INEntertainment COMPOSER, COMPOSER The premiere performance of Lawrence Singer's Double Concerto for Oboe, Viola and Orchestra will high- light the Sunday, Nov. 16, concert of the Southfield Symphony Orchestra at St. Hugo of the Hills, where a free _,oboe master class will be offered on - the previous day. Internationally known oboist Humbert Lucarelli, Detroit Symphony Orchestra's principal violist Alexander Mishnaevski and a combined chorus of Southfield-Lathrup and Ferndale High School students will perform. The concert, conducted by Valery Leonov, also will include Beethoven's Leonore Overture, Marcello's Oboe in Concerto in D Minor and Bellini's Norma Overture. A grant from C; the Michigan Council for Arts and Cultural Composer Lawrence Affairs enabled Singer the orchestra to commission Singer to write the piece. "The viola and oboe are both instruments which are rarely used in concertos," said orchestra president C Charles Marks. "By combining them in a single concerto, we will be creat- ing a format which has no precedent in music history." The master class, which runs from 2-5 p.m., will be conducted by Singer, Lucarelli and Karen DiChiera, director of the Department of Community Programs for Michigan Opera Theatre. Singer, who periodically teaches at Oakland University, was born in Eastpointe, graduated from Eastman School of Music and studied composi- tion at the Academia Chigiana in Sienna, Italy. The recipient of an award in com- position from Radio France and a Rockefeller Foundation fellowship, Singer has been an oboe soloist for RAI Radiotelevisione Italiana. Two CDs of his oboe concerto Sensazione II are available; one is a Grammy-nominated recording on Crystal Records, and the other is a new release on Opus I. Singer wrote "Four Holocaust Songs" for the Holocaust Memorial Center in West Bloomfield and the Mixed Media News 6' Reviews. children's opera Aesop's Fables for the Michigan Opera Theatre. Lawrence Singer's double concerto will be performed 7:30 p.m. Sunday Nov 16 at St Hugo of the Hills, 2215 Opdyke, Bloomfield Hills. $12/adults; S8/seniors and children. The free oboe master class will be held 2-5 p.m. Saturday, Nov. 15, at St. Hugo of the Hills. Call (248) 424- 9022 or (248) 851-7408. OF NOTE ... NEW ON CD Anyone expecting sentiment on Carnival of Souls: The Final Sessions (Mercury), the final album from the last of Kiss' sans makeup lineups, is likely to be disappointed. Released to block the tide of bootlegs and, proba- bly, to stave off a lawsuit or two, Kiss principals Gene Simmons and Paul Stanley — Chaim Witz and Paul Eisen to you — have brought forth their final recording with guitarist Bruce Kulick and drummer Eric Singer, the musi- cians they released when it became clear the highly lucrative reunion with original members Ace Frehley and Peter Criss was going to take. Kulick and Singer aren't getting much of a send-off, though; Carnival of Souls comes out on the budget plan, with the most Spartan packaging and graphics to grace any of Kiss' 29 albums. Agginiej, k Stepping away from the pop and glam sensibilities that inform most of the group's repertoire, Carnival is a headbanger's special, Kiss' bid to share a little sonic space with modern metal faves such as Metallica and Alice in Chains. The lyrics are dark, the rhythms are lumbering and the guitars are loud and speedy. It works in spots: "Master & Slave" and "In the. Mirror" cook atop a solid groove; "Childhood's End" has an agreeably anthemic drive; and the acoustic flavored "I Will Be There" is an effective change of pace. But mostly Carnival sounds imita- tive, stripped of most of Kiss' trade- marks in its pursuit of another realm of hard rock sounds. And unoriginality is not a guise that Kiss wears well. — Reviewed by Gary Graff BETWEEN THE PAGES Fans of Howard Fast's Immigrants series will be delighted with An Independent Woman, his postscript addition to a reading experience they believed had ended several years ago. The author, too, thought he had con- cluded his saga with The Immigrant's Daughter when he left Barbara Layette, daughter of Dan Layette, the Italian immigrant shipping magnate, in mid- dle age. When Fast's wife of 57 years died, however, he had cause to reflect on the vitality of older women, and he real- ized that the story of his heroine was far from over. Here all the charac- ters — or their descen- dants — who peopled the original novels are reintroduced, with necessary explanations of their place in Barbara's extended family that readers of the previous books will find a bit cumbersome. Here, again, are the Levys, who operate a Napa Valley winery, as well as Joe Layette, Barbara's doctor broth- er, and Sam Cohen, her son, who is now a surgeon. New to this installment is Philip Carter, a Unitarian minister whom Barbara meets when she ducks into his church to get out of the rain and mar- ries when she is in her late 60s. Their honeymoon to Europe and Israel allows for more of the adventures in interna- tional intrigue on which Barbara's repu- ,--l iftdepeilde n t t? k t 1 ;;RANTS N Cation has been based. In the tradition of its forerunning companions, this book is gently politi- cal, touching again on the Vietnam War and the unsettled Middle East, and this time bringing up spiritual matters by way of Barbara's agnosticism juxtaposed with her new husband's unshakable beliefs. The narrative is framed by an account of Robert Jones, a thief whose life Barbara changes for- ever when he comes to rob her house in the middle of the night. While the story can be read and understood without first reading its predecessors, readers who choose to bypass the previous novels are doing themselves a disservice. While Fast alludes to the family's establishment in turn-of-the-century San Francisco, this present-day chronicle lacks the histori- cal heft that grounded those that came before it. And readers coming to these characters for the first time may find the effusive warmth between them, their easy acceptance of each other's complicated lifestyles and the harmo- nious relationships between former spouses a tiny bit saccharine and too good to be true. — Reviewed by Glenda Winders of Copley News Service 11/14 1997 109