CtIl l IDI ENTERTAINMENT dining room, carry-out and trays fl • breakfast • lunch • dinner fter-theater • kiddie menu BletS For A Song open tuesdays thru sundays 10 a.m. to 11 p.m. lincoln shopping center, 10 1/2 mile & greenfield, oak park / 968-0022 A Tradition Since 1934 &E. Taitat/ —14' r : . 94.146 Jim- 21 inin9 al Continued from preceding page LocLici.i4 Fred Bayne at the organ nightly 1128 E. Nine Mile Road (1 1/2 Mile East of I-75)) i * Recommended by AAA & Mobile Guides FUNG L (313) 541-2132 _ 'S SZECHUAN, MANDARIN, CANTONESE & AMERICAN Mon.-Thurs. 11-10, Fri. & Sat. 11-11 Sun. 12-10 CARRY OUT • CATERING BANQUET FACILITIES] 8410 W. 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Woodward & Second 66 868-7550 Friday, December 12, 1986 THE DETROIT JEWISH NEWS S. who she had dated since high school, she took time off from music to work and help with his career as a certified pub- lic accountant. She began working as an insurance underwriter, but always figured she would re- turn to music at some point. However, after Rofel had her daughter, Leslie, she de- veloped thyroid cancer — a devastating experience that changed her life since it was not known if she would ever be able to perform again after the corrective 'surgery. "I bargained with God: Give me my voice back and I'll do something with it." It took a full year of hard work after the surgery to strengthen her voice. Rofel's original 21/2 octave range had diminished to a mere four notes while recuperating from the surgery. But when her voice did return, it did so with a bang. Rofel claims that it never sounded as strong before the surgery. "My voice came back with a gusto. All that talking to God and then he came down with a sledgehammer. I don't think I had this much talent before the surgery, I think this is a gift from God." Perhaps it is a God-given gift or perhaps it is the result of long hours of work. What- ever the c.e, Rofel is using her "new and improved" voice in a variety of ways in order to develop a strong foothold in Detroit's performing corn- munity. Currently, she is singing with the David Jollet Chorale, a professional, 24- member singing ensemble which specializes in a capella style singing (without accom- paniment). "I don't have to be in the limelight. It's okay to be in choirs. People ask 'Are you going to sing a solo?' Well, no, I'm not but I'm having fun. "You have to have confi- dence in yourself -to not take yourself so seriously and feel the need to be center stage. Of course, I think I'm good, but there a lot of other good people as well." Rofel recently performed in the Jewish Community Cen- ter's production of Funny Girl, directed by Nancy Gur- win, and is actively looking to work in other similar productions. "I'm operatically trained and yet I don't kvetch. I really like the Broadway stuff. I'm at a growth point. I study the classics, but my heart is in easy listening. "Recently, I was at a point of searching. Do I do opera? Do I do stage shows? I can't do everything. A voice ma- tures at 40 so mine is still a young voice, there's time." Rofel spends much of her time performing at churches where she sings liturgical music and feels that she sings "a lot more `Jesu Christes' than a nice Jewish girl ought to." She sees a need for more cultural programs within the Jewish community and is hoping to do more to gain ex- posure and expand the scope of performing arts in syna- gogues and Jewish organiza- tions. "There has not been a ve- hicle for Jewish entertainers and I would like to bring more back culturally into the community. While syna- "I bargained with God: Give me my voice back and I'll do something with it." gogues may have their own choirs, they often bring in professionals from New York or Israel as soloists. What about our homegrown talent? A handful of local theaters and producers have found success in the Detroit area like the Hilberry, the Attic, Jimmy Launce and Nancy Gurwin and Phil Marcus Es- ser, the latter two Rofel ad- mires. "I don't want to run to New York. I have a husband and a family although if someone handed me a part in a Broadway production, I'd have to take it but Esser has an audience. Nancy Gurwin Dinner Theater has a built-in audience. What's the dif- ference?" In fact, Rofel would like to develop a similar following with shows of her own. She is trying to put together a one-woman show concentrat- ing on Broadway showtunes in a cabaret style. It would seem that some- one interested in a singing career would be tempted by all the glamour and glitter that becoming a big success could bring. Not so with Marsha Rofel. Rofel is one of those rare per- formers who is not in it for the money or the stardom. It means more for her to ex- press herself and perhaps touch someone through her singing than to have her name up in lights. "Music is about having fun. Every note does not have to be perfect. Every nuance need not be perfect. I could tell you everything wrong with one of my performances, but that's not what music is all about." And Rofel has had her share of less than perfect per- formances. During a recital in French she suddenly forgot the lyrics and had to make up gibberish to fit the music. A few people smiled and nodded to let her know they were aware of the confusion, but enjoyed it all the same. In fact, everyone enjoyed it. It didn't matter. "If you can just connect with one person, it's worth it. It can be tremendously re- warding to get a response." Rofel also is interested in working for charities and has performed at B'nai B'rith functions. Whether through dinner theater or recitals, she would like to work in con- junction with philanthropic organizations for the expo- sure and for the results which could be brought about by her performing. One of the nicest parts of performing has been the ef- fect it has had on Rofel's fam- ily. Their support has played an intrinsic part in the de- velopment of her music career and indeed, it was music that first brought Rofel and her husband John to- gether. Both were involved in Oak Park High School's music de- partment and performed with the Brandenburg Singers, an award-winning ensemble. They attended Michigan State University, where Rofel was a voice performance major. They dated throughout college and were married a year after graduating. "It's so easy to be suppor- tive because music is the only thing that truly makes Marsha happy," says John. "It's her whole life and I understand her hectic rehear- sal schedule like she under- stands tax season." The Rofels recently re- turned to their musical roots when John joined the David Jollet Singers. Even three- year-old 'Leslie Rofel gets into the act. The beautiful, sparkly-eyed tyke parades around singing "New York, New York" and plays a mini- ature piano that stands next to her mother's full sized one used for practicing and pri- vate voice instruction. Rofel says that teamwork and a lot of patience allow her to do all things that make her happy although the time factor can be a problem. "When I find I have time for a class I don't know whether I should go for insurance cer- tification or take an opera class." Whatever the choice, it is sure to be a success since this full-time singer/actor/ insurance underwriter/wife/ mother does not do anything half way. "I thought, how am I going to get this all together, but I did. And I did it on my own. No help from professionals. "It makes no difference if someone tells me I'm good or not. I think I'm good and I'll establish a reputation by word of mouth. It's starting to happen." ❑