SIN Entertainment /- /-) 'Cats Don't Dance' 'The Devil's Own' Rated PG voice of Scott Bakula), who comes Max in Sunset Boulevard, might to 1930s Hollywood with dreams frighten smaller children, espe- hey don't make movies like of singing and dancing his way cially as they chase and torment our cute, furry hero. they used to" is a popular re- to the top. However, the rest of the Along the way, he meets frain heard around theaters MOVIES film is sunny enough in these days. Cats Don't up with other aspiring nature that kids should Dance, in its own animated way, four-footed friends, including attempts to recapture those lost the jaded feline Sawyer (voiced not mind too much. Cats Don't Dance features days of Busby Berkeley musicals by Jasmine Guy and sung by Na- and innocent, rags-to-riches fa- talie Cole), who long ago gave up some likable, toe-tapping tunes bles. And for the most part, if you her crooning hopes. All of the an- by frequent Academy Award- nominee Randy Newman, who also livened up Toy Story. Scott Bakula ("Quantum Leap") has a surprisingly pleasant voice and manages to hold his own against pop music diva Natalie Cole. The choreography, parts of which are based on sugges- tions by the late Gene Kel- ly, is sweet and snappy. The film's exploration of racism and discrimination is handled delicately and ef- fectively. Children will get the message of equality, and parents will appreciate the subtlety. Unlike a lot of children's can accept the singing car- Danny the Cat imals have given up their movies, Cats Don't Dance toon cats, piano-playing meets fellow dreams because they caters to the youngsters pachyderms and dancing acting hopefuls know that in this Holly- without forgetting the par- goats, Cats Don't Dance in the animated wood, only the humans ents. There are enough fun movie references and clever comes pretty close to re- musical Cats get the good parts. When Danny and his homages to keep mom and dad capturing that bygone era. Don't Dance. friends try to break intrigued while the kids "ooh" Of course, the film's real audience — kids — won't be in- through this barrier, they meet and "aah" at the animals, mak- terested in these reminiscences. a truly frightening nemesis, the ing it a family film that truly is They will, however, enjoy the Shirley Temple of the Dark Side, for the family. simple story of the talented Darla Dimple. ® 1/2 The loathsome Darla and her young tabby, Danny (with the gigantic, menacing butler, mod- Liz Lent is an avid moviegoer. — Liz Lent eled on Erich Von Stroheim's Rated R I hether he's playing a doc- tor, lawyer or explorer, in the company of the Irish or the Amish, Harrison Ford somehow seems to always end up on the wrong end of a gun. The box-office stalwart has made a career out of playing the every- man turned mega-hero, and it is a role that suits him well. In The Devil's Own, Ford once again Blake Foster stars as the newest Power Ranger in Turbo. rig CD 0 W us out what's going on and the patriot games begin. Does any- body want to bet against Harri- son Ford? The production notes from The Devil's Own seek to paint the sto- ry as a contrast of two men who are committed to doing the right thing, and, on a simplistic level, that proposition is true. But to tru- ly buy into that suggestion, one must accept the notion that there is something morally correct and Harrison Ford and even romantic about be- takes on the role of an ordinary Joe forced into Brad Pitt s tar in The ing a terrorist. Devil's Own, the The past nine months extraordinary circum- newest re lease by or so have seen the re- stances. director Alan J. lease of several films This time, Ford plays Pakula, who also • raising the same propo- Sergeant Tom O'Meara, directed All the a New York City cop liv- President' s Men and sition, including Michael Collins and Some Moth- ing a typical middle- Sophie's Choice. er's Son. Both of these class existence with his family in Brooklyn. O'Meara is the films were rooted in factual ac- kind of guy who would do any- counts of actual events and pro- thing for family or a friend — all vided a degree of insight into the you have to do is ask. Early in the turmoil that is Northern Ireland. film, O'Meara is asked by a The Devil's Own does not have that type of vision and, prominent judge and fam- while Ford's performance ily friend to board a young MOVIES is steady and Pitt fakes a Irishman who is seeking reasonable brogue (with to start life anew in the United States, far from the war shaky Irish accent), this is ulti- zone of his native Northern Ire- mately just another Hollywood story, designed more to cause land. The Irish lad (Brad Pitt) is in- flinching than thinking. troduced as Rory Devaney, but back home he's known as Frankie —Richard Halprin McGuire, a murderous soldier for the IRA. Unbeknownst to O'Meara, DeVaney's real purpose for being in the States is to raise money for the purchase of some high-tech missiles. Their relationship begins in- nocently enough, as both men come to respect each other's ap- parent decency and humility. It is only when DeVaney's weapons deal turns sour that O'Meara fig- 0() , Bagel Barometer ®,0c) .® Outstanding (AO TV imports of the 1960s, par- > ticularly "Starman" and "Ul- traman." They also fought men in rubber monster suits, with little more than kung fu moves. And be sure to stick through the credits for scenes of Lerig- ot's wife and kid after the Rangers rescue them. They're kinda cute. 0'Q — Stephen Bitsoli Richard Halprin is the proud father of a new baby daughter. No Bagels Very Good Good Fair Awful