N Friday, March 25, 1983 THE DEW TEIMSH NEWS Matza: Bread of Affliction and the Bread of Freedom By IRVING GREENBERG Director, National Jewish Resource Center The traditional Seder opens with the host pointing to the matzot and reciting the ancient formula: "This is the bread of affliction (slavery) which our ances- tors ate in the land of Egypt . . ." This tradition is based on the Biblical verse (Deuteronomy 16:3) ". Seven days you shall eat it with matza, the bread of affliction . . . in order that you remember the day you left Egypt all the days of your life." In this view, the hard matzot, made only of water and flour, with no shorten- ing or yeast or enriching products, are eaten to re- mind Jews of the hard crust and meager food given to the Hebrew slaves in Egypt by their exploiting masters. Like the bitter herb which is eaten at the Seder, the matza represents the de- gradation and suffering of the Israelites. There is another tradition about matza. This second view is cited in the Haggada when the three central ritual symbols of Passover — the Paschal sacrifice, the matzot and the bitter herb affliction or the bread of freedom? The answer is that matza is both. It is not surprising for ex-slaves to invert the very symbols of slavery. Thus, they express their re- jection of the master's val- ues and their new inner self-affirmation. In the late 1960s, black nationalists deliberately used the term "nigger" as an in-group term in defiant reversal of racists' use of the term as an epithet of degradation. Afro hairdos were reclaimed as a statement of identification DR. IRVING GREENBERG — are displayed. To quote with African forebears in- the account in Exodus stead of with the master (12:39) "and they baked un- with light skin and straight leavened cakes of the dough hair. which they took out of Similarly, later Jewish Egypt. The dough was not tradition interpreted the leavened for they were has- Hebrews' Paschal lamb sac- tily driven out of Egypt and rifice in Egypt as deliberate would not delay and yet slaughter of an animal wor- they had no food prepared shipped by Egyptians to ex- for themselves." press the casting off of the In this view, eating masters' values. Adopting matza re-enacts the Is- the slave bread as the food of raelites' eating the bread freedom is consistent with of the Exodus, the bread the intentional repudiation which Jews baked to go of the old slavery norms. into freedom. This is a There is yet a deeper surprising, almost con- meaning in the double- tradictory account of the edged symbolism of matza. matza symbol. What is The basic change from slay- matza — the bread of ery to freedom is not that slaves endure hard condi- tions while free people enjoy ease. The bread remained equally hard in both states, but the psychology of the Is- raelites shifted totally. When the hard crust eaten by the Jews was given to them by tyranni- cal masters who disposed of them as they willed and the Jews accepted it passively, then under those conditions the matza they ate was the bread of slavery. Eating matza was a sign of gradation. When the Jews willingly went from green fertile de- ltas into the desert because they were determined to be free, when the Jews ate hard bread rather than stay one more day in servitude, then the hard crust itself became the bread of free- dom. Out of fear and irrespon- sibility, the slave accommo- dates to ill treatment. Out of dignity and determination to be responsible for his own life, the free man will shoulder any burden or endure any suffering to pro- vide for his family and to stay free. Enduring such hardship is the essence of freedom. A number of scholars have recently argued that Zionism has failed because it has not cured the problem of anti-Semitism; rather, the state of Israel itself is the object of hatred and ob- loquy at the United Nations and all over the world. These scholars fail to understand the achieve- ment of Zionism — and the message of the matza. The test of freedom is not that troubles end. When Jews were totally dependent on the suffer- ance of others, they endured anti-Semitic hatred. Out of an ethic of powerlessness, they took mistreatment to be their inescapable fate and they accepted whatever cruelty their oppressors meted out. Their suffer- ing only deepened the Jews' subjection while it strengthened their enemies. Today, Israel and Jews who back it have taken re- sponsibility for Jewish de- stiny. Then the slings and arrows of outrageous enemies are the hard condi- tions we willingly buck as we build our strength and the capability to be masters of our own fate. The French and British arms boycotts led Israel to build a strong defense industry. The gratuitous worldwide hatred has only strengthened the bond be- tween Diaspora Jews and Israel. Running scared and dis- tancing from Israel in times of criticism or unpopular wars is the sign of the per- sistence of slave mentality. The response of greater political effort and in- creased philanthropy in America, even as the brav- ing of the risks of war and threats of genocide in Israel, are the most eloquent proofs that Jews have chosen free- dom over dependency. True, there is no guaran- tee of ultimate success in this process. Many would accept slavery/dependency in return for security. But the bones of the slaves bleach in the desert sands and their bodies fertilize the masters' soil. Every Passover when Jews eat matza, Jews testify that a free people will pay every price, will persist through hardship and will reach the Promised Land. The Passover Haggada Has a History of Its Own the Haggada into an illus- trated and illuminated JERUSALEM — Next to manuscript was possible the Bible, more copies of the because it was not bound Haggada are produced than by any religious restric- of any other Jewish book. tions. The beginning of Printed or handwritten in Haggada illustrations practically every language can be dated back to the spoken by Jews, it has be- beginning of the 14th come a unique volume in Century and resulted in world literature. the creation of a new The basic text of the Hag- form of Jewish pictorial gada, as we know it today, art. was formulated by Rabban There are two types of Gamliel in the Second Cen- medieval illustrated Hag- tury CE. The first complete gada manuscripts — the text is found in the 10th Sephardi or Spanish version Century Siddur (prayer-. and its Ashkenazi or book) of Saadia Gaon. As its Franco-German counter- recitation became an in- part. Those coming from tegral part of the Seder in Italy display some of the the home, it was felt that it characteristics of both should be separated from schools. the Siddur, and became a The earliest surviving il- book on its own. luminated Ashkenazi Hag- To be used properly, it gada is the Birds' Head was essential that the Hag- Haggada in the Israel gada be not only read but Museum. Produced around understood. Translations of 1300, it substitutes birds' the Hebrew text into the heads for the human face, various languages of the thus circumventing the Diaspora began to appear prohibition of the Second very early, so that Jews in Commandment. All the fig- every country could follow ures wear the famous however was conducting the medieval "Jews' hat," so Seder ritual. But it was sev- even those who could not eral hundred years before read could not mistake their illustrations were added, identity. not only as an art form, but The second great revolu- also to engage the interest tion in the production of the of the old and the young Haggada came with the in- around the table. vention of printing in the The transformation of middle of the 15th Century. By DAVID GEFFEN World Zionist Press Service What is believed to be the first printed Haggada was produced in the Spanish city of Guadalajara in 1482. This is a rather modest Haggada containing no illustrations or decorative initial letters. More than 3,000 differ- ent versions of the Hag- gada have been pro- duced in various parts of the world over the cen- turies. One of the most in- teresting is the 17th-18th Century Chinese manu- script of the Jewish community of Kai- Feng-Fu. The text in- cludes instructions in Parsee written in He- brew characters, which indicates that the Jews of China derived their reli- gious teachings from Persia. Written with a reed pen on rice paper, the letters have a some- what Chinese look. A Haggada was produced for the Indian Bene Israel community in Bombay in 1846. It is in the local lan- guage, M-ahriti, with the Hebrew text alongside. A second edition printed in Poona 28 years later has illustrations showing women in typical Indian dress baking matza in specific shapes for the three matzot used in the Seder. IstAtbitt;.. transmitting their own ideas. Best known in this category are the Hag- gadot produced by the kibutzim. There, an effort was made to formulate a Haggada which would express the striving and yearnings of the Halut- zim. Hundreds of these Haggadot have ap- peared, and through them one can better understand the history and outlook of the var- * * itik imocOmit 1 01 1 ious kibutz movements. / milf ' 1 4ilt‘ alb In the United States in 4 I recent years, the struggle A6ceR WIKtviiifbak %vewslowItik 1 A fl for equal rights by all op- pressed groups reflected it- kAreskiliAmlimikkert* 721 6100! "N484/, self in a Freedom Haggada N 4NA produced by Arthur Was- 104 00#44040 kow. Originally it appeared tot - • in Ramparts magazine and was later produced as a separate text, founded on concepts of peace, freedom and equality. A very meaningful Hag- gada reflecting the struggle of Soviet Jewry was pro- duced in the 1970s by Mark Shown is a page from the Birds' Head Haggada, Podwal, with the Russian commisars in place of the of- which dates back to the 13th Century. ficials of Pharaoh's Egypt. During World War II, the initiative of a local Moreover, Jewish feminists even the Nazis showed re- school principal. A German have produced a Haggada of spect for one of the greatest officer was sent to Sarajevo their own in the U.S. medieval gems of Jewish to pick up the Haggada from The Haggada then, is a art, the Darmstadt Hag- the school, in which it was book which permits each gada produced in the 15th housed. The principal had a individual Jew to add his Century in southern . Ger- quick copy made and hid the own interpretation to it. It is many. They kept it hidden original in a nearby cave, never really complete be- in the Offenbach Leather where it lay until the end of cause its theme, oppression Museum so that it did not the war. It was then placed and tyranny, still exists. share the fate of thousands in the Bosnian National When persecution forever of other Hebrew books and Museum. ceases, when every trace of manuscripts, which were Because the Haggada bondage disappears, when burned or destroyed. stresses the idea of free- right rules over might, then Another precious trea- dom and the liberation perhaps the ideas of the sure, the Sarajevo Haggada, from bondage, many Haggada will reach frui- one of the best known different groups have tion. That really is what the Sephardi Haggada manu- utilized its format and Haggada, perhaps our scripts of the 14th Century, that of the Seder service greatest Jewish book, is all was saved for posterity by itself as a means for about.