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Private Dining Rooms for Banquets and Parties erving daily from 11:30 — Sunday from 2 p.m. s All beef aged in our own coolers WING HONG OF FARMINGTON INTRODUCES ITS NEW MENU FOR THE CHINESE SIDE TOKYO STEAK HOUSE ENJOY OUR DINNER SPECIAL FOR 2 851-7400 314 5 5 W. 14 Mile at Northwestern RED DEVIL Italian American Restaurants GREAT PRIME RIB A SPECIALTY DELICIOUS VEAL & PASTA DISHES YOU'LL LOVE OUR HOMEMADE GARLIC STICKS 15837 FENKELL AWARD WINNING PIZZA 1 BLK. E. OF GREENFIELD Detroit 273-8844 I CARMEN'S RED DEVIL 27641 JOHN R BET. 11 & 12 • MADISON HEIGHTS 542.9800 The Bright Idea: Give a Gift Subscription FRIDAY, MARCH 2, 1990 THE JEWISH NEWS Kevin Pollak Plans Trip To Mark Ridley's Castle STEVE HARTZ Special to The Jewish News N ext fall, he will star in Oscar-winning di- rector Barry (Rain Man) Levinson's latest film, Avalon. However, Detroiters can see actor/comedian Kevin Pollak long before that as he headlines Mark Ridley's Comedy Castle May 22-26. Pollak, 32, cut his comedy teeth as a child. "I guess the sight of this small, Jewish precocious 10- year-old kid lip- syncing a Bill Cosby comedy routine was enough to win accolades and awards," he said. Pollak grew up in San Jose, Calif., acted in high school shows and then went on to work local nightclubs as a stand-up comedian. A few years later, no longer lip- syncing Bill Cosby, Pollak discovered the art of impressions. "I didn't actually learn and do impressions until I was 16, and they all came rather naturally," he said. "Columbo was the first one. My mom and I were sitting and watching a Saturday Night Mystery Movie, and Columbo came on. During a commercial break, I went over and grabbed a black felt pen and came back toward her doing Columbo, 'Excuse me ma'am, geeze I hate to bother you, can I ask you what's for dinner?' " Two years later, he dressed up as Columbo to attend a Rich Little concert. During the concert, Pollak stood up and starting doing his Columbo shtick. "I just wanted to show Rich Little the impression, hoping he would say, 'Hey, kid, that's good; now take your seat.' So, when he ask- ed me on stage, it was mind boggling and incredible." Pollak perfected his Columbo impression and a few years later, he called Johnny Carson — preten- ding to be Peter Falk. "I got all the way through to his personal secretary, and that's about four or five chains of command," Pollak said. "Each one of them believed I was Peter Falk. His personal secretary said, `I'm very sorry, Mr. Falk. Johnny is in a big meeting right now, and I'm sure he'll be sorry he missed your call. I know he loves it when you call. He can call you back; Kevin Pollak: Comic and actor. can you give me a number where you can be reached?' "I really couldn't give her a phone number; I was in San Jose. So, I said in Falk's voice, 'Well, it's just about this kid I saw performing. And I thought maybe that Johnny should take a look at him . . " Pollak has since been on Carson's "Tonight Show" six times. Prior to performing on Carson, Pollak traveled a long comedic road. In the late 1970s, he headed an hour north of his hometown to San Francisco and enter- tained and hung out with comedians Dana (Saturday Night Live)Carvey and Robin Williams. By 1982, Pollak had developed a following as a headline com- edian and started writing and acting for an ABC-affiliate television show "Front Row Video." He was nominated for a couple local Emmy awards. Six years ago, Pollak mov- ed again. This time his des- tination was Los Angeles, where he continued headlin- ing and pursued acting and writing. "I did the Mery Griffin show a few times, and that's when a talent agent spotted me and signed me." he said. After appearing on televi- sion shows like "Who's the Boss?" and the soap opera "One Life to Live," Pollak signed a deal with film makers Ron Howard and George Lucas and appeared in their movie, Willow. "The opportunity to work with Ron Howard and George Lucas on a daily basis was a dream come true," Pollak said. play Rool, the leader of a tribe of nine-inch tall men." A couple years later, Pollak did his first network series, "Coming of Age," a short-lived series. Ironically for Pollak, he was acting on the same studio lot as Peter Falk, who was starring in the new Columbo series. "So here was this strange `coming of age' for myself," Pollak said. "At 16, I dream- ed of someday being on a TV series. And the Columbo im- pression throughout the years probably opened more doors. Falk, himself, loved the impression and highly approved of it." One day, Pollak saw Falk coming out of his Winnebago on the lot. "I casually burst out of my dressing room door and said, `Peter, Kevin Pollak. I'm do- ing this series on the lot. I guess I'll be seeing a lot of you.' While Falk replied, `Yeah, yeah. I saw your name on the door yesterday. I said, hey that kid's on the lot. That's beautiful. Listen, kid, can you get me a cup of coffee?' "Now, I do a thing in my act called 'Star Trek V: In Search of Cash,' " Pollak said. "I put many celebrities into the bodies of the 'Star Trek' cast. I'll be William Shatner doing Captain Kirk, but everyone else is jux- taposed — Dudley Moore as Scotty, Jack Nicholson as Bones, Christopher Lloyd's Jim Ignitowski as Spock, and Woody Allen as Sulu." Another obscure impres- sion is Pollak's Dwight D. Eisenhower. Pollak was the voice of Eisenhower in the movie The Right Stuff and then in the film My Science Project. "I've done Eisenhower in more movies than he's done himself." Pollak, who was a baby when President Eisenhower was in office, learned to impersonate him by listen- ing to tapes of the late presi- dent's speeches. Soon, Pollak was asked to appear in a Miller Lite commericial — as Bob Eucker's twin. "It took four hours to put on this prosthetic make-up so I'd look like Eucker. And Eucker would come in every half hour as they were ap- plying the make-up and tell me how ugly I looked," Pollak said. "The more I started to look like him, the more grief he gave me about how ugly I was. So, at the end of the six-hour shoot, he came in to say goodbye, and I said, 'You know something, Bob, I just realized I get to take this stuff off.' " ❑