C'EST LA 'GUERRE' from page 71 "Martin Guerre" is based on a legend of a soldier who arrives in the small village of Artidat in the French countryside, claiming to be Martin Guerre, a native son who had disappeared seven years earlier. Stephen R. Buntrock as Arnaud and Erin Dilly as Bertrande in a scene from "Martin Guerre." 11/26 1999 74 posed the music. Boublil wrote the are from Michigan, a situ- lyrics with Stephen Clark. ation noted by cast and "There's a kind of coincidence crew as they head for the between Boublil and me," Davis says. Motor City. "I think my experience with self-fash- The musical is based on ioning as a Jewish woman growing up a book and 1982 French in an older family in Detroit was one film, both titled The Return of the things that attracted me to the and both of Martin Guerre, story of somebody who self-fashioned the ideas of Natalie Zemon so hard that he became an imposter. Davis, a former Detroiter "I think that Boublil picked up on whose family has been very that from my book. He wrote a very active in the Jewish com- lovely essay about himself in the play- munity. Another former bill, explaining that he was from Michigan resident, also Tunisia and understood about people with Jewish commitments, moving and changing their identity. I appears in the play as a guessed that he was from the Jewish member of the chorus and community in Tunisia, and not only is almost continually on was I right, but he went to the same stage. Sophia Salguero, high school as my Jewish Tunisian who spent the first five son-in-law." years of her life in Ann Davis also was attracted to the story Arbor, plays Marie. because of the plot, which is full of Erin Dilly, who attend- surprises. As a historian, she also was ed Groves High School and received a bachelor's degree in musical theater taken with some new insights. "Because there was a court case from the University of Michigan, [about whether the man was an portrays one of the leads, Bertrande. imposter], it's possible to get into the Hunter Foster (Victor) spent seven minds of peasants to some extent," years in the state and also earned a Davis explains. "Most of the peasants bachelor's degree in musical theater were illiterate, and we don't have from U-M. Gregory Butler, dance captain and assistant stage manager, was born and Ann Arbor native Sophie Salguero plays Marie: "I raised in Detroit. was raised Jewish, but I've always had identity and "I saw the musical in faith issues. The show makes me think about who I am, what's important and the similarities among all London, and I wrote of these religions and cultures and how strange lit is] something for the playbill that we fight about the details," she says. there," says Davis, 71, Offe' whose interest in the story dates back to the '70s. "I've been very much in touch with Alain Boublil, one of the writ- ers. Even though I haven't seen the final version, it's changed quite a bit his- torically in the sense that it's put later in the 16th century, when the reli- gious wars were hot. "In the book, I suggest that Bertrande and Arnaud were Protestants, and they took that insight and ran with it," making the characters Protestant and focusing on the Catholic-Protestant break, says Davis. The play, written by the same team that did Les Miserables and Miss Saigon, is in its third incarnation, the version planned for America. Boublil wrote the book with Claude-Michel Schonberg, who also corn-