TC Kt.I NOVS KY GLAZUNOV VIOLIN CONCERTOS Ven erov' iolin Creates Concertos MAXIM VENdEROV BERLINER PH I LHA KMON KER CLAUDIO ABBADO PROKOFIE,V SHOSTAKOVICH N CONCERFOS N0,1 VENGEgOV -LoNDoNsymtl-io.NY ORCH E..9" B...0STR0ROVIOTt M LLJ JOHN GUINN SPECIAL TO THE JEWISH NEWS I-- C;) CC I- LU Ca U-1 = 8 . axim Vengerov, the 20-year-old Russian-born vi- olinist who makes his Detroit Symphony Or- chestra (DSO) de- but under Neeme Jarvi's direction on Nov. 30 and Dec. 1-2, is the hottest young classi- . cal fiddler to come along in years. Want proof? * Following a recent Euro- pean concert, two women were seen fighting over the violin bow hairs that fell to the stage floor while Vengerov was play- ing. * Vengerov's bow (from which the hallowed hairs fell) once belonged to legendary vi- olinist Jascha Heifetz. Before John Guinn has written about classical music for more than t.f -77 7 4; It 'Vr-. tr AM", ILAN 4WAllelieltii;-c ‘''.V. yeizi..§. l'.0... tal:r. 1 44; I' 4 t 54: 4. ..i.. :14 11E Jr&420 - his death in 1987, Heifetz s tipulated that his bow should go "only to a truly fitting successor." A trustee of the Heifetz estate gave Vengerov the bow after hearing him per- form. * A French champagne com- pany has loaned Vengerov a 1727 Stradivarius violin to use in his performances. * Last year, Vengerov was named Young Artist of the Year by Britain's Gramophone mag- azine, the world's most author- itative journal devoted to classical recordings. * The current issue of Gramophone, just out, chose Vengerov's Teldec recording of the first violin concertos of Prokofiev and Shostakovich as its record of the year. (Vengerov will play the Shostakovich at his DSO debut.) The RusSian--JeWisli ist seemed destined for great- ness right from the start. B orn in August 1974 in Novosi- birsk, the capital of Western Siberia, Vengerov won his first competition when he was 10. His major teacher was the dis- tinguished Russian violin ped- agogue Zahar Bron. In 1990, Vengerov moved with his family to Tel Aviv, in part so his father, an oboist, could find work. Earlier this year, faced with compulsory military service in Israel, Vengerov resettled in Amster- dam. In an era when classical mu- sicians have become fair game for the glitzy publicity cam- paigns generally associated with rock stars, one has to won- der if the adulation given Vengerov is more hype than substance. But two of his recent compact discs offer irrefutable evidence that Vengerov is the real thing: a classical violinist whose im- mense technical and artistic gifts brook favorable compari-- son with past greats like David Oistrakh and, yes, even Heifetz himself. Both recordings are devoted to concertos by Russian composers. Vengerov is part- nered in the award-winning Prokofiev-Shostakovich CD (Teldec 4509-92256-2) by the London Symphony Orchestra led by Mstislav Rostropovich. The second CD (Telarc 4509- 90881-2) features the Tchaikovsky and Glazunov con- certos, with Claudio Abbado leading the Berlin Philhar- monic. Vengerov's playing on both CDs combines elegant, almost fastidious technical acumen with big-boned, emotional artistry.