.0smanimummannumw , -411111 11111 1110111 .0PPOOMINIIIIIIIII"....." . impmenew, Screenwriter Ron Bass Is Waiting To Exhale MICHAEL ELKIN SPECIAL TO THE JEWISH NEWS Bass has built a career of breathing life uLl' into women's roles. FT= 18 • on Bass certainly has a way with women. The happily wed screenwriter speaks for women when he takes to the typewriter — or at least he has in some of his biggest hits: Sleeping With the Enemy, Dan- gerous Minds, When a Man Loves a Woman, The Joy Luck Club and, now, Waiting to Ex- hale. Breathing life into women's roles is not hard for the sensitive screenwriter, who collaborated with Amy Tan and Terry McMillan on adaptations of their best-selling books for the last two films. Isn't it a bit unusual that a Jew- ish man could provide such insight into the Asian-American and African-American female psyches, as Ron Bass did in these authors' projects? "When we worked together, Amy and I would say that we are so much alike," says Bass. "My fami- ly, my sisters, they were every- where" in that script. In Waiting to Exhale,, four African-American women air their grievances over men, marriage, men, money and men. "For Jewish people," says Bass, "one would think that the black ex- Michael Elkin is entertainment editor of the Jewish Exponent in Philadelphia. perience is the fur- thest away from them." Think again, says the award-winning screenwriter. "In Bernadine's case," Bass says of the character played by Angela Bassett, "she has given up so much in her life to support her successful hus- band," who then _ leaves her for a younger woman. "If you don't think a lot of Jew- ish women don't identify with that. What she goes through is what a lot of women — Jewish women in- cluded — go through." Then there's sexy Savannah (Whitney Houston), sophisticated yet so susceptible to bad relation- ships. "I have three Jewish women friends, unmarried, who never met the right guy, who can relate to her," says Bass. Color is only skin deep. Delve a little deeper and discover soul sis- ters of all races and religions, says Bass. "The basic difference between men and women — and we're talking generalities here — is that women are process-orient- ed. Men, on the other hand, ad- mire the finish line, not what got them there. Even Jewish men? "Well," says Bass, "Jewish men can be very sensitive, com- passionate, probably more than the average man. Still," he adds, with a knowing smile, "they're result-oriented." With all their bravura and male-bashing, the black women of Waiting to Exhale suck up any attention they get from men. Ron Bass can relate in a way. "I know that feeling of insecuri- ty. I know the fears," he says. "I'm a very insecure person." Certainly, he's in a business where sure things rarely are. Take his experience with When a Man Loves a Woman, a searing, intimate portrait of a married couple in which the wife is wedded to booze and broken dreams. Ron Bass co-wrote the script with Al Franken. He was shocked that Meg Ryan wasn't recognized with an Oscar nomination for her role. But then, life has a way of writ- ing-its own script. What's the story on Bass? He fell in love with the power of the writ- ten word when he was bedridden as a child. "I was in bed from age 3 to 11, for the first four years all the time," Ron Bass recalls of the mysterious - Left: Ron Bass collaborated with Terry McMillan to bring his best-selling book, Waiting to Exhale, to the screen. Below: (Left to right) Loretta Devine, Whitney Houston, Angela Bassett and Lela Rochon star in the movie. and undiagnosed illness that wracked him with high fevers and dizziness. He taught himself to read at age 3 and began writing short stories by age 6. He continued to write, even while becoming an attorney, after graduation from Harvard Law School. Eventually, Hollywood reeled Bass in. He couldn't help falling for its hooks, lines and lunch- es. Early recognition came when Hollywood showered praise and an Oscar in 1988 for his co-writing of Rain Man. Next up for the writer: My Best Friend's Wedding, starring Julia Roberts. Has Bass' ability to write dia- logue given him insight into what it takes to succeed at marriage? "Am I a better husband? rm the same guy I've always been," says Bass, who was wed once before his current happy 20-year marriage. "But I'll tell you, the thing that you really appreciate is when the other person listens, hears what you're saying and really pays at- tention." ❑