It's Their Party "Party of Five" co-creators Amy Lippman and Chris Keyser add "Significant Others" to their stable of TV dramas. tysomethings are executive produc- ers and co-creators of the hit Fox Special to The Jewish News TV show "Party of Five" and of my Lippman and Chris "Significant Others," which is tem- Keyser sit in a room trying porarily taking over "P05's" 9 p.m. to make sense of episode six time slot on Wednesdays. The duo have creative control of their new Fox TV show, "Significant Others." They think and over both shows: They read every laugh aloud for the next 20 minutes as script, attend every story meeting and are involved in casting. they hash out whether two characters are really in love with each other. In fact, they write every script for At the end of the conversation, "Significant Others," although they Keyser looks at Lippman, smiles, and have stepped back a little and are says, "Do you believe we do this for a allowing the writing staff to pen living?" some dialogue for the more estab- lished "Party of Five." No doubt they love their jobs. What's not to love? The two thir- With "Significant Others," Keyser and Lippman wanted to Julie Weingarden is a West write something different for the Bloomfield-based freelance writer. same audience. "We also wanted the same opportunity the actors have when they leave to do a feature film. This allows us to flex our writing mus- cles a bit," says Lippman. "Significant Others" centers around a group of twentysomethings trying to figure out what to do with them- selves for the rest of their lives. Both shows target men and women 18-49, says Lippman, though 35-49 year olds will relate more to "Significant Others." "It has an older cast and more humorous possibilities than 'Party of Five,"' she says. "Party of Five" tells the story of five children who bond together after their parents are killed by a drunk dri- ver; they've faced issues The cast of "Party of Five':• A Jewish sensibility. ranging from abortion JULIE WEINGARDEN A 3/27 1998 90 Above: Amy Lippman: "The shows aren't about us, but you have to be able to understand the characters in order to write them." Left: Chris Keyser: "Do you believe we do this for a living?" and alcoholism to depression and can- cer. Keyser, 37, and Lippman, 34, were strongly influenced by the 1980s show "thirtysomething," but wanted to focus on younger adults. "People in their 30s have already made decisions in life and are looking back asking, 'Am I happy? Do I like the person. I married?' They're not ask- ing questions like, 'Who am I? Whom should I marry?'" says Lippman. The cast of "Significant Others" prominently features day dreamer Campbell (Eion Bailey), cyber-porn writer Henry (Scott Bairstow) and commitment-phobic Nell (Jennifer Garner). Like the cast of "Party of Five," the actors aren't hard on the eyes. But casting "Significant Others" took much longer than it did for "Party of Five," says Lippman. "We wanted to find new faces who could become the characters and not themselves playing the characters. It's hard to imagine actors in new parts whom you've seen in other roles," she says. Lippman and Keyser met in a play- writing class at Harvard University. Lippman was a senior studying English, and Keyser was in his last year of law school. Lippman was hired right out of school writing for soap operas in New York. She worked on "Loving" and "Santa Barbara," but never loved the soaps. Keyser realized that law wasn't his calling and began writing screen- plays after graduation. The duo eventually moved, with their future spouses, to California, where Keyser's law background pro- vided them with an entree to some legal shows. Their first credit was "L.A. Law." They've also written for "Equal Justice," "Eddie Dodd," and were co-executive producers and writ- ers for "Sisters." Lippman says there is a piece of her in each character. "The shows aren't about us, but you have to be able to understand the characters in order to write them," she says. "I relate to all of them in some way." "I grew up with my grandparents living around the corner," says Keyser,