_ "I come mostly for the cap- puccino. I have a machine at home, but its not the same.". Sheri Trellevik — "I think it's the new f ion to be at a coffeehouse. It's t intimidating. It's a g ace to meet other people. Jenifer Rosenwasser, for of YAD a a a bar or restaurant.' Robyn Wiseley, "To study." Sherry, Royal Oak Opposite page: Top Left: Veteran coffeehouse performer Ron Coden checks out Brazil. fop Right: LaDonna Slattery and Anda Dowe enjoy their drinks. Bottom: Ryan Haberek and Robyn Wisely cozy up with cappuccino. where people listened and had a good the old coffeehouses, which served as spring- time. Some of the music became enter- boards for talented performers and magnets Above: Michelle Meisner taining, just as the comedy was," Hunt- for people given to lively repartee. of Brazil coffeehouse ington Woods folk singer/producer Ron Back then, beatniks — they of the goa- with frothy treats. Coden recalls. tees, black turtlenecks and sullen expres- Mr. Coden, 52, was a knock-kneed high-schooler when sions — liked to hang out with a cup of coffee and call each other "Daddy-O." Sometimes one or two would get he started frequenting places like the Gallery on Liver- nois in Detroit, a place he considers to be the first true up and simply rap or tell jokes. "In the '50s, the only places that were allowing peo- performance coffeehouse. Like himself, many classmates ple to get up and basically talk were the coffeehouses. took the stage with their guitars and voices, some of them Comedy grew out of the talk. That led to folk music forming impromptu groups to grab a piece of the spot- light. Mr. Coden had a band himself that he called the Impromptus. The Raven, which opened in the early '60s on James Couzens and closed in the early '80s in the Southfield lo- cation that is now Sweet Lorraine's restaurant, started out as an art coffeehouse. But when owner Herb Cohen realized he could pack the place by bringing in young music groups, the Raven quickly became a premier per- formance coffeehouse, Mr. Coden remembers. There was also the Retort, a basement coffeehouse in BEAN SCENE page 105