E WillIRTAINMENT TEERAG OttriA141 SigiA i rl EANIMM/6 One of Hollywood's hottest young movie stars is also making music. STEVE HARTZ Staff Writer C orey Feldman was 3 years old when he starred in his first com- for spot a mercial, McDonald's. It ran for eight years and won a Clio Award, the "Academy Award" for commercials. By the time he turned 8, Feldman appeared in 60 other commercials. Today, he's done more than 100 commercials. But Feldman, now 18, is more than just a "commercial" success. With seven number-one movies to his name, in- cluding Stand By Me, Feldman, one of the silver screen's biggest teen-age heartthrobs, can now add Teenage Mutant Ninja Turtles to his list of box- office hits. • "Actually, I didn't really know much about Teenage Mutant Ninja Turtles when I first got offered the movie," said Feldman, who is the voice of Donatello, the high- tech turtle. "I once walked into a 7-Eleven and saw little (collectors') cards that read 'Teenage Mutant Ninja Turtles.' "So, I thought the movie was a joke, one of those bad, off-beat B-movies or some- thing. And then I found out it was a popular cartoon. I knew kids would like it a lot, so I really did it for kids." Raised in Encino, Calif., Feldman grew up in an entertainment family as his father, Bob, performed in a band. Corey's older sister, Mindy, was one of the new Mouseketeers. "Whenever my sister went on interviews, the casting directors would always look at me because I was this cute, chubby little kid. And they'd say, 'Wow, he should be in the business.' So my parents put me in the busi- ness," Feldman said. Piling up more than 50 guest-spots on television shows, Feldman had a hand- ful of short-lived TV series, including "Bad News Bears," "Madame's Place" and "Still the Beaver." "I think that television is a good stepping stone," he said. "But I don't think it's anything you should base your career on — because films give you so much more of a spectrum. You have more chances to try different things and portray different characters. With a series, you get stuck playing the same character for years." This month, Feldman's latest film, Rock 'n' Roll High School Forever, opens across the country. In the flick, he plays a leader of a band, "The Eradicators," that rock 'n' roll at Ronald Reagan High School. "We're like the practical jokers, and we want to play at the big prom. It's a real fun, black-comedy-rock- 'n'-roll kind of movie." In the film, Feldman gets to sing and dance. "As a little kid, I used to go in and sing when I'd audi- This month, Feldman's latest film, Rock 'n' Roll High School Forever, opens across the country. In the flick, he plays the leader of a band. tion for jobs. I would sing songs like 'Tie a Yellow Ribbon.' The casting direc- tors thought it was real cute, this little kid coming in and singing off key," Feldman laughed. In addition to performing the songs, Feldman choreographed five numbers for the film. He said dancing, like singing and acting, was something that came natur- ally to him. "I taught myself how to act, sing and dance." In his next movie, Scout's Honor, which is being filmed in Seattle, Wash., Feldman will not only star, he'll also be an associate producer. "Sometimes I get a lot of ideas for movies; there's stuff in the works that in the future I could write the screenplay for," he said. "Right now, I just can't write a whole movie because I don't have the patience. That's what is great about a song. I do a song. I get into it, and it's done. But I can't do anything that I have to leave and come back to because my mind gets sidetracked with other things." Rock 'n' Roll High School Forever features songs written by Feldman. The movie's soundtrack is scheduled to be released in music stores this month. "About five years ago, I began writing lyrics, and I'd write the music in my head because I don't know how to actually write music," he said. "I started getting real- ly in to writing because I felt that a lot of music out there these days is really senseless; it doesn't give you any feelings. "I like the music from the '60s and '70s where artists — like John Lennon and Paul McCartney — really put a lot of feelings into their songs, with lyrics that mean something. Michael Jackson does that today. And that's what is meaningful to me." THE DETROIT JEWISH NEWS 69