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Chutzpah

Continued from preceding page

his client, she continued,
helps keep his name in the
news.
Ed Koch, no wallflower
himself, gave a clue as to
why people might pick up
Mr. Dershowitz's book.
"I like Chutzpah. But
Alan is tough to like," Mr.
Koch said recently.
"There's nothing that has
happened since Adam and
Eve that he hasn't been in-
volved with."
As the author of Reversal
of Fortune, his account of
the Claus Von Bulow trial,
Mr. Dershowitz ended up as
the subject of a Hollywood
film starring Ron Silver and
Jeremy Irons. As the coun-
try's premier civil liber-
tarian, he has represented
what seems to be a who's
who of famous (or infamous)
people, from Natan Sharan-
sky to Michael Milken to
Leona Helmsley.
He is also one of the most
sought after speakers in the
country, writes a column on
the First Amendment for
Penthouse magazine, and
considers himself the Jewish
spokesperson on the Har-
vard faculty, where he
teaches law .
Rachel Berek, senior pub-
licist at Little, Brown, the
publishers of Chutzpah, ex-
plained that despite his
name recognition, Mr. Der-
showitz went on a national
book tour to promote the
book.
This is nothing new for the
publishing world. But Mr.
Dershowitz doesn't go to
New York bookstores to talk
to people from the old
neighborhood. He gets on
Donahue and tells millions
of people about Jews, their
attitudes toward them-
selves, their history and
their future.
Richard Siegel, director of
the National Foundation for
Jewish Culture in New York,
acknowledges that Mr. Der-
showitz's controversial ac-
tions and high-profile per-
sonality account for much of
the book's phenomenal suc-
cess. But he also sees
Chutzpah's message — that
one can be truly Jewish
and truly American — as part
of a larger group of Jewish
Americans making that claim
in other ways.
"Cynthia Ozick is a per-
fect case of this in litera-
ture," he said about the crit-
ically acclaimed New York
writer. "In music, there's
Steve Reich; in theater,
Elizabeth Swados; in dance,
Liz Lerman. These are all ar-
tists who are fully immersed
in the mainstream of the A-
merican arts world, but who
are powerfully expressive of