S'malim, Minhagim when mishpachot and chaverim celebrate the chag together. There is hadlakat nerot, a kiddush, special brachot and, of course, the festive arucha with its special smalim: there are the two chalot and the tapuchim that we dip in dvash wishing each other a "Shanah Tovah U'metukah." There are the special ma'achalim metukim that express the same wish. In belt ha'knesset, the minhag that is special to Rosh Hashanah and Yom Kippur only, is to bow low to the ground. In batei knesset Ashkenazim the mitpal'Iim not only kneel, but they fall on their panim before Hashem, to signify our acceptance of God as melech al kulam. The bracha we say on Rosh Hashanah, "Leshanah Tovah Tikatevu," reflects the belief that this is Yom Ha'din when our Creator judges us and writes His decision in His sefer. Tashlich is another minhag of the chag that reflects the desire to have a new hatchala and to get rid of our chata'eem. Tashlich is the minhag to go to the yam or to the river on the afternoon of the first Rosh Hashanah, marking the hatchala of a shanah chadasha, is a time of solumn cheshbon nefesh, of rethinking of our derech chayim, our ma'asim, our avar and our atid, day of Rosh Hashanah and empty our kissim into the water, thus cleansing ourselves of past sins. In Tel Aviv, Israel, where meot anashim are flocking to chof ha'yam on Rosh Hashanah, this becomes a very impressive communal experience that is shared by young and old. Another minhag that is shared by young and old and helps strengthen ties between people is the minhag to send New Year cards, called in Israeli slang "shanot tovot." This is the time to renew old relationships, to forget anger and offer a hand of friendship to all our friends. It adds to the avirah tovah of a new hatchala. Meelon (Dictionary) t'kasim minhagim neshama ceremonies, rituals customs soul every holiday kol chag memories zichronot holidays chagim children yeladim family mishpacha atmosphere avirah symbols s'malim meaning mashma'ut beginning hatchala a new year shanah chadasha moral stock cheshbon nefesh taking, moral reckoning, introspection, self examination way of life derech chaim deeds ma'asim past avar future atid Ha'kadosh Baruch Hu ....The Holy One Blessed Be He nation am honey dvash sting oketz life chayim a ram's horn keren shel ayil symbol semel tradition masoret our father avinu faith, belief emunah a ram ayil justice tzedek mercy rachamim a sign siman me'oraot historiyim historical events The Giving Matan Torah of the Torah a festive meal arucha chagigit friends chaverim The lighting hadlakat nerot of the candles blessings brachot apples tapuchim honey dvash Shanah Tova U'metukah ....a good and sweet year ma'achalim metukim ...sweet foods the synagogue beit ha'knesset custom minhag mitpal'Iim ..worshippers, the people who pray panim face melech al kulam ....a king over all blessing bracha May you Leshanah Tovah Tikatevu be inscribed to a good year Day of Judgement Yom Ha'din book sefer sins chata'eem sea yam pockets kissim meot anashim .. hundreds of people the beach chof ha'yam avirah tovah ....a good atmosphere Nira Lev is director of Hebrew Learning Center, Agency for Jewish Education: Director of Hebrew Department, Community Jewish High School; Associate Professor, Midrasha College of Jewish Studies. Q. What Jew was the first major movie cowboy? Actor Gilbert M. Anderson (1883-1971), born Max Aronson, appeared in his first film, The Messenger Boy's Mistake, in 1902. He played three roles in The Great Train Robbery, (1903), considered a classic among early silent films. Raised in Little Rock, Ark. Mr. Anderson learned how to ride a horse only after his acting debut, but he was instrumental in launching the American cowboy movie. In 1908, he starred in The Bandit Makes Good, the first of many films about Bronco Billy, a Robin Hood type bandit of the Wild West, and he later played Alkali Ike in another series of westerns. Mr. Anderson's last film was made in 1918. By then, new cowboy heroes like William S. Hart had moved into the market. Forty-seven years later, Bronco 3illy returned to play in The Bounty Killer with Clint Eastwood. In 1957, he received an Oscar for his pioneer work in the film industry. Compiled by Dr. Matthew and Thomas Schwartz. THE DETROIT JEWISH NEWS L-5