you to the time before the instant of crea- tion. Only forward at the multitide of let- ters that follow the 'bet.' Do you see how significant every letter is? It's said that there is not one letter or vowel in the whole ibrah that is superfluous." But Ben is leaning back in his chair rub- bing his e;res. You know, Rabbi, I've met a lot of dames in my time. Lots of pretty girls with long tender legs. Gentle girls who appreciate a man with a firm grasp and a fine cigarette. This little story of yours wouldn't get me to first base with any of 'em. Might even get me a pop on the chin. How about your wife, Rabbi? Does she go for all of God's mumbo-jumbo? Or is she a lady of the world? The kind that wears diamond necklaces over black silk evening gowns. Would she wear a diamond necklace? Would she wear a diamond necklace that was stolen from the pocket of a dead man? The big man in the sky doesn't look kind- ly on such women. But I suppose you know that. After all, you're a Rabbi. Worse than opening your eyes to find moving road would be opening them to find oncoming headlights. Such headlights shone from behind the rabbi's glasses. "Your mind seems to be elsewhere, Ben. What are you thinking about?" "I was thinking that maybe we could go through the 'Ibrah and you could tell me what the shape of each letter means." "Well, that's not really what I had in mind for today but- " 2 "Okay. We can just do this stuff. What were you saying?" The ever-patient rabbi closes his book and says, "Forget about this for a minute. I'll tell you a little story." It seems poten- tially long, but potentially interesting so Ben settles himself into a more comfor- table position. "A great and righteous man' "They all start that way, you know?" "Excuse me?" "I'm sorry. Go ahead." The rabbi takes a deep breath and starts again. "A great and righteous man named Shimon Hagadol was visiting a small town on the coast of Europe when suddenly a tremendous flood filled the whole area." "Oh, I know this one. He builds an ark, right?" They both smile. "No. He gets carried away by the water and it's all he can do to keep his head above the surface. He struggles and struggles and the whole time he keeps saying to himself, 'I will trust in God and He will save me.' After ten minutes a rowboat ap- pears and offers to take him in. He refuses to get in. He says, `I can wait. God will save me.' After another ten minutes goes by, a motor boat appears and offers to save him from the waters. Again he refuses and says, `If I am meant to be spared, then God will save me.' Finally, after he's been in the water for over a half an hour, a helicopter appears overhead and drops him a ladder. Over the roar of the rotors he shouts, 'My life belongs to God. If it is his will that I be saved then He will save me.' The chop- per leaves and 20 minutes later the man drowns." "He dies! I don't believe it! That is the worst God story I have ever heard. Why didn't he get saved?" "I was just getting to that. After the man dies, he goes to heaven and is met at the gates by the angels." Here the rabbi begins to do voices for his characters to en- sure that Ben stays with it. Strangely enough, all of the rabbi's characters sound like Ben's uncle from Brooklyn. "He says, `I demand an audience with God.' And then, from out of nowhere, God's voice booms out, "Iell me what's on your mind, Shimon. `You know I was just drowning down there?' You're asking do I know?' So nu,' Shimon says, 'maybe you were just too busy to save me?' 'Ibo busy! What are you talking? I sent you a rowboat, I sent you a motor boat, I even sent you a heli- copter: " The rabbi looks to Ben's face to gauge his reaction. The phrase 'tabula rasa' comes quickly to his mind and he hurries to elucidate. "You see we're always waiting for some . . . some . . . some I-don't-know- what to come down and say, 'Look! There's God!' The world isn't that simple. We have to look for God in all places and try our best to find Him. There are things that show us God's beauty without . . ." You're right about that, rabbi. This is not a simple world. Take Lola the showgirl. I don't mean take her, after all you're a rab- bi. But, for example, Lola. Her legs are more beautiful than a baseball game, but she's starting to get pimples on her nose. Is that the way God intended it to be? I only ask because of my tremendous in- terest in theology. Can I get you another Scotch? ". .. though it's never black and white, of course. Do you find that more interesting than what we were studying before?" With the utmost seriousness Ben replies, "Actually, I think they're equally in- teresting." "I get the feeling you're trying to avoid our lesson." "No, I'm sorry. Let's talk about the drowning man." "Okay. What about him?" "What if he got on the boat. Or the helicopter. Then his whole life he'd never know that God had saved him. He could think it was just a coincidence. Or a really efficient Coast Guard." "What about faith? Can a person just have faith in God?" "I don't know. How can you just have faith?" "Okay. There are many arguments why a person should or should not have faith. In the case of . ." You're a lucky man, Rabbi. In three more minutes I'll be out of your house. But that doesn't mean I won't be around. I'll be watching you even when you think you're most alone. In a dark alley on a quiet night just turn around and look into the shadows. I'll be one of those shadows. Because I know your story. It was you that broke into Miss Candor's house and stole the jewels. Murphy was on your tail and when he finally caught up to you in San Francisco he made the mistake of stealing the jewels from you instead of turning you in. He was sure you'd buy them back from him. It was greed. Plain and simple. There are three things that can ruin a man's soul. One of 'em is money. Murphy set up a meeting with you to sell back the jewels. When you realized he was dumb enough to bring them with him you bumped him off and left with the necklace. What you didn't count on was that Murphy had told me quite a bit that night before he left. Then the call came through that Murphy was dead. When I found out the necklace was missing I put two and two together and came up with the only logical conclusion: Rabbi Blockman. You've got nothing on me, Ben. I could call the police right now and have you charged with` harassment. You could, but I notice that you don't. Why is that Rabbi? Why don't you want a bunch of policemen at your house? Is there something you don't want them to find? Maybe something hidden in your bookcase. Behind some not-so-innocent binding. You've got no right to look through my books! This is private property, you know! - What is there to be worried about? If you're innocent then I won't find anything. But if you're guilty. . I might find this. Ben tears the diamond necklace' , from behind an empty book jacket. But. . . but. . . how did you know? You're a clever man, Rabbi. Luckily, so am I. When I walked in I noticed you had an open copy of Ttventy Talmudic Tales sit- ting on the table with phone messages dating back two weeks on top of the open page. Next I noticed that it was the only book on the desk without a book jacket. I've been searching your shelves all night for this. The book jacket for Threnty Talmudic Tales. It is at this point that two things hap- pen in rapid succession. The first is that Ben begins to hear theme music that goes along with his narration. The second, and perhaps more significant, is that Ben becomes suddenly aware of the fact that no one has said anything for at least a minute. The rabbi is sitting perfectly still with his eyes on Ben and a soft smile play- ing about his lips. There is an awkward mo- ment. Then Ben jumps out of his chair, points to the wall behind the rabbi, and shouts, "Rabbi, look! There's God!" Without losing a bit of his smile, the rabbi turns to the wall and by the time he turns back, Ben has bolted from the study. ❑ Michael B. Greenfield is a junior at the Johns Hopkins University Writing Seminars. THE DETROIT JEWISH NEWS 97