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"In fact," he continues, "a lot of people who are anti- Semitic come to my show and say, 'Well, I still don't like Jews. But this guy I love!' " Gottfried has also been known to quote the Talmud in his act. "I've never read it through. I just turn to the dir- ty parts. I'm rewriting it. It's going to be called 'I'm Okay. You're a Jew.!' " Gottfried claims his com- edic style is all his own, that he has not been influenced by others. "I always hated the word 'influence,' " he says, "because, to me, influence is a nice way of saying pla- giarism. So whenever people say they were influenced by someone, that means they stole from them." In person, it is obvious Gott- fried has never stolen any material. He is completely unique; a non-stop, non- conforming comic whose delivery is as funny as his thoughts. His tightly closed eyes, he says, are just part of the act. "It's a trick I picked up from Helen Keller. She said, 'Look, it works for me. If you like it, you can use it too: " During a telephone inter- view, it's apparent that the real Gilbert Gottfried is timid; a man who admits readily to his fears. Like be- ing attacked by a serial killer in his hotel room. And, more importantly, having to do interviews. It's almost impossible to get a straight answer from the shy funnyman. "I'm a terrible interview," he declares. "Oh, you noticed that. Gee, I thought I was hiding it so well." But his timidness hasn't seemed to have hindered his career goals. Twice awarded the prestigious Charlie Award (named after Charlie Chaplin) as the Best Male comedian in New York, Gott- fried has enjoyed considerable recognition in the 1980s. He's done many guest shots on David Letterman's show, and appeared as the maniac ac- countant in Beverly Hills Cop II. ("I was the white guy. The loud, obnoxius Jew. It was a real stretch for me!") He was a regular cast member on the 1980-1981 season of "Satur- day Night Live," and did a regular guest spot on Alan Thicke's "Thicke of the Night." ("I think of Alan Thicke as Perry Como without the excitement," Gottfried announces.) He's also done some hilarious and highly visible promotional spots on MTV. His wit and unusual view- I points on life translate to writing as well. He is a fre- quent contributor to National Lampoon magazine and one of the authors of The National Lampoon, Joke Book. According to Gottfried, Beverly Hills Cop II did me some good, recognition wise. So did MTV. But 'Saturday Night Life' and the 'Alan Thicke Show' did nothing for me. 'Saturday Night Live' was so . . . so . . . so . . . Well, `Saturday Night Live' was a weird time period. I don't think anyone left that show feeling good about it." But that's all behind him now. rIbday, Gottfried's feeling 111•111111111111111111111111MMI ■ pretty good about himself and the way his career is going. Though he once refused to travel far from his home in New York to perfrom, he says he will now go anywhere he is wanted. "Actually, I'm working more now than ever before. I seem to be on the road more. Maybe because people hate me in New York," he quips. "Maybe because no club will have me back a second time. But that's okay. I don't mind if people don't like me. I guess a lot of people have better taste than I thought. In fact, when I realize the audience has come just to see me, I lose respect for them very fast!" E awl GOING PLACES Continued from preceding page DETROIT INSTITUTE OF ARTS 5200 Woodward, drawing workshop for young adults, grades 8-12, admission; "Sixteenth Century Tuscan drawings from the Uffizi," now through Jan. 8; Andrew Wyeth: The Helga Pictures, now through Jan. 22, Sunday, admission. 832-2730. UNIVERSITY OF MICHIGAN MUSEUM OF ART 525 S. State, Ann Arbor, "Unseen American: Small Oils from the Permanent Collection," now through Jan. 8, 1989. 764-0395. CRANBROOK ACADEMY OF ART MUSEUM 500 Lone Pine Rd., Bloomfield Hills, deSalle Gallery, "Recent Acquisitions," recently donated work, now through Jan. 22; "Face to Face: Cranbrook/Mexico, now through Feb. 5, 645-3312. DETROIT FOCUS 743 Beaubien, Detroit, "Artists Choose Artists," exhibition, now through Thursday. 962-9025. FOUR WINDS GALLERY 340 E. Maple Rd., Birmingham, "Natural Phenomena," art of the Hopi Indian, now through Dec. 31. 644-2150. LE MINOTAURE GALLERY 115 E. Ann, Ann Arbor, Bernard Thomas-Roudeix, acrylic paintings, now through Dec. 31. 665-0445. PIERCE STREET GALLERY 217 Pierce St., Birmingham, photographs by Annie Liebovitz includes celebrity portraits, now through Jan. 7, 1989. 646-6950. DONNA JACOBS GALLERY 574 N. Woodward, Birmingham, exhibition of ancient art, now through Dec. 31. 540-1600. WOODS GALLERY 26415 Scotia, Huntington Woods, area photographers, through December. 543-9720. CANTOR/LEMBERG GALLERY 538 N. Woodward, Birmingham, new paintings by Steven Sorman, Saturday through Jan. 7. 642-6623. JEWISH COMMUNITY CENTER 6600 W. Maple, West Bloomfield, Israeli Tapestries, now through Sunday. 661-1000. CADE GALLERY 214 W. Sixth, Royal Oak, painting and sculpture by Kegham Tazian, Saturday through Jan. 11; reception for the artist Saturday, 6 p.m. 546-3365. CITY OF SOUTHFIELD Civic Center Gallery, 26000 Evergreen, Senior Center's art show and Bob Mineweaser's custom crafted wood products, now through Dec, 23. 354-4717. 0.1 ■ .1 FILM DETROIT SCIENCE CENTER 5020 John R, Detroit, Seasons, Tuesdays through Sundays, The Magic Egg; Flyers, in the Space Theater, admission, 577-8400. -1