Occasions Full Service Carry-Out . . . . Hors D'oeuvres, Soups, Salads, Desserts and Complete Meals ALL PREPARED ON PREMISES I DELIVERY AVAILABLE Let Us Plan Your Entire Event From Invitations . . . to Catering at Its Finest ALL OUR FOOD AND PASTRIES MADE ON THE • MEAT TRAYS • SALAD ASSORTMENT PREMISES BY • VEGETABLE TRAYS • CHEESE TRAYS OUR VERY OWN • FRESH FRUIT TRAYS • MINIATURE PASTRY TRAYS CHEFS! Formerly Bread Basket II Location SPECIALTY TRAYS AND GIFT BASKETS 32839 Northwestern Hwy. Tiffany Plaza, Bet. 14 ei Farmington Hills Middlebelt 7370519 0 IRVING'S Delicatessen-Restaurant LA MIRAGE MALL 29555 NORTHWESTERN HWY. Bet. 12 Mile & Inkster OPEN TUES. THRU SUN. 7 a.m.•8 p.m., MON. 7 a.m.•3 p.m. 352.3840 OPEN FOR DINNER EVERY DAY EXCEPT MONDAY EARLY BIRD SPECIALS 3 pin -5:30 p.m. NO COUPONS • SPAGHETTI Si MEAT BALLS $ • BABY BEEF LIVER & ONIONS • FRESH STUFFED RAINBOW TROUT • 99 INCLUDES: SOUP OR SALAD, POT., VEG. & BREAD BASKET At*. w- nsyN,GRTA0N/fs Yards and Yards of BRUNCH Each Sunday 11 a.m. to 3 p.m. *COUPON:1 UNDER NEW MANAGEMENT DOMINICO'S RESTAURANT and LOUNGE 2847 COOLIDGE HWY., BERKLEY Between 11 and 12 Mlle Roads 541-7670 BUY 1 DINNER GET SECOND AT HALF PRICE! $ per person $695 ANYTHING ON THE MENU! ANYHOUR! 7 DAYS A WEEK! DINE IN OR CARRY-OUT Children 12 and under AND Reservations Suggested '2" OFF Private Parties up to 200 350.2000 EMBASSY SUITES HOTEL 28100 Franklin Road Southfield 78 ENTERTAINMENT Custom Catering For Alt Also Featuring Specialty Appetizers For Carry-Out Convenience FRIDAY, APRIL 28, 1989 ANY LARGE PIZZA ANYHOUR! 7 DAYS A WEEK! DINE IN OR CARRY-OUT !kW prissof caw. ..itoth Airs' I We Serve Beer-Wine & Liquor Private Banquet Rooms JN Complete Carry-Out On All Occasions Breast self-examination — LEARN. Call us. iiA iti MERl C ETY' rFAN R Charone Achieves Stage Success Despite Make-Up VICTORIA BELYEU DIAZ Special to The Jewish News I rwin Charone hates to wear make-up. Irwin Charone is not stage-struck. Irwin Charone never wanted to be an actor. Nevertheless, he's been ap- plying the greasepaint and breathing life into character after character for more than 40 years now What's more, he loves it. Now appearing in Neil Simon's Broadway Bound at the Birmingham Theater, he's spent most of his career on the stage. But the veteran actor with the mellifluous voice has also appeared on television in almost every major series, and in movies, with stars like Doris Day (The Thrill Of It All) and Goldie Hawn (Cactus Flower). Charone, who plays the can- tankerous Ben in Simon's comedy-drama set out to become a radio announcer. But his plans were per- manently set aside when he was "discovered" by a pro- ducer at the Goodman Theater in Chicago, where he was studying voice and diction. "She looked at me one day as I was coming down a flight of stairs, and said 'You're. the king!'," he said recently tak- ing time out backstage to recall his career. "And, before I knew it, I was putting on a fake beard and acting the role. That was 1945 — the first time I ever stepped on to a stage?' After going on to several other successful acting roles in Chicago, Charone was off to New York and the American Theater Wing, where he began studying method acting with the likes of Marlon Brando and Rod Steiger. "I couldn't buy The Method, though," he said. "I didn't understand why everybody was whispering. They'd ask me to critique a scene and I'd say I couldn't, because I hadn't heard what anybody was saying. So, they'd throw me out of class. "I had great respect for the fine actors who came out of it, but I just didn't pay any at- tention to it myself. I was always leaving, anyway. Somebody would say to me, `You can do such-and-such off- Broadway for $60 a week!' And I'd say 'No, I've got a job in Dubuque that pays $175 — , N. .3/4. Irwin Charone portrays the grandfather in the Birmingham Theater production of 'Broadway Bound.' and that's where I'm going?' Charone said he's always considered himself a "work- ing actor," meaning he's acted mainly to support himself and his family, and not because he's ever felt any great, artistic calling to the theater. "When I found out you could get paid for all this, and they didn't put you in jail for stealing — that was it for me," he said. "I know that certain actors are stage-struck. But I don't care about that at all. If somebody says, 'Here's a celebrity, some actors thrive on that. I don't. I never did. I do not like it. It embarrasses me for some reason. "At the same time, though, I've always felt very comfor- table on the stage." Shortly after marriage to opera singer Eileen Schauler in 1954, Charone launched a second career of sorts when he began appearing in musicals. Although he'd never sung professionally, he found that the voice and dic- tion he'd studied when look- ing toward a career in radio served him well on the musical stage. In one of his earliest musical performances, he ap- peared at a small theater in St. Charles, Ill., with a very young singer-dancer from Boston in Annie Get Your Gun. "Her name was Lee Remick," Charone said, smil- ing. "I don't know what ever happened to her . . ." Later he would sing and dance — in Hollywood, New York, and points between — with performers Eddie Foy Jr., Julie Wilson, Patrice Munsel, Sandy Duncan, Red Skelton, Fred Astaire, Lucille Ball, Jim Dale, Gale Gordon and others. Along the way, he formed close friendships with both Foy (whom he met when 'When I found out you could get paid for all this, and they didn't put you in jail for stealing that was it for they performed in a Los Angeles Civic Light Opera production of Show Boat together) and Gale Gordon (who appeared with him in another LACLO production, The Merry Widow, and who would later co-star with Charone in Neil Simon's The Sunshine Boys). Speaking of his present role, Charone said he'd never seen a production of Broadway Bound before going into rehearsals (in fact, though he's performed in two of them — The Sunshine Boys and