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When you see Robin on and served as story editor on film you're seeing the matur- the short-lived but critically- ing of an artist. "Good Morn- cclaimed TV series, "Police ing, Vietnam" was the perfect Squad!" marriage of the right vehicle, His next stint was improvis- the right actor and the right ing comedy for the bar scenes director!' in the, movie "Flashdance," Wuhl, who because of the but his appearance was slash- many hats he wears tends to ed in the feature's final cut. notice such subtle nuances, "It was a shame:' he says in says growing up in Union, a playful monotone, "because N.J., he watched a lot of had they used me, the picture movies and oftenidolized the may have become successful:' talents behind the camera. Hes also cast as a "My heroes were people like "Hollywood Yes Man" along Woody Allen and Jack Benny, with Keith Carradine in but I was also influenced by Madonna's "Material Girl" film makers like Billy Wilder, video, HBO's "Young Come- Stanley Kramer and Preston dian's Sepcial," the lead per- Sturgis. I always wanted to former in a comedy short call- produce and direct. I never ed "The Big Bang;' and is thought of performing, currently writing his own although I was always funny Cinemax special which he as a kid." hopes to direct. After graduating from high The cable comedy special is school where he was known titled "My Uncle's Shiva!' as the "class clown" — Taking liberties with the ac- although he prefers to think tual event, Wuhl says the plot of himself as the "class wit" is, nevertheless, centered on a — Wuhl headed for college at rea happening in his family. the University of Houston, "It's loosely based on the where he was equally active death of my uncle, who was in the drama and athletic not a very popular fellow in departments. He appeared in my family. It's basicaly about a variety of stage productions sitting shiva for a relative both on and off campus. nobody likes." He first began writing com- Wuhl's Jewish upbringing edy for the radio while in is responsible for the plot. It's Houston. When he graduated also responsible for the sense from college, he moved back of humor he is able to East and started doing stand- capitalize on today. "It was up at the Improv in New great growing up in a Jewish York. "My father, who sold ousehold," Wuhl says. fruit, couldn't understand "Jewish humor is great. why someone would travel 20 There's a certain rhythm to it. miles at night into New York And you're always exposed to City to go on a stage for comedy. Just look at all the nothing. He instinctively great Jewish comics we have. knew there was a good living You grow up with Shecky to be made in it, but he didn't Green and Buddy Hackett quite understand how. Still, and Myron Cohen. both my parents were suppor- "And, of course, there are tive of everything I did." the attitudes. Everybody in In time, the lucrative work- my house had an attitude and ings of show business became everybody could tell a joke." much more apparent. Wuhl Adding to his list of im- began writing comedy pressive credits, Wuhl has material for Rodney Danger- made guest appearances on field. "That was great," he "Moonlighting;' "L.A. Law," recalls. "It also helped open a and "Falcon Crest." His next lot of doors for me. I was work- film, due for summer release, ing in comedy about two is the baseball-themed weeks and all of a sudden I romantic comedy "Bull was selliing jokes to Rodney, Durham," co-starring Kevin and in three weeks they were Costner and Susan Sarandon. being told on "The Ibnight A devoted sports enthusiast Show." It elevated my posi- and a staunch Mets fan, Wuhl tion. It got me better spots, also offers wry and witty gave me more exposure, gave sports-comedy commentaries me credit and a chance to on a regular basis for the build my credibility!' Playboy Cable channel. "It's With credibility and con- a real opinionated, topical fidence now under his belt, sports show," he volunteers, Wuhl moved to Los Angeles "and the only show on the network that does not have nudity on it!" Wuhl, who enjoys playing golf and baseball in his rare free dime off camera, says he is very happy the way his career is going. "I'm having meetings with people from Columbia, Disney and Paramount. "I'm content. I love working with good people on good pro- jects. And it's nice to be able to do a variety of things because you can be a little more selective. Let's just say that work is good. I'm never going to be the guy who blows you away the first time you see me, but I'm a professionsl, and I'm going to be here for a long time. I want to be a craftsman, to work con- sistently to produce a body of work which will be respected by my peers and, hopefully, even the public?' ❑ — I GOING PLACES r- Continued from preceding page Wednesday through Aug. 28, admission. 416-468-2172. GREENFIELD VILLAGE Henry Ford Museum Theater, Dearborn, "Two Blind Mice:' Fridays and Saturdays, now through July 16, admission. 271-1620. BACKSTAGE DINNER THEATER "As Is," through July 9. ATTIC THEATER 7339 Third Ave., Detroit, "Lady Day at Emerson's Bar and Grill," now through Aug. 11, admission. 875-8284. FISHER THEATER Fisher Bldg., Detroit, "Cats," now through July 30, admission. 872-1000. - MUSIC BIRMINGHAM SUMMER CONCERT SERIES Shain Park, The Amazement Park Revue, Thursday. 644-1807. MUSIC IN THE PARK Shepherd Park, Oak Park, "The Singing Dolls;' Tuesday. 545-6400. MEADOW BROOK MUSIC FESTIVAL Baldwin Pavilion, Oakland University, Rochester, • Kingston Trio, Limelighters and Schooner Fare, Friday; Detroit Concert Band, Saturday; Ruth Laredo, Sunday; fireworks follow each show, admission. 377-2010. 1