was, in fact, a budget deficit; and there were no fundraising efforts and few volunteers. In general, CMSD's future was uncertain. "The society was a very informal arrangement involving a small group of devoted friends," said longtime sup- porters Marjorie and Erwin Simon of Huntington Woods (she's currently on the board). "Then came Lois Beznos. Her low- key, soft-spoken manner concealed a dynamo of determination and action which has brought the organization to its present high level of cultural achievement. Beznos organized working commit- tees; enlarged and revitalized the board and set regular meetings; began corporate fund-raising; obtained volunteer professional assistance in legal, accounting and marketing matters; reached out to younger members; and added pre- and post-concert social events. CMSD headquarters now is in a modern office on Northwestern Highway in Farmington Hills, and Beznos has two full-time staff members: Barbara Ramundo, development director, and Karen Isble, administrative director. "We depend mainly on donors, not just ticket sales," Beznos pointed out. "We're a self-sustain- ing, cultural institution belonging to the entire community, both individual and corporate." Barbara Klarman of Southfield, who once studied piano with Karl Haas, is an attorney who has been associated with CMSD since 1961 and has been a board member for five years. She reasoned that the organization "just had to change" because the economics of the business changed, including rising musician fees and higher rental costs of halls. We had to reorganize and improve in order to remain a viable organization." Klarman said one of the group's newest challenges is to get more young people involved, which is being done noiv through group sales and new mar- keting efforts. "One of our problems is that most of the young members of yesterday are now the older members of today. We need an influx of newer, "