Busting Stereotypes SUZANNE CHESSLER Special to the Jewish. News r rank and Sheila are in love, but they're afraid of having anybody find out. They meet each other, as if by chance, in the park. They rent videos for home viewing instead of going out to the movies. The couple, characters in Joan Lipkin's comic revue Some of My Best Friends Are ..., represent heterosexuals in a world where the majority are homosexuals. They can be seen May 27-June 24 at the Performance Network in Ann Arbor. "I've flipped the social reality for the scenes with Frank and Sheila," says Lipkin, a Missouri-based. writer, direc- tor and producer who will be visiting Michigan as a consultant on her pro- duction. "This piece is one of the few I've ever seen that addresses a gay, les- bian and heterosexual audience in the same space.. Some of My Best Friends Are ... mixes comedy, drama and musical numbers to explore gender issues. The title is a word play on the phrase that smacks of discrimination. "Civil rights for gay, lesbian and bisexual people is a relatively new movement," says Lipkin, 44, who uses theater to mix politics and art. Its an area where there needs to be a lot of work done. There's a lot of violence against gay and lesbian people, and there's a lot of workplace discrimina- tion and social stigmatization." Lipkin, founding artistic director of That Uppity Theatre Company in St. Louis, created her revue 10 years ago to protest Missouri's sexual miscon- duct law, which prohibits intimate contact between people of the same sex. It also marks the 20th anniversary of the Stonewall Riots, the uprising that began the gay and lesbian civil rights movement. "I often use an issue because it seems relevant, topical and pertinent to my thinking as a way to open things up," says Lipkin. She also has a commitment to the Disability Project, a series of workshops that engage the expression of both disabled and non- disabled participants collaborating toward a multidisciplinary theater piece to be produced by the year 2000. Lipkin, who grew up in Chicago, 5/21 1999 ,1 Detroit JewicThNiink . ifc: '4, 7 ■ " ") "" Joan Lipkin's "Some of My Best Friends Are ...," opening at Ann Arbors Performance Network, explores notions about gender. "I tried writing and producing on studied English and art history in col- the side while I was working, but both lege but found the subjects of her things were suffering, so I decided to degrees too academic. do the opposite of what my friends "I needed something that would were doing. At the call upon my interests point that they were and abilities," explains ABOVE: Joan Lipkin: "My the playwright, an artist- Jewish background has had an settling into their in-residence in the per- enormous impact on my work. careers and buying forming arts department It's given me a passion for jus- houses, I went in the at Washington tice, a commitment for work- opposite direction and University. "I've had a ing on vehicles for change, an took a tremendous lot of different work appreciation for both tolerance loss in income to start environments, and I and the value of diversity and a theater company. It's think all the things I've humor as a wondolitt coping been difficult, but it's mechanism." just a blast. done have contributed Lipkin, whose work co the many demands of has been featured on network television running a small theater company. I and produced in other countries, was was a television producer in public raised by a psychologist father and affairs programming, vice president of social worker mother. She attributes her an advertising agency and editor of a interests and social commitments, in city magazine. part, to her religious background. "I function very much as a Jew, by choice," she says. "My Jewish back- ground has had an enormous impact on my work. Its given me a passion for justice, a commitment for working on vehicles for change, an appreciation for both tolerance and the value of diversity and humor as a wonderful coping mechanism. "I think most of my stuff has a Jewish identity, which seems imbedded in the fabric of what I do. More overt- ly, I have a short story about a young [Jewish] girl trying to pass as Christian at her Catholic boyfriend's caroling party published in a book called Nice Jewish Girls Growing Up in America. "It's called 'Silent Night,' and this fall, I adapted it into a film script, which was just shot by a university. They're going to send it to festivals." Lipkin, who is making her first trip to Michigan, contributed to a book published by the University of Michigan Press — Upstaging Big Daddy: Directing Theater As If Race and Gender Matter. Although Lipkin has created many theater pieces about sexual orientation, she declines to comment on her own. "I don't tend to identify myself in . any public way," she says. "I try to let my work speak for itself. If I were to say that I'm heterosexual, then the question would be, 'Why is a hetero- sexual woman interested in writing about this stuff?' If I were to say I was a lesbian, then people would feel I have an agenda. "If I say one thing or the other, I think it constructs the way people look at [each production]. I want people to come to this without any expectation of who I am. I want them to have their own experience with this." ❑ Some of My Best Friends Are ..., by Joan Lipkin, with music and lyrics by Tom Clear, will be per- formed 8 p.m. Thursdays- Saturdays and 2 p.m. Sundays, May 28-30 and June 7-10, 14- 17 and 21-24 at the Performance Network, 408 W Washington, Ann Arbor. $15/$12 students and seniors/pay-what-you-can Thursdays. (734) 663-0681.