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August 21, 1981 - Image 16

Resource type:
Text
Publication:
The Detroit Jewish News, 1981-08-21

Disclaimer: Computer generated plain text may have errors. Read more about this.

16 Friday, August 21, 1981

THE DETROIT JEWISH NEWS

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OF METROPOLITAN DETROIT

Weizmann Calls for Recognition
of a Palestinian Entity on WB

TEL AVIV (JTA) —
Former Defense Minister
Ezer Weizman said the time
has come for Israel to con-
sider recognizing a "Pales-
tinian entity" on the West
Bank and the Gaza Strip. In
his first public appearance
in many months, he said in
an interview on Israel Tele-
vision in conversation with
Arab affairs expert Prof.
Moshe Shamir that the
political leaders should
learn how to take advan-
tage of breakthroughs on
the diplomatic front, just as
army generals succeed by
utilizing breakthroughs
opening up on a military
front.
Weizman suggested that
Egyptian President Anwar
Sadat's visit to Jerusalem in
1977 had been such a politi-
cal and diplomatic break-
through which has not been
sufficiently utilized to bring
about a wider peace.
He named Moshe Arens,
chairman of the Knesset
Foreign Affairs and Secu-
rity Committee, as an
example of Likud or Herut
members who originally
were opposed to the Camp
David agreements but
nevertheless stayed on in of-
ficial positions (and by in-

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EZER WEIZMAN

ference, did not make suffi-
cient use of the political
breakthrough).
"Geula Cohen was at
least consistent. She op-
posed the agreements
and left the Likud. I did
not leave Likud — they
left me," Weizman Said.
Cohen is now a leader of
the ultra-nationalist

Tehiya Party. He said he
was not afraid to use the
term "Palestinians"
while everybody else pre-
fered "Arabs of Eretz
Yisrael."
"The Palestinians are
there. Read the Camp David
accords," he urged. "It says
there that there should be
an Israeli withdrawal and a
handing over to a Palesti-
nian entity. I am not scared
of that."
Weizman described t.
Israeli bombing of the Iraqi
nuclear reactor as an "aspi-
rin. You won't remove the
nuclear threat in that man-
ner." He also said that he
would not have ordered the
bombing of terrorist head-
quarters in the middle of
Beirut. "We've always
known the headquarters
were there," he stated.
Weizman said he would
only return to politics if he
thought he could implement
a large part of his political
philosophy. "Until then, I
am on the outside," he said .

'

Israeli Artist-in-Residence
Program_ Begins in Fall

NEW YORK — Two Is-
raeli performing artists — a
dancer-choreographer and
an actor-turned-playwright
— will be the twin headlin-
ers as the national Jewish
Welfare Board and the
World Zionist Organization
open a jointly sponsored
"artist-in-residence" pro-
gram for Jewish community
centers and YM-YWHAs of
North America.,
The cooperative pilot ef-
fort, scheduled this fall and
next spring, was announced
by Harry Kosansky, JWB
ODED TEOMI
director of program serv- Conservatorium Dance
ices, and Aryeh Wolf, School.
director-general of the de-
Serving as the "Israeli
partment of development artist-in-residence" for the
and services, WZO.
spring, 1982, will be Oded
Kosansky and Wolf said Teomi, playwright, mystic
current plans call for and actor, who will present
Rahami-m Ron, Cairo-born his own ".mysterious and
Israeli, to inaugurate the wondrous" one-man show,
joint program with a series "Signs and Wonders,"
of four one-week teaching- which deals with his per-
performing residencies at sonal experience in the
world of parapsychology.
Teomi will be performing
four one-week stints during
March 1982, at other North
American JWB affiliates,
JCCs and Ys. Both Ron and
Teomi will be presenting
full-blown performances
and mini-shows; will lec-
RAHAMIN RON
ture to classes, work with
JWB affiliated JCCs and local dance and drama
YM-YWHAs in North groups, discuss the state of
America beginning Oct. 18 their art with media repre-
and running through Nov. sentatives.
22.
The JWB-WZO project
Ron, a kibutznik whose designed to provide an in-
talent and dedication to depth experience for those
the dance emerged dur- communities taking part
ing his childhood at with an Israeli artist.
Sha'ar HaGolan, was one
Two other benefits are
of the original dancers expected to result from the
(1964) with the Batsheva program — the develop-
Dance Company. After a - ment of meaningful con-
period on scholarship tacts and interaction be-
with the Martha Graham tween the Israeli artists and
Company in New York, local community individu-
he returned to Batsheva als and the stimulation of
as a featured performer. the visiting performers
He is coming to the through the exposure to
JWB-WZO project as the different audiences and set-
artistic director and head tings they might experi-
teacher of the Kfar Saba ence.

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