Question of the Week: Who was Gedaliah? moieq /Jots ees •Aop s!Li4 01 (Glop yoep) vaLizigol s,uoqopee emesdo am •Lutu palepnw isuctu olAcloo et MOJy.19A0 at 416110S or_im liquoyeN jaoualsi JG you v •TD•8 98g ut welosruer patnidoo Aaui Jal_jo oprf jo JOUJGA06 uotippae palupddo suotuo1Ado8o LIGAASUIV - - sinful past t Elizabeth Applebaum AppleTree Editor T he outpouring of grief that is the central element of the Tisha b"A\, observance takes many forms, such as fasting. Ironically, our despair for the Ninth of Av is not expressed silently, but through poetry and song. To be sure. the poems and songs of Tisha b'Av are not cheery little ditties but somber laments known in Hebrew as kinot, meaning "elegies" or 'dirges. Traditionally, we recite almost 50 of . , these mournful compositions: five in the , evening service (following the recitation of Eicha, The Book of Lamentations) and 45 to 50 during the morning ser- vice. Many of the kinot are of unknown . I • OUR W B.,SI 'YE COMPILED. A FA ,4 '-DAY FOR AUGUST TO" • MARK TISHA B'AV. .detreit*.wishit,ews.cont Jews praying at the Western Wall on Tisha b'Av. authorship. Others are identified by the composer's name woven into the vers- es. For example, Rabbi Shlomo ibn Gabirol of 1 1 th-century Spain, whose kina usually is the fourth recited on the night of Tisha b'Av, used the letters of his name (shin, lamed; mem, hey) to begin each of the stanzas. The most frequently read kinot are those composed by Elazar Ha-Kalir, the greatest and most prolific of the early Jewish liturgical poets. It is believed that he resided in Tiberias, though when he lived is a matter of scholarly conjecture. He has been placed anywhere from . the second to the 1 1 th centuries C.E. Based on his st,, le of Hebrew and the