Oakland Universit 's Open 7 Days FALAFIL A SPECIALITY Lunch & Dinner Restaurant MEADOW•BROOK T H E A T R E Mideastern & American Cuisine 27060 Evergreen A Professional Theatre 559-9099 BENEFACTORS • Lamb Chops • Shish Kabob • Tabbouli • Stuffed Grape Leaves (Veg. & Reg.) • Bar-B-Q Ribs & Chicken • Etc. RAW JUICE BAR By Michael Frayn With Fresh Squeezed fruits & Vegetables - JANUARY 5-29 1111 • Pi s 11 0 rogs lo r A comic drama by the author of Noises Off. Winner of the New York Critics' Circle Award. Buy One Entree At Regular Price l Get Second Entree Equal or Lesser Value HALF THE PRICE! 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FREE DELIVERY ON LARGE ORDERS 316 W. Fourth Street, Royal Oak (Next to Royal Oak Music Theatre) STAGE FRIGHT page 51 At 1-696 & 11 in Lathrup Landing 645 E. Big Beaver Road, Troy} GOURMET DINNER FOR 2 LUNCHEON BUFFET NOTHING LIKE IT ANYWHERE! MON. - FRI. 11 a.m. - 2 p.m. SIZZLING RICE SOUP, 2 EGG ROLLS, SZECHUAN ALL-YOU-CAN-EAT INCLUDES: SHRIMP, MONGOLIAN CHICKEN, BEEF LO MEIN, BEAN SPROUTS FRIED RICE, PEANUT BUTTER SUNDAE. $ 1995 FOR TWO! ITEMS GALORE INCLUDING 4 ENTREES! $130C arl) - gar $5 50 ADULTS • EXOTIC DRINKS • CHOICE COCKTAILS • PRIVATE DINING ROOM • CATERING • LUNCHES THE GPM WALE 35135 Grand River (Drakeshire Shopping Center) 476-9181 for the 1995 International Con- ference on Arts Medicine and Therapy in Tel Aviv, where she will present a paper, "Injury and Illness in Performing Musicians: A Psychological Diagnosis." "I think people who want to be helped can be helped," Dr. Nagel said. "I also think that all people who say they want to be helped don't necessarily want to be helped; they'd rather cope with the pain than try something new. "I've come to terms with stage fright partly by doing the work I do now and talking to other peo- ple who have experienced the same kind of anxiety. Before I stopped performing because I couldn't straddle two careers, my husband and I did a whole series of concerts, and I felt very com- fortable with what I was doing. "I found that it's not really a question of getting rid of stage fright. It's making it work ap- propriately. To have no stage fright is to have no energy. "It's a little bit like harnessing electricity, keeping it at a level where it won't burn down a house but will still provide warmth and light. If there's too much elec- tricity, it's out of control." She's helped professionals advance their careers. To channel this energy, Dr. Nagel recommends that individ- uals go through an evaluation process to determine the actual professional and personal effects of the fear and whether it is con- nected to other issues, such as re- jection. She recalls helping a patient who was fine during perfor- mances but had great difficulty auditioning. After recognizing that auditions were subcon- sciously linked to practicing be- fore an abusively critical father and working through those feel- ings, the performer felt more re- laxed and was able to find a professional position. If a performer has felt rejected as a child, then that performer might view the audience as an- other group that could show re- jection, a situation she has uncovered many times as a ther- apist. "Stage fright is an anxiety par- ticularly connected with want- ing to be accepted, liked and com- petent and being concerned that the performance will bring oppo- site results," Dr. Nagel said. 'The solution eventually comes from within the person." Dr. Nagel is very concerned about professional performers who are turning to medications to deal with stage fright. She re- ports that many entertainers C=2i,