Three Collections of Israeli Art Works Introduce Creative Artists to Amer i cans • Thanks to the deep interest of a couple in Lex- ington, Mass., with a love of art and a special concern for the spread of Israeli art, three magnifi- cent art works have been made available to this country. Mr. and Mrs. B. H. Pucker have gathered for dis- tribution in this country these three collections of art works: "Yosi Stern—Sketches and Drawings," issued by the Israeli Publishing Institute, 28 Hillel St., Jerualem. "Twelve Israeli Painters," a set of art works, published by Lion the Printer, 7 Harnagid St., Tel Aviv. "Moshe Gat—Drawings," published by Safrat Art Gallery, Jerusalem, printed in Israel by United Artists, Ltd., Tel Aviv. In every instance, these works were so beauti- fully produced, so well designed, that they enrich the available art collections and certainly draw new attention to the development of the artistic skills of Israelis. The multi-colored paintings, the drawings, the numerous sketches, are of such a variety, so attrac- tive, that the Puckers have rendered a great service by undertaking to make them a v a i l a b l e in this country. * * * In the Moshe Gat collection there are 16 sketches. In an explanatory pamphlet in this 11- by-16 set there is an introduction by George Crespo de la Serna that explains the works, offers a bio- graphical sketch of the artist, tells of his back- ground and the motivations for his works. In this introduction, which appears in English as well as in Hebrew, there is this interesting note by de la Serna, Mexican art critic and hitorian: "None of the characters he has created nor the events he has reconstructed through his imaginative power are soothing or tranquilizing. They express everything, wordlessly, yet with stark clarity: poverty and toil, desire and hope, the adaptability of every man to his fate in life, and the rebellion lurking within him against social injustice. Thus the Bedouin on the edge of the desert, the shoe-cleaner in the streets of Jerusalem, the laborer forcing his body down over his machine, and the Negro in Harlem. Thus the children selling their flitnsy wares in the market, thus the mother lifting up her child, as one bringing a sacrifice; thus the little Mexican coral- seller, with the strong and friendly features of face belonging to an ancient race—as ancient, almost, as the Hebrews." Indeed, the aged and the children, the poor, the traders, the fisherman, the women in the mar- ketplace — all depict life and its hopes and anguish. Moshe Gat was born in Haifa in 1935 and his artistic talent was manifested at the age of 16 when he began to study at the Bezalel School in Jerusalem. He has gained world acclaim since then, and his works have been exhibited in this country, in Mexico, Russia, Switzerland as well as in Israel. * * * Lion the Printer's product, the work entitled "Twelve Israeli Painters," includes the creations of the following, and their titles: Nahum Gutman, "Biblical Jerusalem;" Shalom Sebba, "The Sheep-Shearer;" Mordecai Ardon, "The Girl in Blue;" Margot L. Aschheim, "Three Friends;" Shmuel Katz, "Solomon's Pillars;" Ruth Schloss, "Harvesting Peanuts;" Joan Mach, "In Jerusalem;" Esther Pertz-Arad, "Children in the Rain;" Shaul Ohaly (Ruckhaus), "A Street in Jerusalem;" S'hraga Weil, "Joseph's Dream;" Mor- dechai Avniel, "Tiberias;" Josef Kossonogi, "Kin- nereth Landscape." Each of the paintings is individually framed, and each is accompanied by an explanatory note in Hebrew, with an English translation. As the titles show, there is variety here. And in each there is skill. Collectively, these are the works of artists of note, and each in his or her own right is earning deserved recognition in Israel, their fame now extending among us and in other lands. "Twelve Israeli Painters" are reproductions from the Art Calendar of Karen Hayesod-United Israel Appeal. * * * Yehuda Haezrahi wrote the introduction to "Jossi Stern—Sketches and Drawings." In this col- lection we have multi-colored paintings, sketches, drawings, caricatures. The artist used pen and brush, and his skill at catching the spirit emanating from his subjects marks him among the distinctly crea- tive in Israel. "The Fisherman," "Infant Scholars" and "The Old Man" well deserve acclaim, and the "Rainy Day," "Meah Shearim" and Shir Hama'aloth" are suffic- iently impressive in their modernism to elevate the collection to high rank in art. The drawings and caricatures are oozing with life. The double-truck drawings of the man engross- ed in prayer and the elderly lady opposite him— both entitled "Heaven . . . and Earth"—will cause the reader, the possessor of this book with its vast collection, to return to these subjects in admiration time and again. It is no wonder that the name "Shtern"--Stern — has became so famous among those who have taken an interest in Israeli art. Haezrahi, in the introduction, describes the charms of Stern's works, the humor without intent at being humorist, the caricature in it widest sense — analyzing the social and political; the artist's "path of nostalgia;" his portrayals of Jerusalem "full of optimism," the Jerusalem that is "under- going change, relinquishing one form and assuming another." Stern was born in Hungary in 1923. With a group of young refugees he went to Palestine at the outbreak of the war in 1939, managed to reach the Holy Land in 1940, was arrested by the British as an "illegal immigrant," was jailed for six months, and under care of Youth Aliyah and the Betar youth received an agricultural training in the Land of Israel. Then he was given a chance to study in the Bezalel School in Jerusalem. He began to draw attention and win acclaim for his art works, was sent to London in 1949 to study by the Israel Min- istry of Education, held a one-man show in Jeru- salem in 1951 and in recent years his works have been on exhibition, in addition to Israel, in Holland, France and Italy. Such are the three magnificent collections of Israeli art. They will enrich any art library and will be treasured in homes, schools, libraries. They are procurable from Mr. and Mrs. B. H. Pucker, 8 Bryant Road, Lexington, Mass. 02173. British Zionist Voice Concern Over Soviet Jews and Neo-Nazism LONDON (JTA)—Concern over the growing tide of neo-Nazism in Germany and over the plight of Soviet Jewry was expressed here Monday at the 64th annual confer- ence of the Zionist Federation of Great Britain and Ireland. Harold Miller, chairman of the conference, said that the increase in neo-Nazi activities as shown by recent election gains of the right- wing West German National Demo- cratic Party was "unforgivable." Referring to the problem of Soviet Jewry, he said that "the conscience of people throughout the world must be aroused" until Jews are given the same rights as other So- viet minorities, Dr. S. Levenberg, head of the Jewish Agency for Israel in Brit- ain, called for the establishment of a special political department to combat the steady stream of propaganda emanating from the Arab countries and the Soviet Union. In Brussels, a petition asking the Soviet Union to guarantee to Rus- sian Jews "the possibility of re- maining faithful to their cultural inheritance" and to allow them to emigrate if they wish to do so, was presented here yesterday to the Soviet ambassador by a delegation of the Jewish Students Union. The petition was signed by over 600 AllaidiaNININWINIMENIMmigmblimonk Brussels University students, in- cluding many non-Jews. In the Hague, a petition bearing 3,600 signatures of Dutch college professors and students, request- ing "more humane" treatment for Russian Jewry, was offered Mon- day to M. Toegarinov, Soviet minis- ter to The Netherlands. The en- voy refused to accept the petition, telling a delegation that offered it to him that "there is no problem at all of Russian Jews." In Pittsburgh, religious, civil rights, labor and community lead- ers sent a joint letter to the Cen- tral Committee of the USSR Com- munist Party requesting that the rights guaranteed to all peoples by Russia's constitution be granted also to the Jewish community. Among the 50 signers of the letter were well-known Catholics, Protes- tants and Jews. The letter was sent on the eve of the 23rd congress of the Com- munist Party of the Soviet Union. The local committee in charge of the action, called Equal Rights for Soviet Jewry, pointed out that, un- like other national. groups in the Soviet Union, the Jews are for- bidden to teach their language, literature, history and values. The THE DETROIT JEWISH NEWS Friday, April 1, 1966-13 letter concluded: "We call upon the 23rd Congress to fulfill a his- toric mission, and close the gap between the Soviet constitution and its full implementation with re- spect to the Jews." NOBODY UNDERSELLS WOODY PONTIAC "AND DON'T EVER FORGET IT!" 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