26000 American Dr. Southfield, MI 48034 248-357-1100 bottom of a world full of lies / I ain't looking for nothing in anyone's eyes." It is so common for any discussion of Bob Dylan to focus on his lyrics that it is easy to overlook the fact that he is also a very original musician. For all the talk of Dylan's voice (or lack thereof), he is actually one of the most interesting singers around. His abstract vocal phrasings twist familiar lines, placing accent on unexpected words, resulting in new meanings of old lyrics. Though his voice has deteri- orated over the years, Dylan continues to draw artistic strength from his vocal shortcomings. His guitar style is as unconvention- al as his singing. Handling most of the evening's solos, Dylan looked as if he was having the time of his life, living out some sort of schoolboy "rock god" fantasy which never quite subsided. Turning up the sound, the band closed with "Not Fade Away," a Bo Diddley-beat rocker made famous by the Rolling Stones, reminding the 900 or so St. Andrew's fans that all the heady poetry discussions aside, it's still only rock 'n' roll. And I liked it. — Reviewed by Alex Lurnelsky Perhaps, like other pianists tackling this monumental work, he expended his energy early on and had no reserve of stamina at the end. However, Kissin isn't an effete pianist; maybe he needs to grow into the piece. If he needs inspiration, he need only to turn to the great Horowitz, who took on this tiger with a savage hunger, resulting in a neurotic but heart-stopping perfor- mance. Kissin redeems himself with a bold, decidedly aggressive take on the Ballade in F. He begins the piece with a gossamer daintiness, only to explode in a sturm and drang paroxysm of Romantic fury. Both the lyrical Ballade in A-Flat and tragic Ballade in F Minor are played with exquisite attention to detail without sounding precious. Kissin jumps headlong into the con- clusion of the F minor, but doesn't lose control of his technical command. Kissin's delicacy is amply apparent in the tender Berceuse. Many heavy- handed interpreters crush the filigree in this lovely work, but Kissin's touch is rose-petal soft. The swaying Barcarolle is filled with tonal nuances, which Kissin follows to the hilt, including the trills at the end, which slowly but firmly climax in audibility. The pianist closes the program with the Scherzo No. 4, which he begins with a kind of fey sprightliness that's soon transformed into a serious medi- tation as the music's mood darkens. Kissin delves into this work with such perception and understated ardor that you wish the other three Scherzi would immediately follow. —Reviewed by George Bulanda New On CD Chopin: The Four Ballades, Berceuse, Barcarolle, Scherzo No. 4; Evgeny Kissin, piano; RCA Victor Red Seal Kissin's powerhouse technique and poetic sensibility suffuse this program in radiant abundance. The 28-year-old Russian pianist (his parents were members of Moscow's Soviet Jewish intelligentsia) plays Chopin by turns sensitively and passionately — and nearly always seductively. However, the mighty Ballade in G minor, the downfall of many a pianist, eludes Kissin. The notes are all in the right places, but there is little drama in what is quite possibly Chopin's most theatrical work. The cascade of octaves in the coda are surprisingly weak and anti-climactic. The crashing notes should resonate with thunder, but Kissin sounds tired and uninspired. The Glass Tower The work of American glass artist Dale Chihuly is currently on display at the Tower of David Museum of History of Jerusalem through July 2000. The exhibit plays a pivotal role in Israel's celebration of the millenium since it was 2,000 years ago that the art of glass blowing was first developed in the eastern Mediterranean. The exhibition of Chihuly's mon- umental glass works provides extraor- dinary vistas for Jerusalemites and tourists. Some sculptures hang from the city's 16th-century ramparts and from the giant towers that were con- structed by King Herod two millen- nia ago. Centerpiece of the exhibit is a 40- foot high sculpture, fashioned from 2,000 pieces of glass. Another high- Hilton Inn Southf i eld We just spent S1.5 million to be completely refreshed and rejuvenated. 11111LIFINE122111.116t_ We've gone to extremes to update, upgrade, and improve our hotel. We've installed new carpet, furniture, wall paper, and drapes throughout the hotel. We've redesigned the layout of our guest rooms and equipped every one with 2-line telephones with voicemail & data ports; a large work desk with thoughtful features like desk level outlets, pull-out shelf for your laptop and ergonomic chair; a coffee maker; and a hair dryer. We've even converted all of our queen beds to kings. Come, check FROM $85 per room per night us out. For reservations, call your professional travel agent, 1-800-HILTONS, or the hotel direct at 248-357-1100. It happens at the Hilton. www.southfield.hilton.com Offer valid through 12/30/99. Limited availability; advance reservations required. Rate exclusive of tax and gratuity and does not apply to groups or other offers and is subject to change without notice. The Hilton name and loco are trademarks owned by Hilton. ©1999 Hilton Hotels. WANTED The Jewish Community Center's 48th Annual Jewish Book Fair is looking for local authors to participate in the LOCAL AUTHOR MINI-FAIR Sunday, November 7 • 11 a.m.-4 p.m. D. Dan & Betty Kahn Building Books must be published between November 1998 and November 1999 and be written by a Jewish author or have Jewish content. Deadline for submission is Tuesday, August 31. Send or fax submissions to: D. Dan & Betty Kahn Building • Attn: Book Fair 6600 W. Maple • West Bloomfield, MI 48322 • Fax: (248) 661-7711 For additional information, call (248) 661-7648. 7/16 1999 Detroit Jewish News 89