Purely Commentary To the Glory of the Jewish Mother Women's Lib battles for many rights. The one cause that has been overlooked is Mother. So much nonsense has been written about the Jewish Mother! In the language of the psychiatrists, there is a hidden hatred for the lady who can be gentle and who can be firm but whose love is unmatched. Becouse of the nonsense in so many novels about both Mother and Father, who have helped create so much genius on the East Side of New York and the East End of London, there has already been an elevating feeling in reading Jerome Weidman's "Fourth Street East." When we reviewed it, we expressed joy over the great tribute the son Jerome paid his father. Now Jerome Weidman provides a marvelous tribute to Mother, in an article, "My Mother and Somerset Maugham," which we shall quote from Bookmark, the Jewish Pub- lication Society organ, and for which we are most grateful to JPS. Weidman states right off the bat that he wrote his recollection about Mother not "in defense of"—calling it "the wrong phrase"— but as "setting the record straight" about Mother. His mother, who died only recently at the age of 91, is described as being typical of Jewish mothers. She escaped to this country from Russia and Poland during the pogroms, "with only one desire: to find a safe haven for her children:" Unlike the all-too-many self-degrading Jewish writers who have made their m.others, the Jewish mothers, the butts of their venom, Weidman wrote in his JPS piece: "Frankly, among all the kids I grew up with, all of them in the protective shadow of Jewish mothers like mine, I never knew a fussy feeder. My mother never said 'Eat! Eat!' She had too much dignity. And too much sense. And I was always too hungry. I never dug cute islands and cut tricky little canals in my plate of farina. 1 gulped the stuff down. Instead of 'Eat! Eat!'. the Jewish mothers with whom I grew Up always said: 'Not so fast. While I'm here nobody is going to take it away from you.' Nobody did. And that's why I'm here. To set the record. straight." He then proceeded to relate the story about his mother and Somerset Maugham, in the form of an anecdote that assumes a high role of ethical parable. It was in 1934, Weidman relates. He was then 21. He had aban- doned law studies for a writing career. He moved out of his Bronx home and rented a room on New York's MacDougal Street. Richard Simon, the president of Simon & Schuster, had already bought some of his short stories. Once a week, on Friday night, he was assured a good meal at On a particular Friday in 1934, his mother suggested he not Corn:! to the Bronx that night but meet her in front of Klein's to help her buy a coat. Having acco:nplished that task, he took his mother uptown, by way of the subway, to see the important buildings. On the way, she stopped at one of the many Cushman stores to buy a favorite cake, described thus by Weidman: It was always the same cake, and it always came from Cush- man's: a lemon horror that consisted of two slabs of golden yel- low sponge cake filled with some kind of darker yellow custard. I don't know where my mother acquired her passion for this con- fection., but I do know it was a passion easy enough to satisfy: there were Cushman stores all over town and the damned cake cost onlii 29 cents. Having purchased "the 29 cent lemon horror," as they passed the marquee of the old,. now gone, Ritz-Carlton Hotel, a taxi pulled up at the curb and out stepped W. Somerset Maugham. Weidman had been introduced to Maugham by Richard Simon. As he stepped out of the taxi in front of the Ritz, Maugham recognized the young Jerome and was introduced to his mother. In his delightful JPS Bookmark story, Weidman explains that his mother understood only a limited number of English words and he had to act as interpreter during the scene he depicts in his wonderful story. From this point on, it is necessary that the Weidman should be quoted in its entirety and the Mashal —the parable—which Weidman described as an anecdote: The meeting began, as I have