. ka:" sskWi Etz*.ft: Do I Hear A Schmaltz? Photos by Carol Roscgg Composer Jerry Herman talks about his craft, his new show and his fondest memories. SUZANNE CHESSLER Special to The Jewish News B roadway composer Jerry Herman confidently reveals the ingredient all suc- cessful Christmas songs must have — schmaltz. That's why, he explains, so many Jewish composers have come up with them. His own holiday hit, "We Need a Little Christmas," which flavors the musical Mame, was written in the same spirit as Irving Berlin's "White Christmas" and Mel Torme's "The Christmas Song." Jerry Herman,. Lee Roy Reams and Florence Lacey More songs from combine their talents for–nn Evening with Jerry Herman. Mame as well as songs from other himself and two vocalists in An views, opens July 28, joined by Lee Herman shows — Hello, Dolly!, La Evening With Jerry Herman, the Tony Roy Reams and Florence Lacey, both Cage aux Folles, Milk and Honey, Award winner tells behind-the-scenes well-known to the Broadway stage. The Grand Tour, Dear World, Mac stories from his high-power career, The composer, 65, shared his feelings and Mabel — come together in a which also has featured him on about stepping into the spotlight with new Broadway revue that puts the recordings. The Jewish News: composer-lyricist center stage. Herman, after two weeks of pre- In between playing the piano for . 7/24 1998 78 Detroit Jewish News JN: What do you like about this show — first as the com- poser and second as a performer? JH: What I really love most about the evening is that it brings me in contact with the people who have been listening to my songs all these years. It's such a thrill because they come backstage and tell me chat my songs have been part of their lives. Before doing this particular evening, I would always be anonymous and never meet these people. JN: In general terms, do you think composers bring something special to performances of songs they have written that others cannot bring? JH: It's certainly been my experience. Whenever I've heard Cole Porter sing "Anything Goes" in a little, strange, up-high voice, there's something about it that just thrills me because I know that's where [the song] came from. There's nothing like that. I do think