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January 30, 1998 - Image 102

Resource type:
Text
Publication:
The Detroit Jewish News, 1998-01-30

Disclaimer: Computer generated plain text may have errors. Read more about this.

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DELI • DINING • CATERING

• •
• •
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1 4 •


•••••••••••••••••••••••
• • CRITICS
CHOICE SINCE 1962







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DETROIT
JEWISU NEWS

1/30
1998

102

J

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News 6- Reviews.






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HANGING AROUND

White takes on many shades of mean-
ing through the works of seven inter-
nationally known ceramic artists
brought together in one exhibit simply
titled "White."
The display continues until the end
of February at the CCS (Center for
Creative Studies)-Center Galleries in
Detroit.
Guest curator
Ruth Rattner select-
ed the pieces to
illustrate the diver-
sity that can be
shown through
material of one
color.
"Within the con-
text of white, the
viewer will find a
universe of aesthetic
differences, reflect-
ing, in part, formative
influences of time and
place," says Rattner, who
has taught art history at
CCS and Wayne State
University. "The works
are by well-grounded
artists, most represented
in museums."
There are Robert
Turner's nonfunctional
vessel forms, Ruth
Duckworth's geometrical
shapes, Lawson Oyekan's
pierced and parched
pieces, James Melchert's
tiles, Howard Kottler's
irreverent plate decals, Marek Cecula's
hygienic sculptures and Laszlo Fekete's
surreal nymphs.
"I was attracted to these works
because of the color, surfaces and
glazes," said Rattner, an art activist,
consultant and collector. "I'm always
attracted to art that puzzles.
"I did not work from slides. I went
to New York to make my selections,
and I want people to be as provoked
by the artistry as I was."
Rattner also wants viewers to
understand that clay is not used only
for craft projects. She has labeled the
artists "door openers" as they suggest

new ways of seeing ceramic styles.
"My fascination with
clay is part of my ongoing
exploration of art," the
guest curator says. "I was
originally drawn to ceram-
ics by their tactile surfaces,
rich glazes and evidence of
the artist's hand."
Rattner believes close

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WI>. Canfield
Matt Victor Hansen
Jennifer Read Hawthorne
Mad Shimoir

hicken
oup

Above: Marci Shimoff

ther s
Soul

Left: Howard Kottler:
"Cup of Light," 1973.

Bottom: Lawson
Oyekan: "Trial with
Light Bowl," 1996

xstu Iii?;

ileho Mcbsti,

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And ?slimy

101 Stories to Open the
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examination of the artwork will call
attention to the influence of nationali-
ties from Duckworth's England to
Oyekan's Nigeria.
"The pieces are both personal and
profane, and I hope people will see
the range of possibilities that artists
can explore," Rattner says.

"White" will be on display 10
a.m. - 5 p.m. Tuesdays-Saturdays
through the end of February at the
CCS-Center Gallery, 15 East
Kirby, Suite 107, Detroit. (313)
874-1955.

For author Marci Shimoff, Chicken
Soup for the Woman's Soul and Chicken
Soup for the Mother's Soul are a natural
progression of her everyday lifestyle.
Shimoff, along with co-author Jen-
nifer Read Hawthorne, is the co-
founder of The Esteem Group, a com-
pany that specializes in self-esteem and
inspirational programs for women.
Since 1989, Shimoff has studied
self-esteem with her mentor Jack Can-
field. Canfield has been involved in
the creation of Chicken Soup books
since their inception in June 1993,
with the publication of Chicken Soup
for the Soul: 101 Stories to Open the
Heart and Rekindle the Spirit.
In the last few years, Shimoff has
been delivering keynote addresses
based on the Chicken Soup for the Soul
message in association with Canfield
and another Chicken Soup co-author,
Mark Victor Hansen.
Because of Shimoff's professional
experience and background working
with women's groups, she was fre-
quently asked about writing a
women's version of the Chicken Soup
books.
She teamed up with Canfield,
Hansen and Hawthorne as co-author
of Chicken Soup for The Woman's Soul,

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