gle at"Sti foot btu Our NienwtrEoducing Executive Chef Michael D'Antoni `Sunset' Cast Performs AIDS Benefit Come On In and Try Our Authentic New Orleans Cuisine "Celebrating Life," a musical presentation featuring Petula Clark and other cast members of Sunset Boulevard, will be performed 7:30 p.m. Monday, March 15, at Temple Israel, 5725 Walnut Lake Road, in West Bloomfield. Proceeds from the program will benefit the Michigan Jewish AIDS Coalition (MJAC), Broadway Cares: Equity Fight Against AIDS, and Steppin' Out. Tickets are $72 for reserved seating and $36 for general seating. Other levels of sponsorship are available. For information, call MJAC, (248) 594-6522. MMAN.MtW AVIVaSiat.Mak'e0 a. k . ft:olveVaNaktVakalattSAM:zavnt.iftMla:MMeaadAta I can't do something," reveals the director, who guided The Secret Garden productions on Broadway and then on tour with former Detroiter Douglas Sills. Sills currently appears in the Broadway production of The Scarlet Pimpernel. "I was told all the time that I could- n't [direct] by well-meaning people who didn't want me to be heartbroken. They felt I could never make a living from theater, and for a long time, they were right. I only started making a liv- ing when my first Broadway show, Sweeney Todd, opened in 1990. I had been directing all around the country but made so little money." Schulman credits some of her suc- cess to having the feistiness of a native New Yorker. She also credits the encouragement of her father, a Jewish immigrant who maintained that America held the golden promise that let people realize their brightest dreams. "The thing I didn't anticipate was how people treated Sweeney Todd after they realized that a woman had direct- ed it," recalls Schulman, who was nominated for a Tony Award as Best Director. Her later play Violet won the Lucille Lortel Award for Outstanding Musical and the New York Drama Critics Circle Award for Best Musical. "I was shocked that [my being a woman] seemed to be the bite and hook of every article, even the reviews. That was only 10 years ago, but things have changed remarkably. When Schulman agreed to direct Sunset Boulevard, she took on a daunt- ing task. An earlier tour had to be stopped in its tracks because the sets were too cumbersome to move. "I wanted to set the play inside a metaphor that would enlighten the audience about Norma's mind, and that's why we set it inside a movie sound stage," Schulman explains about the production scheduled for 47 cities. "Everything that happens gets cre- ated inside that sound stage, where reality and fantasy get all mixed up, which is clearly what's going on in " You don't need New Orleans for that Great Mardi Gras Cure. NOW OPEN FOR LUNCH & DINNER MONDAY-FRIDAY Put a little party in your lunch hour. skaat Norma's mind as well. It also allows for a seamlessness and movement that's very cinematic." While the subject of the show can be very heavy, the play lightens up with fun music that recalls the '50s, a con- trast to the high-emotion songs per- formed by Clark, whose rock recordings hit pop charts in America as well as her homeland of England in the '60s. "I think Petula brings a kind of warmth and sassiness to Norma," Schulman says. "She was a child movie star and went through [some of what Norma went through] before becom- ing a pop singer, and she has a very quixotic sense of humor. She can turn on a dime, and it shows what a facile movie actress she must have been. "Lewis Cleale, [who plays the young screenwriter and Norma's romantic interest], said to me, 'I have no trouble falling in love with her. Apart from the fact that I find her very sexy, she's so entertaining."' Schulman, busy preparing Richard Chamberlain to become the male lead in Broadway's The Sound of Music and taking on the new play Time and Again set for Broadway in 1999, relaxes at her home on a lake, where she reads — and is beginning to write — novels. "I want to do plays that are true to me and courageous," the single Schulman says. "I direct because I feel strongly that I'm telling the story that was created. "It gives me great pleasure when someone like Stephen Sondheim or Andrew Lloyd Webber says, 'This is what I had in mind or never realized.' It gives me great pleasure to sit at the back of a house and watch an audience respond to something I've directed." ❑ Sunset Boulevard will be per- formed at the Detroit Opera House 8 p.m. Tuesdays- Saturdays, 7:30 p.m. Sundays and 2 p.m. Saturdays-Sundays, March 2-21. $32.50-$65. For informa- tion, call (313) 872-1000. ataggr4/7 4egA, or taste the perfected Old Favorites you loved. 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