closely with the couple to get the dis- play and supplementary programs and materials in place. "The artists are important represen- tatives of the techniques that made stu- dio glass one of the great art movements of the late 20th century," Fike says. "We have divided the display into groupings that relate to other art movements, such as abstract expres- sionism, happening at the time, and visitors will learn about the three major types of glassmaking techniques — blowing glass, casting glass and glue fabrication — through a video." The Robinsons have been glass enthusiasts for 25 years, the time frame in which the medium moved from being thought of as a craft to being thought of as fine art. "We're attracted to the transparency of glass," says Mrs. Robinson, also a jewelry designer who used colorful glass beads to form strands and baubles available in the DIA Museum Shop to complement the exhibit. "Ours is a very broad collection and very contemporary." Mrs. Robinson's enthusiasm for the material's possibilities preceded her husband's. While she gravitates to the tougher pieces, he responds more to mass and color. The first piece in their collection, a vase made in Italy, was a gift from her sister. It was joined by other pieces after a visit Aviva Robinson made to a Dearborn gallery, where she saw a great variety of creative approaches. Since the 1970s, the Robinsons have enjoyed scouting glass at gal- leries, fairs, auctions and seminars throughout the world. Of the 57 artists represented in the collection, 15 are European, one is Asian and 41 are American. "My husband and I don't always agree on the works that we like," says Mrs. Robinson, a DIA trustee whose first job after graduating from Wayne State University was conducting chil- dren's workshops at the museum. "Generally, Jack relies on me somewhat aesthetically, but if he really doesn't like a piece, I'm not going to buy it." A photography hobbyist, he has enjoyed taking pictures of the glass. "I have photographed the pieces at different times of the day, and this has been very rewarding," says Mr. Robin- son, chairman of the Policy Commit- tee of the Southeastern Michigan Community Partnership for Cultural Participation, a committee of the Community Foundation for South- eastern Michigan. The Robinsons carefully follow the careers of the artists, have met many, visited the studios of several and invit- ed a number of them to be guests in their home. "I've spoken with each artist repre- sented in the collection," says Fike, who points out that some, such as Sydney Cash and Richard Ritter, are from Michigan. "We asked each artist to tell about the work of art, why they made it and its significance. Some of the artists came here, and I had the opportunity to talk to them in person." What they said will be communi- cated in the catalogue that accompa- nies the exhibit. The history of glass art also will be explored. Programs associated with the exhib- it include gallery talks by the Robin- sons and Fike, "Collectors Tell All" at 3 p.m. Sunday, Oct. 11; a video, "Dale Chihuly: Glass Master," noon-3 p.m. Saturday, Oct. 17; an adult class, "The History of Studio Glass," 10 a.m.- noon Saturdays, Nov. 7-21; and a gallery talk, "A Passion for Glass" with Herb Babcock, head of the glass department at the Center for Creative Studies, at 2 p.m. Sunday, Nov. 15. ❑ 'A Passion for Glass: The Aviva and Jack A. Robinson Collection" will be on display 11 a.m.-4 p.m. Wednesdays-Fridays and 11 a.m.-5 p.m. weekends, Oct. 11-Feb. 14, at the DIA. (313) 833- 7900. On The JNE Cover From "Passion for Glass: The Aviva and Jack A. Robinson Col- lection," clockwise from top left: Sydney Cash, "Ophthalmologic Intention," 1988, plate and pat- . tern glass, wire; Howard Ben Tre, "Structure #5," 1983, cast glass; Karl Schantz, "Urban Rainbow #7," from the XJ19 series, 1984, vitrolite glass; and Joel Philip Myers, "Vessel Form," i 985, blown glass; center: Aviva and Jack Robinson at home. An Artist In Her Own Right A show of Aviva Robinson's paintings opens tonight at Pontiac's Uzelac Gallery. traditional painter, doing landscapes, hile the Robinson focus still lifes and figures at home, where at the Detroit Institute she could move in and out of her of Arts is glass, there is artistry while raising three daughters. a different interest at Robinson kept turning more to the the Uzelac Gallery in Pontiac — abstract as she worked with overlapping "Aviva Robinson: Works on Paper." shadings of color and went on to During the month of October, experiment with three-dimensional Robinson will be showing a group.of 15 new pieces she creat- ed exclusively for this exhibition. "I created a body of work in a certain way, and that's how I usually plan shows," says Robin- son, whose colorful artistry has been featured in many one-person and group exhibits since she graduated from Wayne State University as an art teacher some 40 years ago. "I've gone back to the two-dimensional surface for the first time in many years." Robinson started as a Aviva Robinson: "Work on Paper." IV planes, cutting, folding and pasting paper. For a while, she made her own paper and molded it into three- dimensional forms before applying the paint. "I'm having a wonderful time now with the two-dimensional sur- faces because one idea leads to another, the artist says. "I work with watercolors although I combine them with acrylics and pencil. The transparency in my watercol- ors led to my interest in glass. I'm just drawn to color." Dale Chihuly: "Chartreuse Persian with Scarlet Lis ❑ — Suzanne Chessler - "Aviva Robinson: Works on Paper" will be shown Oct. 2-31 at the Uzelac Gallery, 7 North Saginaw, Pontiac. The opening reception runs 7-10 p.m. Friday, Oct. 2. (248) 332-5257. If a single individual has been responsible for transforming the scope and reputation of glass as an artistic medium, it is Dale Chihuly. In addition to his work exhibit- ed in the Robinson collection at the DIA, metro Detroiters will have the opportunity to view Chi- huly's installations, as well as his latest pedestal sculpture, at a show opening Oct. 2 at Habatat Gal- leries, 7 N. Saginaw, in Pontiac. An opening reception will be held 7- 10 p.m. this evening at the gallery. Dale Chihuly will lecture at the DIA 7:30 p.m. Wednesday, Oct. 21. For more information, call Habatat Galleries, (810) 333-2060. 10/2 199 Detroit Jewish News 85