SIN Entertainment 'The Last Supper' Rated R of fascists, homophobes, racists, sexists, censors, puritans, fanat- ic ideologues, and ultimately et's face it: Black comedy is their main course, a television enormously hard to pull off. demagogue, smartly portrayed Besides Arsenic and Old by Ron Perlman. ace, Dr. Strangelove and Paulie (Annabeth Gish) is ini- \ _ Harold and Maude, what black tially appalled by the group's de- _) / comedies have had staying pow- cision to cover up their er, a cult following? Which of transgression and continue in the them end on a harmonic same vein. But as time note, not a discordant passes, she finds herself one? MOVIES becoming a witting ac- Heathers tried to ex- complice in the conspira- amine the petulant celebrity of cy and coincidentally finds herself teen suicide. Eating Raoul's can- turned on by their deeds. Her nibalistic humor was off-kilter amorous intoxication with both and sick, and we won't even talk motive and method has a chill- about director John Waters' ing side effect for her lover Marc school of sardonic humor. (Jonathon Penner). Instead, for the moment, let's In fact, all of them — the pris- enjoy The Last Supper, a mor- sy Pete (Ron Eldard), tart- dantly funny, black comedy tongued Jade (Cameron Diaz) about liberals who act to make and cool-as-ice Luke (Courtney the world a better place. From its B. Vance) — manifest charac- opening credits, a series of wa- ter traits that poison and betray tercolor washes that look like their own skewed political cor- Cezanne meets Joan Miro as rectness. drawn in the macabre style of the The Last Supper's big-name New Yorker's late illustrator cast (Jason Alexander, Charles Charles Addams, The Last Sup- Darning, Nora Dunn, Mark Har- per is awash with a splendid mon), more like a guest list for sense of iconoclastic irony. a dinner party, is aptly littered Five smart-ass graduate stu- throughout the film. They are dents who room together in a ambushed one by one, like shoot- cozy, country cottage enjoy a ing fish in a barrel. Each one has weekly Sunday dinner at which his or her delicious little de- they solve all the troubles in the mented diatribe to lend to the world through intellectual dis- repast. It's such fun to watch cussion. When their ideals are them wriggle into their own trap. sorely tested at mealtime by a In fact, the film's subtlety in- bigoted truck driver, marvelous- vites us to play along with this ly malicious Bill Paxton, whose gleeful game. An empty seat rantings suddenly imperil them, awaits us at the dinner table and they are forced to dispatch him we get a vote. Should we or in a most illiberal manner. shouldn't we? Would we or Their appetite for discourse wouldn't we? sated temporarily by the em- tO c)ct. powerment of action, they soon embark on a plan to rid the world —Dick Rockwell At The Movies AMC ABBEY 8 (810) 588-0881 14 MILE/1-75 James and the Giant Peach (PG-13) Fear (R) Truth About Cats & Dogs (PG-13) Homeward Bound (G) Quest (PG-13) Golden Eye (R) Mr. Holland's Opus (PG) Barb Wire (R) A Family Thing (PG) GC NOVI TOWN CENTER 8 (810) 344-0077 NOVI RD., S. 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(G) Executive Decision (R) The Birdcage (R) Fargo (R) Last Dance (R) The Craft (R) Mulholland Falls (R) AukiL* Bagel Barometer ®(%)•b®..• i9)z•- 10ck) Outstanding Very Good Good Fair