PEOPLE A Thoughtful Expression... With a Cookie or Candy Tray glorko Author Cynthia Ozick Rides A Popular Wave of Mysticism JUDITH COLP Special to The Jewish News W ashington — Au- thor Cynthia Ozick cuts a prim figure. Her shoulder-length grey hair is held back by rainbow bar- rettes, her skirt is flouncy and her shoes are patent leather. When she talks informally to people — such as at her recent reading at the American Academy and Institute of Arts and Letters here — there is a certain nervousness in her girlish tone. But her sharp intellect is obvious. It's ironic then that Ozick, 59, is riding the wave of suc- cess by writing about mysticism. She has published two critically acclaimed novels, three collections of short stories and more than 100 essays. Grants have enabled her to stop teaching and write full-time. Still, she is not resting easy. In a recent interview, Ozick, who resides in New Rochelle, N.Y., confessed that she is still haunted by her failure to publish until she was 37, some 14 years after she started writing. "You suffer humiliation and pariahship," she said. "You're not there. You look out onto the world at people five or ten years younger who are already publishing, and where are you? I think it's a scar that I will never recover from. That's a very long period of defeat. It's a very im- portant and impressionable part of your life. I never relin- quish my sense of gratitude for publication." As complex and demanding as Ozick's writing is, her works are concerned with one central theme: remaining Jewish in the assimilated societies of the Diaspora. Her protagonists are intellectual and alienated Jews who become attracted to mystical and pagan elements which are symbols of the non-Jewish world. One of her best-known stories, "The Pagan Rabbi," describes a New York rabbi, a "man of piety of brain," who hangs himself from a tree. His diaries reveal a belief in animistic forces including an affair with a mystical, Pan- like creature. Ozick said she became fascinated by the mystical in college while reading William Butler Yeats' poem "Leda and the Swan." The swan is a symbol for Zeus, Cynthia Ozick: Revolted by the imaginary and so is mythical, but the language makes the creature appear so real that "it's prac- tically reality," Ozick said. She said she is drawn to the imaginary because she finds it so "revolting." "I'm a rationalist and cer- tainly wouldn't allow it into my life as an influence, but it is very good story matter," she said. Ozick grew up in a Bronx neighborhood that was primarily Irish and German, and she recalls being stoned because she was a "Christ- killer." Her parents were pharmacists and she long knew she wanted to be a writer, having an uncle who was an author. After graduating from New York University, she went to Ohio State University to pursue a master's degree, studying The Henry James' Ambassadors. Ozick said her admiration of this work was her downfall. Attempting to write in her 20s in a style James had perfected at age 40, Ozick was unable to match her skills to her intentions. It wasn't until 1966 that her first novel, Trust, was published. It was followed, six years later, by The Pagan Rabbi and Other Stories, Bloodshed and Three Novellas in 1976 and later Levitation: Five Fictions and The Cannibal Gallery. Ozick's newest novel, The Messiah of Stockholm, deals with the work of Bruno Schulz, a real Jewish-Polish author who was killed in the Holocaust. Ozick came up with the idea for the work during an eight-day visit to Stockholm where she heard a rumor that Schulz's last novel, The Messiah, had turn- ed up in the city. Ozick described his writing as "symbolic, metaphoric, dazzlingly bizarre." The idea of the manuscript mysterious- ly appearing fascinated her. "Why in Stockholm? Could it be possibly true, could such a manuscript have survived and where was it? How could it have happened? This began to boil and I couldn't wait to get home and write a short story that I was sure would take two weeks," she said. A year-and-a-half later, the short story had become a novel. The protagonist, Lars Andemening, a reviewer for a Swedish newspaper, is a typical Ozick character — a refugee from Poland, twice divorced, and alienated from the literary stewpot of Stockholm. His belief that he is the son of Schulz turns in- to an obsession. Ozick says she writes fiction last in her day, usually late at night. She devotes her days to what she described as secretarial and domestic duties, including answering her mail. Like a good Torah student, she has spent hours framing a reply to an Old Testament issue. When a fellow author recently wrote to challenge her on the absolute meaning of the commandment "Thou shalt not kill," she took up the challenge, maintaining that some murders are justified. The assassin of Hitler, she observed, would have saved millions of lives. In her 20s, Ozick "besotted" herself with Jewish philosophy and history, becoming impressed by the influence of Judaism on Western civilization. Without Judaism, she pointed out, there would be no Christiani- ty, no Islam, no U.S. Constitu- tion or Bill of Rights. She is deeply concerned that Jews are losing their identity, particularly those who are best educated. Copyright 1987, JTA, Inc. Age' When So Sorry is not enough... Send a tray Nibbles & Nuts 443-5550 737-2450 TO LET THEM KNOW YOU CARE . . . SEND A Berries 'n Bon Bons TRAY WE DELIVER! SHIVA BASKETS .. . . 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