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The result was The Black Veil, the problems. But in the long
so named because the tradi- term, the people don't acquire the
tional Ethiopian veil is white. necessary tools for survival in Is-
The play's title empha-
raeli society."
Yaffa S chuster-
sizes the special situa-
Ms. Schuster-Bara-
Baran ovich
tion of the Ethiopian
novich is especially inter-
content rates on
immigrants to Israel.
ested in different
"The veil, which is so life afte r aliyah.
socio-linguistic back-
important to them in
grounds and moving from
their culture and is traditional- one culture to another. She lived
ly worn by women, is therefore in Sweden for six years, complet-
turned from white to black and ing her Master's degree in educa-
is used symbolically, alluding to tion, psychology and sociology.
peoples' color and they way they
"Israel is a unit of many in-
are treated because of that," she credible cultures," Ms. Schus-
explains.
ter-Baranovich says. "But the
This was the first time a emphasis is on aliyah, the
group of Ethiopians actually act- process of arriving here, and not
ed in a play; indeed, there is only on what is left behind."
one professional Ethiopian ac-
While the numerous prob-
tress working in Israel. Ethiopia lems the Ethiopian Jews have
has no tradition of theater, faced in Israel are manifold in
though its culture is rich with The Black Veil, the IAEJ was
N,
storytelling, music and dancing. skeptical about the effectiveness
Ms. Schuster-Baranovich want- of using theater as a means of
ed to incorporate all these ele- making a political point. It re-
ments in the new production, cently announced, in fact, that
and it was clear from the start funding for the production will
that The Black Veil was going have to cease shortly as The
to be a musical, because music Black Veil has continuously
is strong in Ethiopian culture.
failed to break even.
The play focuses on a few
In the final song of The Black
days in the life of Workenesh, Veil, the Ethiopians are urged
the heroine, who feels she hasn't to wake up and overcome their
found her place in Israel. To al- own problems.
leviate her unhappiness, she
Ms. Schuster-Baranovich dis-
daydreams she is back in agrees, of course, but she already
Ethiopia. Scenes showing is set to work on another project
Workenesh and her husband ar- — again with Ethiopian Jews.
guing at their home in the car- Her plan is to start a fully ac-
avan site are cruelly juxtaposed credited drama course for groups
with the fantasy scenes where, of young Ethiopians, as part of the
in her imagination Workenesh Habamah Theater School in
is still in the village where she Jerusalem's Talpiot district.
was born.
"The actors who took part in
`-)
"From experience, we know The Black Veil were not profes-
many people overcome the harsh, sionals, and we didn't actually
everyday life by building an have time to teach them how to
imaginary village," Ms. Schus- act," she explains.
ter-Baranovich illustrates. "In
She also plans a follow-up to
the short term, it helps overcome The Black Veil. ID
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