SIN Entertainment 'Albino Alligator' 'Ragtime' leading to a high-speed chase in secret agenda or identity, ing narrative. There is wonder- which some police officers are hostages and captors alike, and, agtime is one of the great ful balance and variety. as alliances develop and shift, musical theater creations. onstantly toying with ex- killed. Just when you feel you can't With a host of law enforce- the mood grows ever more tense. Every facet of this en- pectations over character absorb any more of the Frequent filmgoers know that ment agencies in pursuit, the grossing production reflects and plot, Albino Alligator heartrending dilemmas, Mc- talent, intelligence, taste and in- spends 95 minutes or so on pace slows down considerably, blood will be shed before the Nally throws in a wonderful credits roll; the trick is in guess- as the gang (Matt Dillon, Gary spiration. It grips you as the dra- the verge of being a good movie. vaudeville scene. But there is Sinise and William Fichtner) ing whose blood that will be. matic tension builds; it makes And then it ends. never an extraneous moment, As it turns out, first-time di- takes refuge in a neighborhood you laugh; it makes you cry. In the tradition of films like never an irrelevant line. The creators have done one of Dog Day Afternoon and Reser- saloon, just before last call. They rector and Academy Award-win- Composer Stephen Flaherty ner Kevin Spacey (Seven, the most successful translations voir Dogs, Albino Alligator con- figure they can lay low for is probably less well known than The Usual Suspects) has . of a novel to the musical stage cerns itself with the plight of awhile, let things cool McNally, even to avid the- plenty of tricks up his down and then, perhaps, some small-time hoodlums who MOVIES ever. • atergoers. But his score sleeve, filling this delib- are forced to take hostages when slip out the back and dis- Ragtime is like Les is superb — popular the- THEATER erate drama with a gaggle appear into the night. an ill-conceived heist goes awry. Miz in that social and ater music yet operatic in Of course, they figured wrong. of red herrings and false leads. The film opens quickly with the political history play a its use of "motifs" and dra- So many, in fact, that the curve As it turns out, this particular large role. But the canvas here midnight scam falling apart, matic music that illuminates the bar doesn't have a back door and balls become more interesting is much broader, the range of characters and situations. than the film itself. the front door has been besieged subjects, people and ideas much Richard Halprin is an In the opening scenes, "Fa- One keeps hoping that the with trigger-happy cops, ratings- wider. attorney 1 film critic. ther" leaves his comfortable New It is a show that ACATIA0 ., :ww,m 7, "wMe Rochelle home on a journey to covers the immi- grant experience the North Pole. "Mother" sings in the early 1900s, . goodbye. Tateh, a Jewish immi- racism, industrial- grant, is arriving on a death ization, the labor ship. Each character is intro- movement, the be- duced, and suddenly the three ginnings of the are in a beautiful trio that com- movie industry, bines, compares and contrasts Houdini, show girl with one another. The effect is Evelyn Nesbit (the overpowering. You are drawn girl in the swing) into the story, inescapably, ir- and an upper class reversibly. The influence of Stephen family in conflict: a daunting chal- Sondheim's music on Flaherty is lenge, but one discernible, but Flaherty is in no which the creators way imitative and has developed have carried off his own distinctive voice. The emotions that are brilliantly. aroused by Flaherty's music in This is not an agitprop show, nor "haunting, taunting" songs like is it a panoramic "New Music" are balanced by play, like Noel songs as delightful as "The Coward's Caval- Crime of the Century." The Eve- cade, for example. lyn Nesbit character, whose hus- It is an exception- band, the mad Harry K. Thaw, ally human story shot his wife's lover, Stanford which involves the White, sings how "Stan was audience deeply in killed, Mother was thrilled." The lyrics by Lynn Ahrens the lives of the are the perfect partner to Fla- play's characters. In the very open- herty's music: witty where called ing scene, staged to for, intense and touching and the evocative and tender at other times. The Flaherty-Ahrens number memorable title "He Wanted To Say" is as bril- song, we meet a First-time director Kevin Spacey on the set of Albino Alligatorwith Faye Dunaway. comfortable upper-class family in liant in concept and execution New Rochelle, N.Y. along with as anything I have ever heard immigrants and bla&s. The con- in the theater. It left me literal- hungry TV reporters and a spe- next plot twist will lead to a pay- trasts, the potential conflicts are ly breathless. Yes, I loved every minute and cial agent, played by Joe off, but payday never comes. immediately highlighted and we everything about Ragtime. Montegna. Cornered and des- Though the screenplay is rife are drawn in this world. perate, the would-be thieves with artifice and deception, it The book, by the well-known turn their plight into a hostage has nothing to say between ma- and successful playwright Ter- VT Ragtime is playing at the N- utstaredireg situation, hoping to force a hap- neuvers. rence McNally — adapted from - Ford Centre for the Performing CT) a As a result, Albino Alligator py ending for themselves, if not the novel by E.L. Doctorow — Arts in Toronto through, Aug 3. Good their captives, which include bar never evolves from its initial does an amazing job of blending Call Livent, (416) 872-2222, for 2 owner M. Emmet Walsh, bar- premise, remaining all trick and the many characters and sub- ticket information. 013130 maid Faye Dunaway and pa- no treat. jects into a cohesive, swiftly flow- trons Skeet Ulrich, John 41/2 Morton Zieve is chairman of o' ®1 2 Fair Spencer and Viggo Mortensen. Holed up inside this dim tav- Simons Michelson Zieve Inc. — Morton Zieve — Richard Halprin Advertising. ern, everyone seems to have a Avvf am I Rated R C meter 70