11 LEGAL CHRONICLE THE DETROIT JEWISH CHRONICLE and THE I ! ;111111[1 111111111111'1 11111111 1111111111111 111111111111111111 11111,1111111111111!11111111111111111111141 ■11111'113V ,1 21111111111111i111111111111111111111111111111U111111111111111111111111111111111,1111 ■ 4111:1111111,1111111111111111111'N1111 1:44111111111114,11111[1 .411111111111111111111i,, 11411.11161111141111I iY.:3,31411 1 11111 1 111!. 4111111 1 1 111!'il l E11;111111111111411111111 2 7.3 '. 7 How the Daily Newspapers Welcome `The Romance of a People' To Detroit Excellent Editorial Tributes to the Pageant by the Detroit Free Press and the Detroit News. Editorial from Detroit News April 9, 1931 ROMANCE OF A PEOPLE cr Ih 1110101U111111 ■ 11111011101011IMPIPItlUll Tit "The Romance of a People," the pageant of Jewish history which Detroit will see April 16, may be judged beforehand in one important particular. By its very nature its appeal must be wide, embracing the non- Jew as well as those of the pure racial strain. Such an appeal is inseparable from any rev- elation of Jewish history. This is true because no western people can tell its own story without driving deeply into the story of Israel. Religious faith is a vital part of any national history.. The pre- dominant faith of Europe was cradled in Judea, took innumerable oracles and com- mandments from the Old Testament and, in the plain speech of its Founder, sought not to destroy but to fulfill. The immense im- -ulse of Chri:tianity can not be compre- hended without an understanding of its parent-impulse, which is Judaism. What is true of faith is also true of cul- ture. The very fact of dispersion—lament- ed by Jews down the centuries, has worked Jewish principles of art and thinking into the culture of every western nation. Music, drama, literature, philosophy and a host of other humanistic fields owe incalculable debts to the presence of Jews, far from their homeland, accommodating their brains and talents to the western societies which, how- ever grudgingly at first, finally gave them welcome. Religion and culture could be called a pair of pillars on which the structure of history, at least in part, reposes. We are assured that "The Romance of a People" is a corn- prehensive spectacle, that it reveals pictori- ally 4,000 years of Jewish history; ancient Palestine, the Egyptian bondage, the glory of Solomon, the Roman conquest, the lofty station of Jewry in medieval Spain, the de- velopment of Chassidic mysticism and. finally, the rebuilding of Palestine in our own day. The mere enumeration of these episodes proclaims how deeply and how im- portantly they have affected the record of the western nations. I i11 1111114 1L1 11111114 11 411111. 111 111!IIII III ', , 111111 111 111111111 111 11:111111111111111 4 :1•1,11 ' ,1 1411111!Il i■11141,111114■111111 4o . 11111111.3 11iii.a,,i 3 l37,d k (law- sal from Detroit Press of THE ROMANCE OF A PEOPLE Just as the theater developed out of the mystery and morality plays of the early church, so occasionally do religion and his- tory turn back to the stage as the medium by which their inherent drama may best be presented. This is true of "The Romance of a People," to be given in Detroit for the week beginning April 16. Originally prepared as the climax of Jewish Day at the Century of Progress last summer in Chicago, its spectacular value was so definite as to call forth spontaneous requests for its repetition. Since that time thousands of people in Chicago, New York, Philadelphia and Cleveland have witnessed the episodes interpreted through rhythm, music and light sweeping up to the libera- tion of that race which has crossed all cur- rents of history: The highlight of the pag- eant is the emergence of the Chassidic cult, "chassid" meaning "pious," which centuries ago expressed joy in humility, fervid delight in misery and the heightened sense of defi- nite personal relationship to God. An artistic achievement of universal appeal, using the instruments of history, "The Romance of a People" is not propa- ganda, for all its timeilness and the employ- ments of its proceeds for the settlement of German-Jewish refugees in Palestine. Its moral is implied, not stated; its entertain- ment and educational value obvious. , ,H,,114441411111344,1111107101144143 1 141111114114i11611114 4 111113101144i4a4447,!14.4111111414111411t1h1111410111111441411 1 141111111411 1 11411141114417[1141141114111