Friday, Joe 2, 1978 31

THE DETROIT JEWISH NEWS

AJCongress Hits NY Redlining

NEW YORK — The
American Jewish Congress
has called for "tough laws
and tough enforcement" to
stop redlining by fire and
casualty insurance com-
panies in ghetto and "tran-
sitional" areas.
David Levy, chairman of
the insurance redlining

VINCENZO'S

subcommittee of the Ameri-
can Jewish Congress Met-
ropolitan Council, testified
before the New York State
Assembly Committee on In-
surance hearing on redlin-
ing, which he termed "a
major cause of neighbor-
hood - deterioration and
urban blight in the city."

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OLD TIME DEL!

Boys From Brazil' Film Features Peck as Villain

By HERBERT G. LUFT
(Copyright 1978, JTA, Inc.)

HOLLYWOOD— "I
couldn't be more pleased to
remind people of the Nazi
Holocaust and the quest of
Simon Wiesenthal to bring
the still-alive criminals to
justice," Gregory Peck said
on the Lisbon set of "The
Boys From Brazil," a motion
picture based on facts and
the book of the same name
by Ira Levin in which the
actor, for the first time in

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Sir Laurence Olivier, in
contrast is Yakov or Ezra
Lieberman, a character
suggestive of the real-life
Wiesenthal, the soft-
spoken, quietly-aging
Nazi hunter who thinks
that his mission in life is
almost completed — until
one night he receives a
mysterious telephone
call from Sao Paulo in
Brazil to inform him of
the devilish plot by
Mengele and his associ-
ates to kill 94 civil ser-
vants throughout the
world on their 65th
birthdays.

The picture, now being
dubbed and scored at the
Goldwyn Studios in Hol-
lywood, moved throughout
Europe and the U.S., from
locations in three countries
10,000 miles apart, with
Lisbon and Lagoa de Al-
bufeira duplicating Asun-
cion and the wilderness of
Paraguay; the Shepperton
Studios in Middlesex,
England the scene of all the
interior sets; and Lancaster,

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his cinematic career of more
than 30 years, portrays a
villain, German Dr. Josef
Mengele, the "Angel of
Death" of Auschwitz who
experimented on 300,000
inmates before consigning
them to death in the name of
science. Studying genetics,
he was seeking to clone a
new master race.
Today, Mengele is still
alive in Paraguay, a coun-
try which harbors a goodly
number of fascists and dow-
nright Nazis, though in the
fictional ending of Levin's
novel, he is finally brought
to justice in the United
States.
The magic of casting (and
make-up) has turned the
normally heroic Gregory
Peck into a monster, "a
spectacular bravura role,"
he says, "like throwing a
rattlesnake into a crowd of
people."

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Ell MI

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Sat., Sun., 5, 7:20 & 9:40

Mon.-Fri. 7:20 & 9:40

Pa. the actual background
to the final.
Other locations were
utilized in Vienna, the
headquarters of the real
Wiesenthal. Franklin J.
Schaffner (of "Patton" fame)
directed, with James Mason
essaying the part of Seibert,
another high-ranking Nazi
hiding out in South
America. Others in the $12
million picture produced by
Robert Fryer and the Pro-
ducer Circle and presented
by Britain's Lord Grade are
Lilli Palmer, Uta Hagen,
Rosemary Harris, Michael
Gough,
Bruno
Ganz,
Guenther Meisner, Georg
Marischka and Carl Duer-
ing, plus the American
actor John Rubinstein, son
of famed pianist Artur
Rubinstein.
•
Peter Falk, famed
private-eye of the television
series "Columbo" and of the
forthcoming Neil Simon
picture, "The Cheap Detec-
tive," turns criminal in his
latest film, Dino de Lauren-
tis' production of "Brink's,"
based on actual events and
the Noel Behn best seller,
"Big Stick-Up at Brink's,"

recounting the January
1950 theft of a record $2.7
million from the main
Brink's vault in downtown
Boston. Falk this time por-
trays Tony Pino, a veteran
safe cracker who spent
three years meticulously
planning the near-perfect
crime and was apprehended
after an extensive six-year •
manhunt with only five
days remaining on the sta-
tute of limitations.

Actress Salome Jens
plays Pino's wife; other,
gang members are de-
picted by Peter Boyle,
Warren Oates, Paul Sor-
vino, Gerry Murphy and
Allen Garfield.

William
Friedkin,
Academy-Award winner for
"The French Connection"
and director of the record
money-maker "The Exor-
cist," is guiding the Brink's
venture which culminates
his lifelong fascination with
the case. Screen writer
Walon Green (Oscar-
winner for "The Helstrom
Chronicles") for his scenario
combined Noel Behn's novel
with previously unpub-
lished material on the rob-
bery.

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