is her honesty. She's one of the first feminist char- acters, not waiting for people to say what she can and cannot do. "Lucy was not written as a Jewish character; she was written as a bossy character. I think she may have a sense of entitle- ment that is parodied in Jewish humor. She doesn't understand why everyone else doesn't see it, too." Levine's first profes- sional role, for an HBO series about a fictional presidential candidate, brought her to Detroit for the first time. The series included a segment with SOSAD (Save Our Sons and Daughters) members. The actress went on to do the soap "All My Children," the Broadway production of Jake's Women with Alan Alda and a "Seinfeld" episode, "Contest," which opened up guest slots on other shows and a role in a still untitled film being direct- ed by Seinfeld sidekick Jason Alexander. Raised in a home where Hadassah was another important commitment, Levine has a special feeling for roles that bring her back to her cultural roots. "The film that Jason is directing is a wonderful coming-of-age story that takes place in the '50s," says Levine, who plays a Jewish woman looking after a nephew at odds with his Rana Levine plays know-it-all Lucy in a Broadway-bound production of "Youre A Good Man, Charlie Brown," opening Dec. 16 at the Fisher Theatre. many different kinds of theater and SUZANNE CHESSLER Special to The Jewish News I Lana Levine, in costume years ago as a Halloween trick-or- treater, carried a Jewish National Fund Blue Box and solicited donations for the cause strongly sup- ported by her parents. Ilana Levine, in costume today as Lucy Van Pelt in You're a Good Man, Charlie Brown, car- ries her heritage proudly and strives to open doors for aspiring Jewish actress- es. "I want people to see and know that I'm Jewish and that I'm getting these roles," says Levine, who will be at the Fisher Theatre Dec. 16-27. "I don't want them to feel like they have to hide their identity in some way to fill an image or a Hollywood stereotype." Levine, who will go to Broadway with the musical based on Charles Schulz's "Peanuts" comic strip, adds to 1 2/1 1 1998 the cultural diversity represented by the touring troupe. "What I love in particular about this production is the multi-ethnic cast " says the 20-something Levine. "There's a feeling of inclusiveness about the piece, and because we're adults playing children, it gives a multigenerational experience to the play as well." You're a Good Man Charlie Brown, featuring book, music and lyrics by Clark Gesner, premiered in New York in 1967. It spawned 13 national and 15 international companies and a tele- vision production. Updated with the help of director Michael Mayer, the musical celebrates 50 years of the popular comic strip. Familiar songs from the score include the title number, "Suppertime" and "Happiness," with musical supervision and vocal arrangements by former Oak Parker Andrew Lippa. "After having been in and seen so movies and television shows that are cynical or violent, I find it joy- ous being in a piece where people are just authentically themselves," says Levine, who studied theater arts at Fordham University at New York's Lincoln Center. "Not to get corny, but there's something nice about going back to a piece that is about friendship and hopefulness. "Each of the characters has some aspect of ourselves. Charlie Brown repre- sents what it is to be human in the uest way — no matter what our • "Peanuts," nearing its 50th anniversary, is the world's most widely syndicated comic strip, reaching 350 million readers a day in 2,600 newspapers in 75 countries. • Creator Charles Schulz contin- ues to draw and write every strip of the experi- ences, more than 17,500 that have run. we all • Nickelodeon, the No. 1 U.S. net- keep work for children, airs the "Peanuts" chugging animated library seven days a week. along. • Paramount Home Video has What I sold more than 4 million admire "Peanuts" videos since 1994. about Lucy, • HarperCollins has sold more although it can than 1 million "Peanuts" be painful to have books since 1996. a dialogue with her, Lucy