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Call 354-6060 62 FRIDAY, MARCH 17, 1989 Adrian Blue portrays the barber in King of Hearts. Ex-Detroiter To Appear In Theater Of Deaf SUSAN LUDMER-GLIEBE Special to The Jewish News T he National Theatre of the Deaf is a national treasure. In its 21-year history it has created a dramatic form all its own. It has given performances in every state and has toured throughout Europe and Asia several times. Its artistic ad- visory board reads like a who's who of American theater with names like Joel Grey, Alan Arkin, Chita Rivera, Jason Robards, Peter Sellars. The theater has garnered its share of ac- colades and awards. But as fine as these achievements are, when it comes right down to it the best measure of its success is based on simpler things. "Almost every night we receive a standing ovation," says former Detroiter Marcia Tilchin, 27, who recently join- ed the company and knows how special that is. "The au- dience is very moved." Adrian Blue, who's been with the theater since 1976, expresses it a little differently. "We knock them out," he says, through his interpreter, Jane Murphy. Tilchin and Blue and the rest of the company will be in Ann Arbor this weekend in conjunction with a conference, held at the University of Michigan and opened to the public, called "Staged Hands: Sign Language Translation in the Theater." The National Theatre will pea-form King of Hearts, based on the Phillippe de Broca film. The story, bit- tersweet and allegorical, is, about madness and sanity, reality and illusion. As with all NTD produc- tions, which have run the gamut from Shakespeare's works to The Iliad and Our Town, the play is an adapta- tion specially and uniquely created to utilize the ensem- ble's strengths and imagina- tion. "Every different type of play has its own challenge, its own quality," says Blue. "You have to give it your full energy and attention." King of Hearts lacked a script; but that wasn't pro- blematical for the troupe. They found it an occasion for runaway creativity. "The members of the theater watched the movie several times," says Tilchin. "Everyone improvised and came up with ideas." One of Marcia Tilchin appears in the current National Theatre of the Deaf production. the more ingenious ideas the group devised: the scenery is painted by one of the actors as the narrative unfolds and develops. As with all NTD produc- tions, the play uses two languages — visual (sign) and aural. For King of Hearts the cast created its own theatrical variations of signs for certain words. A new sign was chosen, for example, to best represent the concept of the word knight, whichis used ex- tensively in the production. One hand becomes the visor,