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July 29, 1994 - Image 16

Resource type:
Text
Publication:
The Detroit Jewish News, 1994-07-29

Disclaimer: Computer generated plain text may have errors. Read more about this.

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1994 MODEL CLOSE OUT!

Stk. #M4122

Making Her Impression
A Matter Of Image

From rock stars to works of natural beauty,
photographer Caren Nederlander shows her
versatility in a JCC exhibit.

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en entering into the top es on lakes with moorings and an
floor of the Janice overturned canoe made quiet and
Charach Epstein Muse- solitary by a soft blur of the image.
On the opposite wall are the
um/Gallery, it's almost
as if there are two photo exhibits Blues Brothers, Rod Stewart and
offered by two different photogra- some of the world's best-known
rockers. These
phers.
photos are real-
This is exact-
istic works tak-
ly what Caren
en from the front
Nederlander
row, where Ms.
would want all
Nederlander
of us to see. On
tried to get the
one side of the
shot just when
gallery are up-
the entertainer
close and per-
was finishing his
sonal color
final song.
photographs of
"There's a
entertainers,
split second that
ranging from the
these stars have
Blue Oyster Cult
without the
to Paul Simon to
mike in front of
James Taylor.
their faces," she
But when the
said. "That's
exhibit-goer
when I look for
walks just across
the photograph.
the room, he is
There's a differ-
mesmerized by
ent sort of emo-
something that
tion captured
maybe he hasn't
there."
seen before: yel- Caren Nederlander: An artist behind
Ms. Nederlan-
lows, reds and the lens.
greens jump off the photographs der's favorite: Bob Seger.
Pat Benatar once asked her to
from flowers.
Yet, this is different, because put the camera away. Her solu-
the artwork does not appear pho- tion for the future: a camera hid-
tographic. Instead, it seems like a den in binoculars.
"People have such poor self-
painting, a work of impression-
images," she said. "I want them to
ism.
Ms. Nederlander, a PhD. who find something about themselves
practices marriage and family
counseling, does not claim to be a
highly trained photojournalist.
What she is, instead, is an artist
who uses lens and emulsion
instead of canvas and pallet.
There is movement in her
photographs that turns a red-and-
white azalea garden into a windy
spring scene, or breathes life into
a still of a Blue Ridge Mountain
barn.
She gets her effect by experi-
menting with lens apertures and
by actually moving her camera
while photographing the subject. they like, just as I would find
"I don't want to take pho- something about a garden I like.
tographs like anyone else," she They should admire their beauty.
"My photographs are part of
said from her Franklin home, ac-
cented on the inside by her art- that visualization," Ms. Neder-
work and surrounded on the lander continued. "But mostly, Fm
outside by lush trees and flowers. filled with creative energy, and
"First thing I'm looking for in a that creative energy comes out in
photograph is color. I love going to all aspects of life." El
gardens to find that color. And
Caren Nederlanclerts photog-
when I look through the lens, I'm
already sure of how I'm framing raphy can be seen at the Janice
Charach Epstein Museum
the picture."
Some works show pastel hous- Gallery through Aug. 18.

The artwork does
not appear
photographic.
Instead, it seems
like a painting,
a work of
impressionism.

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