Write On Special to the Jewish News T is pleased to announce the $395 LUNCH SPECIALS Served Mon.-Sat. from 11:00 am to 3:00 pm your choice of: • Soup or Salad • Sandwich and Cup of Soup • Sandwich and Salad for $395 Banquet Facilities Available Saturday Afternoons, Nights and Sundays. Whether a wedding, shower, Bar/Bat Mitzvah, Anniversary or any special occasion, The Sheik would love to serve you. Open hr Luncb Gni) T\ L 4189 Orcharo Cohe Rocio Orcixtth Like 248-865-0000 248- 865 - 0020 1999 78 Detroit Jewish News • OVS Beginning and experienced writers will hone their craft at the annual Cranbrook Retreat for Writers. wo Jewish authors — one who special- izes in adult fiction and another who specializes in children's books — will help aspiring authors attending the Cranbrook Retreat for Writers. Lucy Rosenthal, who wrote The Ticket Out and edited Great American Love Stories and Work/ Ti-easing/ of Love Stories, will conduct a "Fiction Workshop." Elaine Greenstein, who wrote Emily and the Crows and Mrs. Rose Garden, will lead "Writing Books for Children." Both tailor their five-day programs, running July 14-18, to participants. The retreat, developed by Cranbrook Schools, has additional ses- sions July 9-13 that will cover poetry, autobiographies, screenplays and per- sonal essays. Among the other instruc- tors are poet Richard Tillinghast and screenwriter Bill Phillips. The workshops are conducted 3:30-6:30 p.m. Morning and early afternoons are spent writing and preparing for the workshops. In the evenings, faculty members read from their works during sessions that are free and open to the public. "I'm very hands on," says Rosenthal, a judge for the Book-of- the-Month Club's editorial board and a member of the fiction writing facul- ty at Sarah Lawrence College. "This is about process, and everybody gets to participate. We help each writer make the piece discussed what he or she wants it to become." Rosenthal asks everyone in her workshop to read all the manuscripts that will be introduced and then asks authors to read portions of their pro- jects to the others. You can .catch things when work is read out loud, get into its atmosphere and see what's making it happen and what it's trying to accomplish, " says Rosenthal, who has worked for many New York. publishers, screening new books. "I'm used to looking at every stage of a draft." The novelist from New York guides Elaine Greenstein: "I try to give adults the confidence to keep ivriting" writers to use a detective approach to let the work provide the clues for revisions. a [A manuscript] can't.wear its party clothes the first time out," she says. The author has written for a variety of publications, including the The New York Times and Ms.. She received her bachelor's degree from the University of Michigan, a master's degree from the Columbia School of Journalism and a second master's degree in playwriting from the Yale School of Drama. While working for one of many publishers, she was an early reader of A Separate Peace. She turned down The Godfirther, she says, because she has a blind spot about Mafia fiction. Rosenthal's The Ticket Out is written from a man's point of view and address- es his search for identity. She currently