16 Friday, November 11, 1918
THE DETROIT JEWISH NEWS
Riot In Your Award Winner Richard Dreyfuss Hits Again Again With New Big Fix' Feature
By HERBERT LUFT
Bishop, who also is featured mate, highly controversial pla;e. Today, we live in a sion in "Network." Nor-
Own Driveway!
in "The Big Fix."
film in which he also star- much healthier period. man Jewison directs.
(Copyright 1978, JTA, Inc.)
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Richard Dreyfuss, this
year's "Best Actor"
Academy Award winner,
portrays the central char-
acter of a private eye in the
Universal picture, "The Big
Fix," which he also co-
produced with Carl Borack
whom he first met when
both attended Horace Mann
Elementary School in Los
Angeles.
At the age of nine, he de-
cided to become an actor.
His parents enlisted him at
the Westside Jewish Com
munity Center where I
encountered him as a young
teenager. During his
sophomore year at Beverly
Hills High, he began his
professional career at the
Gallery Theater. He
graduated from high school
in 1965 in a class that in-
cluded Larry (son of Joey)
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On the screen he bowed in red. Neil Simon's "The
a bit part in "The Valley of Goodbye Girl" netted him
the Dolls," then "The an Oscar. I talked to him
Graduate," "The Young while he was appearipg loc-
Runaways" and "Hello ally in the stage revival of
Down There." He partici- Paddy Cheyefsky's "The
pated in Hollywood in an 10th Man" while simul-
improvisational comedy taneously completing "The
group which included the Goodby Girl."
kin-offspring of famous
The challenging role of
thespians, such as Rob Re- Moses Wine in "The Big
iner, David Arkin and Fix" provided Dreyfuss with
Larry Bishop. In John a tailor-made characteriza-
Milius' "Dillinger" he de- tion of a self-assured, sar-
picted the side-line char- castic "know-it-all," di-
acter of "Baby Face Nelson" vorced, father of two kids
before going to Montreal for whom he adores. When
the filming of "Duddy tragedy strikes Moses Wine
Kravitz" which was not to changes into a raving, yet
my liking in spite of his fine ice-cold calculating re-
performance.
venger ready for the kill.
George Lucas, who had
Unfortunately, the
seen him as the cockney book and screenplay by
in the Los Angeles prod- Roger L. Simon is all-
uction of Shaw's "Major too-contrived to be be-
Barbara" and in the tour- lievable; the plot is super-
ing company of ficially constructed, the
Saroyan's "The Time of motivation obscure; and
Your Life," signed him the clues picked up coin-
for "American Grafitti" a cidental.
film that became the
In spite of ambiguity,
turning point of both "The Big Fix" is a fascinat-
men's careers.
ing picture, in retrospect
For director Steven giving us a glimpse at the
Spielberg, he appeared in turbulent 1960s, the war
two of the all-time top box protesters and campus revo-
office hits, "Jaws" and lutionaries. Yet, the nostal
"Close Encounters of the gia connected with the
Third Kind."
period is somehow out of
Himself he produced and
directed "Insert," an inti-
Black Basketball Player's
Conversion Is Questioned
i s oN 4 1.e. V
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Thank heaven Vietnam is
behind us!
Dustin Hoffman, in
Columbia's forthcoming
picture, "Kramer vs.
Kramer," portrays a victim
of our liberated age - a des-
erted husband who finds
himself engaged in a legal
war to retain custody of his
son.
This tables-turned story
gives us a fresh look at di-
vorce, single parenthood,
the love between father and
son, and a middle-class
man's financial struggle in
a large city.
"And Justice for All,"
written by Barry Levin-
son and Valerie Curtin
for producer Joseph Wi-
zan, deals with a young
lawyer (portrayed by Al
Pacino) who takes a sar-
donic view at the law
business. Armed with a
special sense of justice
and a bizarre sense of
humor, the attorney
plays havoc with the
judiciary as did Elliott
Gould and Donald
Sutherland with the med-
ical profession in
"M*A*S*H" and Donald
Sutherland with the med-
ical profession and Sid-
ney Lumet with televi-
(Just South of 13
642-4472 642-4466
NEW YORK (JTA) - Of-
ficials of a major American
Orthodox rabbinical organ-
ization maintain that the
conversion of Black basket-
ball star Aulcie Perry, now
a member of the Maccabi
team in Israel, by a Brook-
lyn rabbi was invalid.
7he Jewish Telegraphic
Agency rep'orted from
Jerusalem that the dispute
might lead Agudat Israel to
leave the Begin coalition
unless Perry's nationaliza-
tion certificate is rescinded
by the National Religious
Party-directed Ministry of
the Interior.
The latest dispute 'in
the ongoing controversy
over the validity of con-
versions outside of Israel
was touched off by offi-
cials of the Tel Aviv
Hapoel Club, rivals of the
Maccabi.
The Hapoel officials
wrote to the Union of Or-
thodox Rabbis of the United
States and Canada (UOR)
asking about the validity of
Perry's conversion by Rabbi
Haim Rabinowitz, who
heads a rabbinical court
(Beth Din), "Tifereth Is-
rael," in Brooklyn and who
describes himself in adver-
tising in a local English-
Jewish weekly as dean of
the Rabbinical Academy of
America.
Tha UOR does not recog-
NY Activist Cited
NEW YORK - The
Committee for Public Edu-
cation and Religious Lib-
erty (PEARL) honored
Florence Flast, its chair-
man and co-founder, at a
dinner Nov. 2 at the
Americana Hotel.
PEARL defends separa-
tion of church and state and
nize Rabbi Rabinowitz or
his Beth Din.
Ashkenazic Chief Rabbi
Shlomo Goren, discussing
the dispute, said in
Jerusalem that the Perry
conversion court would
have to be investigated to
determine whether its
members conformed to Or-
thodox requirements, add-
ing the touchstone should
be whether they were rec-
ognized by the Rabbinical
Council of America, repor-
tedly the largest Orthodox
rabbinical organization in
the United States.
George Segal and Glenda
Jackson, who found each
other in "A Touch of Class,"
once again are romantically
involved in "Lost and
Found" in which Glenda is a
British divorcee and George
a widowed U.S. college pro-
fessor. Maureen Stapleton
portrays a concerned
mother-in-law and Paul
Sorvino a cab driver who
moonlights as philospher.
The sophisticated script was
written by Jack Rose to-
gether with the film's
producer-director Melvin
Frank.
Lorne Greene, the pat-
riarch of television's
"Bonanza" who returned to
the big screen in "Earth-
quake," now portrays the
commander of a giant in-
terplanetary man-of-war in
"Battlestar Galactica." The
silver-maned actor, whom
we first met in London 23
years ago, says that in his
long career ranging from
newscaster to Shakespeare,
he had never before ap-
peared in a science fiction
role.
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